2 Volumes, Dr. Doran, London in the Jacobite Times

3 Volumes. Dr. Oskar Fischel & Max Boehn, Modes and Manners of the Nineteenth Century. Bound in full wine calf with covers displaying gilt-tooled double borders and floral cover deta...

2 Volumes. Epictetus. The Discourses. Translated by George Long. Bound in full brown morocco, gilt on covers and spines, raised bands, top edges gilt. Published: London: George Bell ...

8 Volumes. Homer, The Iliad & The Odyssey. Large Paper Edition. Bound in 3/4 brown morocco and marbled boards. The raised band spines are gilt-tooled. The top edges are gilt with mar...

6 Volumes. R.S. Surtees, The Works. Titles include "Mr. Sponge's Sporting Tours," "Handley Cross," "Ask Mama." Bound by Bayntun in 3/4 red morocco with red linen boards. Gilt-tooling...

ROWLANDSON'S FIRST and most famous color-plate book. FIRST EDITION, in 3 volumes, with 104 brilliantly-colored acquaint plates. London: 1808-1810, Large 4to; 13 x 10 7/16 in. (330 ...

First English Edition, limited to 1000 numbered copies published in 4 volumes by Akademische Druck - und Verlagsanstalt, Graz, 1964. Across the four volumes of this comprehensive wo...

Miller, Francis Trevelyan (editor). The Photographic History of the Civil War in Ten Volumes. New York: The Review of Reviews Co., 1912. Quarto, ten volume set, in original blue cloth gilt bindings. Illustrated with thousands of photographs, plus maps. This is an important 10-volume photographic history of the Civil War, edited by Francis Trevelyan Miller. The set was first published in 1911, the 50 year anniversary of the start of the Civil War. This 1912 edition contains “thousands of scenes photographed 1861-65, with text by many special authorities.” This mammoth work contains written contributions from over 39 academics, writers, veteran officers of both Union and Confederate forces, and President William H. Taft. A number of the photographs are from the collections of private individuals, as well as the extensive Eldridge Collection of Mathew Brady Civil War photographs...

First Edition, third issue of Dr. Seuss' most famous book, accompanied by a card bearing the AUTHOR's SIGNATURE and a quick SKETCH of his famous "green egg." Seuss, Dr. (Theodor Seuss Geisel, 1904 – 1991) The Cat in the Hat New York: Random House, 1957. First edition, First Printing, Third Issue. Dust jacket. 8vo, 9 x 6 1/2" (230 x 165 mm), (2) + 61 + (1) pp; pictorial end papers, verso of free end paper blank, pictorial title page, copyright page. Binding with glazed pictorial paper cover over boards and title on spine, very light signs of wear at corners and spine ends, binding stitched at 1 inch intervals; upper cover illustrated and lettered with addition of "For beginner readers"; back cover with excerpts from reviews printed in letterpress below illustration of chalkboard reading Educators hail The Cat in the Hat. Printed in red, black, salmon, dark blue and light blue on wove paper, with bold illustrations on every spread; pages a touch yellowed on edges. On the back of the last page of text is a note on the book enclosed within a large outline in blue of Cat in the Hat. The ORIGINAL DUST WRAPPER in near fine condition, with just slight wear on corners and a chip on the bottom of the spine, reproduces the book's cover; front flap bears price on upper right corner, 195/195, indicating this is the second state of the dust jacket. Accompanied by a small drawing of a "green egg" with "Dr. Seuss" autograph in black ink with on a light green index card, 3 x 5 in. (76 x 127 mm). [Younger & Hirsch 7; Greenaway 95] Dr. Seuss was challenged by Houghton Mifflin's Education Division director, William Ellsworth Spaulding, to create a book for young children using the 225 essential words for beginning readers, a book they would not want to put down. Seuss used 223 of the words from the list, plus 13 others. Seuss tricked kids into enjoying learning with his destructive and charismatic house guest. Inspired in part by Krazy Kat and Felix the Cat, but with a wily mind all his own, the Cat in the Hat's humor and naughtiness are engaged in the noble cause of literacy. "Parents," notes biographer Brian Jay Jones, "were more than happy to join Dr. Seuss as fellow revolutionaries. Even if parents didn't necessarily understand the pedagogy, it was easy to see the difference between the staid DICK AND JANE...