Albert J. Beveridge, Abraham Lincoln

1 Volume. Gideon Welles, Lincoln & Seward. Bound in 3/4 blue calf with marbled boards and gilt-tooling on the covers and raised band spine. Top edge gilt. Marbled endpapers. New York...

12 Volumes. Lord Macaulay, History of England. Albany Edition. Limited to 250 copies of which this is 218. Bound in full red morocco with gilt tooling on the covers and raised band s...

1 Volume. Emil Ludwig, Napoleon. Bound by Bayntun in full red morocco with an oval portrait of Napoleon on the front cover. Ornate gilt-tooling on the covers and raised band spine. A...

1 Volume. Richard R. Holmes, Queen Victoria. Bound in 3/4 wine morocco and linen boards. The cover displays a crest in gilt. Raised band spine with panels displaying gilt royal detai...

AUTHOR: BEVERIDGE, Albert J. TITLE: Abraham Lincoln 1809-1858. PUBLISHER: Boston: Houghton Mifflin Company, 1928. DESCRIPTION: STANDARD LIBRARY EDITION. 4 vols., 9-1/2" x 6-5/8",...

Lincoln, Abraham and Stephen A. Douglas. Political Debates Between Hon. Abraham Lincoln and Hon. Stephen A. Douglas, In the Celebrated Campaign of 1858, in Illinois, Including the Preceding Speeches of Each, at Chicago, Springfield, Etc.; Also, the Two Great Speeches of Mr. Lincoln in Ohio, in 1859. Cleveland: The Burrows Brothers Company, 1894. Limited edition printing, No. 168 of 750. Presented in ¼ leather and cloth binding, with gilt titles and raised bands to spine, with a new archival cloth slipcase. This is a special limited edition printing of the political debates of Lincoln and Stephen Douglas...

Pipe holder designed by Abraham Palatnik with the artist's own aesthetic characteristics, vivid and colorful, made out of polyester resin. Produced by “Si...

The definitive monograph of Oehlen's work to date. Limited to 1,000 numbered copies, each signed by Albert Oehlen. Also available: An Art Edition limited to 100 copies, each signed by the artist and accompanied by an original artwork. Often wryly funny and just as smart, Albert Oehlen’s paintings play the medium for all it’s worth and then some. After realizing that the so-called death of painting freed him to explore "the number of aspects through which one could expand painting," Oehlen started work on a wide variety of figurative and non-objective offerings, in what he has called his "post-non-figurative" art. The artist continuously challenges himself, setting up rules that force him to overcome convention and his own routine in order to arrive at a satisfying image. During his career he has chosen to paint in primary colors only or in gray, to integrate mirrors into his canvases, or to start on computer paintings when the first PCs became available. In his most recent work Oehlen expands painting through the use of advertising posters whose in-your-face aesthetics he transforms with subtle brushwork. Never without a touch of tongue-in-cheek humour, his work seems to be winking at us as it dares us to change the way we perceive an image. This XL monograph covers the entire Scope of Oehlen’s oeuvre: Roberto Ohrt discusses the early years, when Oehlen came into his own alongside Kippenberger, Bu¨ttner, and others, part of a scene that broke rules in art and rock music. Klaus Kertess examines the years from 1988 onwards, when Oehlen saw himself more self-consciously as a painter and started his first abstract works, then continued to probe the limits of the medium. Martin Prinzhorn and John Corbett...