Brouer Mid-Century Modern Danish Teak Nightstands with Extending Table Top

At once functional and elegantly minimal, this adjustable king‑size platform bed is a design revelation—a rare vintage piece that harmonizes flexibility with architectural clarity. C...

This nightstand is a bold expression of 1970s Space-Age design, balancing futuristic materials with strong visual energy. It measures approximately 27 inches (69 cm) wide, 16 inches (41 cm) deep, and 21.5 inches (55 cm) high — proportions that offer enough presence to anchor a bedside while remaining compact and versatile. The body and base have been fully refinished: wood structure sanded, primed, and painted in a bright white lacquer that revives the crisp contrast so loved in the Chapter One line. The two drawer fronts are original molded plastic in dark lime green, their injection-formed curves and original texture preserved. The laminate top has been buffed to a high gloss, reflecting ambient light and amplifying the piece’s sculptural surfaces. Wear is minimal and respectful: the green plastic doors show some minor imperfections consistent with age, visible only under close inspection; the laminate top bears very light surface scuffing — again, only where someone might lean or set objects. Overall condition is very good, showing both testament to its vintage roots and clarity of restoration. This is more than a small bedside piece — it’s a design icon in microcosm. Its plastic mold fronts and chromed or gloss accents evoke the work of designers like Raymond Loewy, whose influence underpins much of Broyhill’s Chapter One line. The curves, gloss, and contrast make it ideal to pair with stark modern furnishings, mirrored or chrome accessories, or rooms that lean toward graphic color. Collectors drawn to landmark production furniture, futuristic plastic mold work, or anything in the rarified orbit of Space Age vintage will recognize this piece’s rarity: a well-restored original drawer front, clean structural form, and color contrast that still feels playful and confident. Well it’s 2025, and Broyhill’s Chapter One Collection is officially harder to find and more sought after than the Raymond Loewy orginals. With all due respect to Raymond Loewy, there really is something magical about the Chapter One line. Maybe they’re just more fun and approachable. Maybe it’s the proportions and practicality. Regardless, they’re one of our favourite collections of all time. The restoration team pulled no punches on this nightstand, and the end result exceeded our expectations. Every inch of the wood body and base was professionally sanded, primed and painted to match the original bright white. The laminate top and dark lime green molded plastic drawer fronts were finally buffed and polished to a glassy shine. It’s tough to see these go, but we know it will be loved. Broyhill’s Chapter one collection borrowed from the plastic mold injection designs made famous by legendary designer Raymond Loewy. Like Loewy, this Chapter One Green Nightstand...

Pair of vintage parquet oak side tables with elegant X shaped bases. The transitional side tables are a petite stature and weight. They are perfectly at home placed beside your sofa or armchair. The beauty of these tables lies in their mobility. Because of their size, you can easily move them about. Essentially you have the functionality of portable furniture with the timeless look and craftsmanship of an heirloom piece. The oak parquet veneer accentuates the solid wood table tops...

Gorgeous, large Danish teak end tables produced by Svend Madsen for Karl Lindegarrd. These Mid-Century Modern lamp tables are finished on all sides, and feature elegant styling and expert Scandinavian craftsmanship. A single drawer on each table provides ample storage without compromising the overall modern aesthetic. The solid teak wood legs are a bit thicker than typically seen on Danish furniture. Theses gently contoured legs mimic the humanist feel of the rounded edges on the table tops. Subtly bowed, solid teak edge banding punctuates the far ends of the table tops. These tables are stamped with the Svend Madsen label and marked made in Denmark. Both of the table tops have been refinished. The more than half-a-century old teak wood maintains a warm orange tone that only comes with age. As is the case for many Scandinavian designers from the mid-century period, little biographical information on Danish designer Svend Åge Madsen has survived. What is known has been gleaned from vintage dealers working with limited archival materials, like sales catalogues. Outside of Nordic countries, the designer’s name is often written "Svend Aage Madsen”. While some rare designs date from the late 1950s, the overwhelming majority of Madsen’s furniture was designed in the 1960s. Madsen’s creations epitomize the Danish modern style: he favoured warm teak and rosewood, organic silhouettes, and minimal decorative details. More specific features of his work include “boomerang” legs; sloped, arching desk...