1 Volume. Ayn Rand, Atlas Shrugged.

1 Volume. John Skelton, Charles I. Bound in full red morocco. Cover and raised band spine are ornately gilt-tooled. Top edge is gilt. Marbled endpapers. Color portrait frontispiece a...

1 Volume. Mortimer Menpes, India. Text by Flora Anne Steel. Bound in 3/4 brown morocco, vellum boards, top edges gilt, raised bands, ornate gilt on spines, marbled endpapers by Rivie...

Rand, Ayn. The Fountainhead. New York: The Bobbs-Merrill Company, 1943. First edition printing. Octavo. Rebound in modern half red Moroccan leather and marbled boards, with gilt tooling and titles to the spine, and the original dust jacket bound-in. Presented is a first edition printing of The Fountainhead by Ayn Rand...

"The Cartier of our time." —Christies. "Exquisitely refined creations. Rosenthal made jewellery modern but infused it with the timelessness of perfection." —Telegraph. "The Faberge´ of our time." —Diane von Furstenberg. Volume I showcases a selection of the jewels made since the shop's founding in 1978 up to "The Jewels of JAR - Paris" exhibition, held at Somerset House in London (November 2002 - January 2003.) Volume II presents a selection of works created between 2002 and up to JAR's exhibition at the Metropolitan Museum of Art in 2014. About JAR Since opening JAR in 1978, with the help of his Swiss friend Pierre Jeannet, Joel Arthur Rosenthal, has become one of the world's most sought after jewellery designers. A native New Yorker, Rosenthal moved to Paris after graduating from Harvard and has lived in the city for most of his adult life. He experimented in scriptwriting and then needlepoint, opening a shop where he experimented with unusually coloured yarns. It's clientele included designers from Herme`s and Valentino. Rosenthal was one day asked if he could design a mount for a gemstone, setting his career in a new direction. His signature includes setting gems in pave arrangements, so finely wrought as to be virtually invisible. Rosenthal uses...