A Pair of Italian Neoclassical Giltwood Pier Mirrors

A Rare and Large Pair of Florentine Cartouche-Shaped Giltwood Wall Mirrors. Each surmounted by an elaborate pierced rocaille cresting of shells and trailing flowers. The frame wais...

A Fine Pair of George III Style Carved Giltwood Mirrors. Each mirror has a rectangular bevelled mirror plate within a carved giltwood frame of acanthus and 'C'-scrolls, surmounted b...

A Magnificent Pair of George II Style English Carved Giltwood ‘Rococo’ Wall Mirrors After A Design By Thomas Johnson. Of large proportions, each mirror having a cartouche-shaped plate within a profusely carved and pierced branch-entwined frame with stylised acanthus foliate rocaille and ‘C’-scroll decoration, architectural motifs and running dogs, surmounted by an asymmetrical pagoda form cresting with rockwork spires and a seated rustic couple holding a basket, flanked by confronted Ho-Ho birds, with a conforming asymmetrical apron of acanthus and waterwork icicles centred by a perching bird. This magnificent and ornate pair of English wall mirrors or ‘pier glasses’ are refined and reduced from a design by Thomas Johnson (1723–1799) first published in 1756 and included in his ‘Collections of Designs’ (1758), plate 4, and republished in his ‘One Hundred and Fifty New Designs" (1761) as plate 22. Pier Glasses were designed to be placed on the wall or 'pier' between windows; as well as forming part of a decorative scheme they provided an important functional use, creating a reversal of dynamic with the windows at night, reflecting and maximising the light given off by candles or oil lamps. Johnson’s asymmetrical design creates a sense of fluidity and lightness to the mirrors, employing ‘contraste’ in the placing or absence of elements, to create a stylised form, which through the dynamic tension of its constituent parts instils the mirrors with a sense of playfulness and vitality. In London throughout the 1740s and 1750s there developed a great enthusiasm for the whimsical Rococo style, and it rapidly became the height of fashion, popularised, and disseminated throughout the country and further afield by cabinetmakers’ 'Books of Prices', and 'Directories'. The second half of the 19th century saw a revival of the Rococo style in England and many designers and furniture makers turned once again to Chippendale’s ‘Director’ and designs by Matthias Lock and Thomas Johnson for inspiration, with fine examples based on modified designs or specific plates. Thomas Johnson’s designs, executed in a vigourous picturesque manner, are often inspired by the work of earlier French designers, transposing motifs taken from engraved ornament by Jean Bérain, Daniel Marot, William de la Cour, J. B. Toro and Francis Barlow...

A fine pair of large carved giltwood and Gesso mirrors. Each mirror has an arched mirror plate framed by foliate carved borders. Possibly Italian or Austrian, circa 1870.

Each with panel and inset round mirror superstructure flanked by laurel swags over open scroll and rosette decoration all flanked by a pair of urns, all over a mirror plate set in guilloche carved frames with laurel swags. Beautiful original gilding in excellent condition. Removed from a Sherry Netherland...

18th century, pair of Italian neoclassical carved and giltwood mirrors Size H 70 x W maximum 50 x W 43.5 frame x D 3. The pair of delightful mirrors was made in south of Italy (Sicily) in the neoclassical period, towards the end of the 18th century. They are composed of a box frame, in carved wood...

PAIR of Italian Neoclassic (18th/19th Century) giltwood wall mirrors / girandoles with two wrought iron arms with lights at the bottoms. (PRICED AS PAIR)

Small mirrors nice to flank a painting or other artwork. Arched scrolled crest over a mirror plate surrounded by a white painted border.