Pair of Painted and Giltwood Mirrors from Florence, Italy

The reign of Napoleon III, often referred to as “The Second Empire”, featured an amalgamation of styles from previous regimes, ranging from the light and airy Rococo of Louis XV to the more stoic Neoclassical trophies of Louis XVI. Our painted giltwood overdoor from circa 1850 is in the vein of a Regence or Louis XV adaptation of the Napoleon III period. The piece is adorned with flowing motifs inspired by nature, such as the curled leaves, scalloped shell, and deep carvings seen on the overdoor. A main principle of Napoleon III furnishings was to utilize every inch available, as noted by the gadrooned leaf and rinceaux that emanate from behind the center medallion, forming a sprawling border. The medallion features an amazing high relief carving of a floral bouquet surrounded by curled leaves with scrolled tendrils and raised, asymmetrical panels. At the top is a scalloped shell, which is mimicked by a pair of parted leaves set at an angle in each of the upper corners. All of the carvings are presented in giltwood, which pairs nicely with the cream colored background that is enveloped in a quarter round molding (also gilded). The entire grouping is presented as a raised carving, with a thin board behind it that has tas de sable (sandpit) pilasters topped with block finials flanking the overdoor. Unique to most other antique overdoors...

These small, painted Italian panels are sure to make a statement in any home. Meticulously hand-crafted in Florence, they feature oval mirrors and iron sconces finished with an antiq...

This Period Louis XIV mirror has some of the most elegantly carved motifs. They are motifs such as the lambrequin, the acanthus leaf, martial attributes, palmettes, patterned grounds...

These small and decorative wall mirrors are from Italy and date to the late 1700s. They have a simple rectilinear form adorned with carved scrolling motifs on the crown, at the shoulders, and flanking the lower corners. A small, stylized Fleur-de-lis rests at the top of the mirrors while small block feet support the frames. All of this is covered in a beautiful, rich silverleaf, which is original to the mirrors. The glass, though likely not original the frames, are old mercury mirrors, pre-1850. The backs of the frames are painted in a lavender blue and each has a small loop for easy hanging. Today, these small Italian mirrors...

These painted panels were meticulously hand-crafted in Florence, Italy. The panels have been parcel-painted white with a 6 ¼ x 4 ½ oval mirror set inside an open cartouche. Both mirr...

A subtle twist on a timeless classic, this Louis Philippe mirror has four rounded corners, whereas the traditional Louis Philippe only has rounded upper corners. Also of note, the mi...

Ancient pair of double-wing doors, for interiors, painted on the front and back, they are similar to each other as they came from the same historic residence, from the eighteenth ce...

A pair of late 19th century Chinese panels in a red and black ground. Panels hand painted design over faded gold.

Two wood framed reversed painted on glass French panels, formerly doors.

Antique pair of French shutters in very old paint removed a long time ago from a chateau located in Brittany. **Width provided is for the wider shutte...

Pair of tall slender tapered pilasters, silver gilt, 8ft 8 inches tall, finely carved in the typical shallow relief manner of the Régence period. Gorgeous patina on silver gilding.....

Pair of Italian painted and parcel gilt panels. Bouquet finial supported by cherub in beaded frame , Three carved vertical columns of twisting floral forms. Carved sunburst pattern a...