Burton, Book of the Thousand Nights, 12 Vols., First Nichols Edition, 1894

AUTHOR: HARDY, Thomas. TITLE: The Return of the Native. PUBLISHER: London: Smith, Elder and Co., 1878. DESCRIPTION: FIRST EDITION FIRST ISSUE. 3 vols., 7-1/4" x 4-15/16", (without the quotation marks...

AUTHOR: CHURCHILL, Winston. TITLE: A History of The English-Speaking Peoples. PUBLISHER: London: Cassell and Co, Ltd., 1956-8. DESCRIPTION: ALL FIRST LONDON EDITIONS. 4 volumes, ...

AUTHOR: CHURCHILL, Winston. TITLE: The World Crisis. 1911-1918 / The Aftermath / The Eastern Front. PUBLISHER: London: Thornton Butterworth, Ltd., 1923-1931. DESCRIPTION: ALL FIR...

AUTHOR: WILDE, Oscar. TITLE: The Sphinx. PUBLISHER: London: Elkin Mathews & John Lane at The Sign of The Bodley Head, 1894. DESCRIPTION: FIRST EDITION. 1 vol., 8-1/2" x 7",...

The Strangest Super-Heroes of All. The foundation of a pop-culture phenomenon. When Marvel publisher Martin Goodman asked Stan Lee to deliver another new team book for his line of comics, he had no idea he’d be getting something like The X-Men. In fact, nobody could have imagined the extraordinary phenomenon the X-Men would eventually grow into—not Goodman, not Lee, not even the forward-thinking futurist Jack Kirby. What they started out as was a charming, ragtag team of misfits, devised by Lee and Kirby to be mutants—youngsters born with “X-tra” powers thrust upon them not by accidentally crossing paths with cosmic rays or a nuclear blast, but by the fate of birth—led by a no-nonsense professor who trained them to become heroes that could protect the world from menaces, mutant and otherwise. The first years of storytelling laid the foundation for much of what has put the X-Men at the crossroads of comics and popular culture: Hounded by a public that fears and misunderstands them, mutantkind find themselves at the heart of their own civil rights struggle; Cyclops, Marvel Girl, Angel, Beast, and Iceman found safety amongst themselves despite the challenges that set them apart from others in society; and Professor Xavier lined up against his ideological foe, Magneto, who had assembled a Brotherhood of Evil Mutants to take the fight for their self-preservation directly to humankind. Along the way, Lee and Kirby—who were on fire taking comics into the Marvel Age—introduced a menagerie of villains and supporting characters that would become mainstays of Marvel and its lore: the super-powered siblings Quicksilver and Scarlet Witch; the formidable Blob; the unstoppable Juggernaut; the jungle dweller from the Savage Land, Ka-Zar; the demigod from the stars, the Stranger; and Bolivar Trask and his army of mutant-hunting Sentinels. And as Lee and Kirby gave way to new talents so they could move on to new corners of the Marvel Universe, Atlas era art veteran Werner Roth teamed with writing newcomer and future X-Men legend Roy Thomas...

The Wrightsman collection, Vols. I-V. New York: The Metropolitan Museum of Art, 1966-1973. First edition hardcovers with dust jackets. 2248 pp. Inscribed by the Wrightsmans. The complete series of The Wrightsman collection catalogues from The Metropolitan Museum of Art. Jayne and Charles Wrightsman, who, in a relatively short period of time—beginning in 1952—amassed the finest private collection in America of the decorative arts of the Ancien Régime (15th c until 1792). Throughout the years the Wrightsmans' active interest in the Department of European Sculpture and Decorative Arts has resulted in splendid gifts that have enabled the Museum to create an unparalleled and truly encyclopaedic collection of French 18th c...

The Collins Big Book of Art, from Cave Art to Pop Art, General Editor David G. Wilkins. Stated first edition, published in 2005 by Collins Design. Hardcover w...

The Thousand Islands of the Adriatic Hardcover Book 1965. Text by Antun Soljan Published by Yugoslavija 1st edition 1965.