Italian Modernist Arched Mirror with Brass Frame

Italian brass mirror with a decorative ring at the top. Measures: 31" H x 21" W (at its widest point).

Pair of Mid-Century Modern brass arched mirrors.

Italian decorative brass mirror. The mirror has a ring at the top for hanging.

Very decorative, stunning gold gilt mirror with wood frame.

Large arch beveled mirror with a smoked glass crown. Art Deco style.

Hammered tin framed mirror with an arched top.  

Italian Modernist style leather and metal side chairs, the set of four with high back and seat upholstered in black leather above straight front legs, flaring to cantelevered curved ...

Made in Italy, 1970s. This mirror features a square army green beveled glass frame and a wooden back. This is a vintage piece therefore it might show slight traces of use, such a...

A fine Italian rectangular beveled mirror with a carved giltwood frame in the Rococo style. Dimensions are H 29 inches x W 23 inches Ca...

Italian modernist table lamp with an iron chain link leg atop a shagreen base, holding up a square shagreen light source. The piece dates from the 1960s and was made in Italy. In gre...

A fairy -tale mirror by shape and color, whose sinuous lines remember those of the Baroque wooden mirrors. Produced in Italy between the 1950s and 60s, probably by Cristal Art manuf...

For your consideration is this mid-century modern mirror with planter by Tommi Parzinger. The mirrored glass has beveled edges, is mounted on wood with original white finish and is s...

19th century French Louis XV style carved and giltwood arch top mirror. Circa 1870. A fine addition to any home!.

Mid-Century Modern mirror Fontanit by Fontana Arte with gilt brass frame, Gio Ponti attributed. About Fontana Arte Best known for its elegant and innovative vintage lighting pieces, the Milan-based firm Fontana Arte pioneered one of the key features of 20th-century and contemporary Italian design: the union of artistry and industry wrought by partnerships between creative talents — chiefly architects — and entrepreneurial businesses. Fontana Arte is further distinguished by having had as artistic director, in succession, four of Italy’s most inventive modernist designers: Giò Ponti, Pietro Chiesa, French transplant Max Ingrand and Gae Aulenti.The bread and butter of the glassmaking company that Luigi Fontana founded in 1881 was plate-glass panels for the construction industry. In 1930, Fontana met Ponti — then the artistic director of the Richard-Ginori ceramics workshop and the editor of the influential magazine Domus— at a biannual design exhibition that became the precursor to today’s Milan Design Triennale, and the two hatched an idea for a furniture and housewares firm. Fontana Arte was incorporated in 1932 with Ponti as its chief of design. He contributed several lamps that remain among the company’s signature works, including the orb-atop-cone Bilia table lamp and the 0024 pendant — a stratified hanging sphere. The following year, Fontana Arte partnered with the influential Milan studio glassmaker and retailer Pietro Chiesa, who took over as artistic director. Chiesa’s designs for lighting — as well as for tables and items including vases and ashtrays — express an appreciation for fluidity and simplicity of line, as seen in works such as his flute-shaped Luminator floor lamp and the 1932 Fontana table — an arched sheet of glass that is held in the permanent collection of the Museum of Modern Art. Six years after Chiesa’s 1948 death, the École des Beaux Arts–trained Max Ingrand took over as head of design at Fontana Arte. Ingrand brought a similarly expressive formal sensibility to wares such as lamps and mirrors, but he also had a masterful eye for the manipulation of glass surfaces — whether they be cut, frosted, acid-etched or sand-blasted. His classic design is the Fontana table lamp of 1954, which has a truncated cone shade and curved body, both of which are made of pure, chic white-frosted glass. Following Ingrand, the often-audacious Italian architect Gae Aulenti served as the company’s artistic director from 1979 to 1996, and while she generally insisted that furnishings take second place aesthetically to architecture, she made an exception for Fontana Arte pieces such as the Tavolo con Ruote series of glass coffee and dining tables on wheels...

Beautiful Arched Mahogany Mirror with double mirrored panels separated by a carved mahogany swag. Well articulated hand carved bonnet sits on top of an arch supported by a pair of tu...

Beautiful arched mirror with three-colored handmade rattan frame, from mid-1960s, France. The mirror is in a very good condition, without any marks or damages. We found this unique object at an antique fair...

A fine Italian Modern wall mirror with a brass frame featuring a clean, Mid-Century design, in the style of the famed designer, Gio Ponti. (Italian, 1891-1979) An architect, furn...

Delightful arch shaped narrow mirror with an elegant solid brushed brass frame. Designed and handcrafted in London, UK. Fitted with a brass hook or an aluminium z-bar depending on...

Delightful arch shaped narrow mirror with an elegant solid brushed brass frame. Designed and handcrafted in London, UK. Fitted with a brass hook or an aluminium z-bar depending on t...

Midcentury arched mirror with a stunning double frame in curved bamboo and rattan wicker. This fantastic item was produced in Italy in the 1970s. The way the two-round bamboo line...

Wonderful mid-century arched shaped mirror with double bamboo cane frame. This fantastic item was produced in Italy in the 1970s. The way the ...

Italian wall mirror of modern design from the 50's Made of mirrored glass and brass.