Pair of Thuringian Meissen-style Porcelain Two-Light Mirror Grinadoles Ca. 1870

A yellow lacquer chinoiserie octagonal wall mirror First half of the 20th century The moulded frame decorated in relief with pavillions, swans, flowers and ships. Measures: ...

Pair of thoune "Thuner Majolika" Vedute plates, circa 1890, topographical miniature paintings of alpine scenery and Geneva framed by brightly colored incised and raised enamel, tradi...

Pair of Baltic Gilt Satyr Faun Head Wall Sconces Late 19th / Early 20th Century, Probably Swedish Ball finial to gilt bronze canopy, five scrolls with prism drops, two chains from canopy to bobeches, central triangular crystal upper column terminating over round cut crystal base. Foliage design to reverse dish over twist gilt bronze lower column, over gilt bronze mythological satyr faun head base termination, two branch arms with bobeches holding four prism drops, porcelain white ceramic candle...

Unusual arts and crafts Verre Eglomise mirror in oak frame Late 19th century, Early 20th century. Bevelled and cut verre eglomise mirror framed in profile honey oak frame wit...

Fine pair of 19th century baroque Italian Majolica glazed mirrors. Mirrors are hand- made featuring colors of white, yellow and blue with carved edges, each molded with a bearded mas...

Exquisite Italian wall mirrors made in hand carved wood hand painted in light grey with gilded inner parts and floral motifs one of them still wearing the original glass. There were ...

Pair of late 19th century Venetian Louis XV style mirrors.Bold hand carved rococo frames with original hand painted and gilded finish.

Pair of "cornucopias" with mirrors, nearly identical (except for details in the leaves of the frames), carved and gilded wood. Inside, the main mirror has moldings that draw curves and straight areas, volutes and other elements. The elaborate decoration of the wall mirrors is based on grotesques in the lower part, from which plant elements emerge that are prolonged, accompanied by hangings, towards the upper part by the sides, with openwork details. Above, the crests have circular spaces, flanked by birds perched with its wings partly extended, and surrounded by elaborate frames that, like the rest of the pieces, have architectural elements (scrolls, smooth oval mirrors), plant elements and shapes that remind Rococo rockery. Clearly, the examples are included within the Rococo, counting, even with the slight asymmetry presented by the decorative motifs of the same and that slight difference between both examples. It is possible to find similarities in the design of these cornucopias with different engravings and works by Matthias Lock...