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Powder Horn, 18th Century

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Powder keg. Engraved horn, rope, cork. Spain, 19th century.
Located in Madrid, ES
Powder keg. Engraved horn, rope, cork. Spain, 19th century. A container for storing gunpowder made from a cow's horn and decorated on the outside with a series of figurative, geomet...
Category

Antique 19th Century Spanish Neoclassical Revival Sports Equipment and M...

Materials

Metal, Other

Bronze pax. 18th century
Located in Madrid, ES
BRONZE PAX. The plaque that forms this element, formerly used in mass to give the osculus of peace with decorum, has been decorated with varied reliefs: in the lower part, vegetal sc...
Category

Antique 18th Century Spanish Rococo Religious Items

Materials

Bronze

Giltwood Niche. Rococo, 18th Century
Located in Madrid, ES
Hornacina formed by a back decorated with molding and a support for a sculpture decorated with a masque and vegetal motifs and topped by a split pediment with a central motif worked ...
Category

Antique 18th Century European Rococo Religious Items

Materials

Wood

Bronze Weight, 18th Century
Located in Madrid, ES
Weight of the 18th century. Bronze. Bronze weight, incomplete, with the container glass and two of the smallest, all decorated in cold with incised and...
Category

Antique 18th Century European Neoclassical Scientific Instruments

Materials

Bronze

Bronze Aspergillum, 18th Century
Located in Madrid, ES
Hyssop. Bronze, 18th century. Swab made of bronze, forming the usual circular part, followed by a shaft decorated with moldings, which separate a tubular part from another with a b...
Category

Antique 18th Century European Neoclassical Religious Items

Materials

Bronze

Silver Incense Boat 'naviculae', Possibly Portugal, 18th Century
Located in Madrid, ES
Naveta. Silver. Possibly Portugal, 18th century. Base with counterweight. With hallmarks. Naveta with oval foot decorated with relief elements and moldings, balustrade foot and body with light boat shape, presenting a hinged lid in the front, a widening in the lower area towards the foot and a decoration distributed throughout the exterior base of rockery motifs and plant elements (the same theme is presented on the foot and base) on a background of chopped luster, with an angel's head on two wings in relief towards the peak, accompanied by plant elements (the which protrude from the edge of the lid). Although the shape of the piece follows in general lines the most usual prototypes in these incense containers used in the liturgy, it is necessary to indicate that it was more frequent to find them more similar to a ship. The naveta's belonging to the influence of Rococo is clear both for the lines of the object and for the decoration to which reference has already been made (pebbles, plant elements with movement, volutes with pronounced curves, contrasts between concave and convex lines ... ), as well as it is possible to find some points in common with Portuguese works (presents an auction with an angel head in relief a silver naveta with a spoon by Leandro Gagliardi made in Rome between 1744 and 1750 that is preserved in the Museum of Sao Roque of Lisbon in Portugal, compare with the silver plated censer that the same master made between 1749 and 1751 for the Chapel of San Juan Bautista of the Church of San Roque in Lisbon). The contrast marks present in the upper part of the naveta (the "capitalized" letters in a rectangular space), although it should also be noted that this work does not follow the most striking typology of navetas related to this center (naveta de 18th century silver from the Church of Alcántara de Maranhao, Brazil; naveta by Sebastiao Bernardes dos Santos, dated 1747 from Sé do Funchal, which is kept in the Museu de Arte Sacra Do Funchal in Madeira Portugal...
Category

Antique 18th Century European Rococo Religious Items

Materials

Silver, Other

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LARGE GUNNER'S POWDER HORN Naval - French, late 18th century.
Located in TEYJAT, FR
Original Large French Gunner's Powder Horn, Naval - French, late 18th century. Of large size used to load cannons aboard ship. With fitted wooden plug and brass dispensing spout. T...
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Fine Carved German or Austrian 18th Century Stags Horn Powder Flask
Located in TEYJAT, FR
A FINE CARVED GERMAN OR AUSTRIAN 18TH CENTURY STAGS HORN POWDER FLASK - The front face expertly carved with two hunters in a wooded river bank scene with hounds and two flighting duc...
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Revolutionary War Powder Horn
Located in New Orleans, LA
Powder Horn Engraving by Charles Goodrich 1776 Powder horns stand among the rarest and most treasured forms of American folk art. Unlike commercial objects, these deeply personal items were crafted by soldiers, sailors and explorers for practical use during their journeys. Through scrimshaw—an intricate technique of engraving bone or horn with a simple jackknife and filling the crevices with available pigments like soot or ash—these individuals left tangible marks of their hopes, dreams and experiences. This exceptional American Revolutionary War powder horn belonged to Charles Goodrich (1720-1816), a significant figure in early Pittsfield, Massachusetts history. The horn displays distinctive period characteristics with the inscription "PITTSFIELD" clearly visible on its amber-colored surface. Charles Goodrich, born in Wethersfield, Connecticut in 1720, became a prominent civic leader in Pittsfield. He built the first house in the settlement in 1754 and served in various official roles, including Justice of the Peace and town representative to Boston. While Goodrich's name may not appear prominently in history textbooks, historical documents—particularly his September 3, 1776 petition to the Massachusetts Assembly—reveal his compelling story. The petition shows that Goodrich faced accusations of being a British sympathizer and draft evader. According to his account, he was targeted for his public office, physically assaulted by a man named James Morey and subsequently fined by a local committee. Goodrich maintained that he merely defended himself when attacked and claimed ignorance of requirements to either serve as a drafted soldier or hire a substitute—accusations that branded him unpatriotic during the revolutionary fervor. The Massachusetts Council's concurrence with Goodrich's petition likely inspired his subsequent military service. His powder horn, bearing the inscription of Pittsfield, accompanied him to Fort Ticonderoga, where Simonds' Regiment of Militia (2nd Berkshire County Regiment) was stationed during the difficult winter of 1776-1777. Fort Ticonderoga, a strategic stronghold in upstate New York, had been seized from the British in May 1775 by Ethan Allen and Benedict Arnold. By the time of Goodrich's service, American forces occupied the fort while preparing for an expected British counterattack. In August 1777, Goodrich and Simonds' Regiment participated in the Battle of Bennington—a decisive engagement where Patriot forces under General John Stark defeated British and Hessian troops. This victory significantly weakened General John Burgoyne's invasion force, contributing to his surrender at Saratoga in October 1777—a pivotal turning point that helped secure French support for the American cause. Powder horns captivate elite collectors and major museums alike. The Metropolitan Museum of Art recognized their significance by dedicating an entire exhibition to American Engraved Powder Horns...
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Antique 18th Century American American Colonial Historical Memorabilia

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Christ , 18th Century
Located in Saint-Ouen, FR
Christ , 18th century. Crucifix, Christ, beautiful carved and gilded wood frame, 18th century. Dimensions: H: 61cm, W: 39cm, D: 7cm.
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Antique 18th Century French Louis XVI Religious Items

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18th Century French Reliquaries
Located in Dallas, TX
Set of three 18th century French Reliquaries. Carved wood with metal repousse over the wood Each piece contains the original Latin pages framed in o...
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Antique Early 18th Century French French Provincial Religious Items

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18th Century Wood and Gesso Altar Vase
Located in Hastings, GB
A hand-crafted wood and applied gesso altar vase, late 18th century with gilt and green banding decoration. Small areas of loss to the gesso and wear to the paint commensurate with ...
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