American Country World Design Series, First Edition

American Iconology, New Approaches to Nineteenth-Century Art and Literature. New Haven: Yale University Press, 1993. Hardcover with dust jacket. 344 pp. Overview of the "sister arts"...

Norwegian Folk Costumes (Norske Folkedragter) by Einar Lexow and Joh. F.L. Dreiers. Norsk Folkemuseum, 1913. 1st Ed hardcover. Norwegian traditional dress ...

The Library of Interior Detail, Cottage, English Country Style by Elizabeth Hilliard. NY: Little Brown and Company Inc., 1994. Stated First North...

The American Folk Art Collection of Howard and Catherine Feldman Sotheby's, June 1988. 1st Ed softcover 171 lots all photoed in b&w and color each ...

”Amérique du Sud Des Pays et des hommes” book. South America - Countries and People - tome 1 Amérique du Sud tome 1: Vénézuela, Colombie, Equateur, Pérou, Bolivie, Chilie Des pays...

An Intricate Jerusalem Textile, made in Jerusalem, 1886. Double-sided large pouch. Wool thread embroidered on cotton net. One side has a lion and stag holding flags reading “Jerusalem” in Hebrew, which flank a crowned Ten Commandments. Titled in Hebrew “Swift as a deer, strong as a lion” (Ethics of the Fathers 5:20). “Jerusalem” is seen in large lettering, atop a pair of birds and flowers. Top scene of the reverse side is titled “Mount of Olives”, amongst a plethora of olive trees, and a cluster of buildings is titled “Chulda the Prophetess”, (where her and others tombs reside). Main scene is titled “The Western Wall”, which features the wall and outer structures with turrets and Cyprus trees. The Hebrew date of “1886” is revealed on the bottom corners. This delicate textile, incredibly vibrant in color after 130 years of being created, is a masterful, exceedingly rare work of art produced in Jerusalem by an unknown woman --- likely quite young, a teenager --- as a gift to an unknown individual. Too complex to be a “tourist trinket”, as we know of one other similarly-made textile that is in the collection of the Israel Museum, and is dated 1876: see the book “Jewish Folk Art: From Biblical Days to Modern Times”, page 122. A clue to where perhaps this was made is in the depiction of the lion and stag holding flags, as they are identical to those featured on the crest of Moses Montefiore. In the 19th century, Montefiore gave enormous sums of money to purchase land for Jewish settlements and establish schools in Palestine. This textile most likely hailed from a school for girls funded by Montefiore, and was made as either a gift for Montefiore himself, or another wealthy donor. As to the actual purpose of this textile, since it is in the form of a large pouch, its intended purpose might have been to hold a tallit (prayer...

R.S. Berkely silver plated flugelhorn, model FLU669, 2006. If used for playing, this horn is suitable for intermediate and professional trumpeters. Recognized for its durable con...

An Eastern European Kethubah Strikingly Decorated in Papercut Form, and with the Central Traditional Hebrew Text of a Most Uncommon Petite Appearance. Uni...