Christopher Wool

The definitive monograph of Oehlen's work to date. Limited to 1,000 numbered copies, each signed by Albert Oehlen. Also available: An Art Edition limited to 100 copies, each signed by the artist and accompanied by an original artwork. Often wryly funny and just as smart, Albert Oehlen’s paintings play the medium for all it’s worth and then some. After realizing that the so-called death of painting freed him to explore "the number of aspects through which one could expand painting," Oehlen started work on a wide variety of figurative and non-objective offerings, in what he has called his "post-non-figurative" art. The artist continuously challenges himself, setting up rules that force him to overcome convention and his own routine in order to arrive at a satisfying image. During his career he has chosen to paint in primary colors only or in gray, to integrate mirrors into his canvases, or to start on computer paintings when the first PCs became available. In his most recent work Oehlen expands painting through the use of advertising posters whose in-your-face aesthetics he transforms with subtle brushwork. Never without a touch of tongue-in-cheek humour, his work seems to be winking at us as it dares us to change the way we perceive an image. This XL monograph covers the entire Scope of Oehlen’s oeuvre: Roberto Ohrt discusses the early years, when Oehlen came into his own alongside Kippenberger, Bu¨ttner, and others, part of a scene that broke rules in art and rock music. Klaus Kertess examines the years from 1988 onwards, when Oehlen saw himself more self-consciously as a painter and started his first abstract works, then continued to probe the limits of the medium. Martin Prinzhorn and John Corbett...

Fondation Beyeler and Berower Park, Riehen, Basel, Switzerland, 1997-1998 In Autumn 1998, after the trees around Fondation Beyeler and in the Berower Park had shed their leaves, Christo and Jeanne-Claude wrapped 162 trees—some up to 25 meters high—with 55,000 square meters of polyester fabric and 23 kilometers of rope. The effect of light and weather on the translucent material created a kind of amorphous sculptural choreography, an ever-changing variety of shapes, surfaces, and colors. The fabric, used every winter in Japan to protect trees from frost and heavy snow, lent the trees the appearance of precious and fragile objects. The Fondation Beyeler project was a pièce de résistance for Christo and Jeanne-Claude, and an extension and expansion of many years of interest in the concept of wrapped trees...

Christopher Wool The Paris Review: 1989 The Paris Review book, with original cover design by Christopher Wool. Offset lithograph on double sided art periodical. The full book. ...

This American edition of Isherwood's two novels [The Last of Mr. Norris and Goodbye Berlin] set in Weimar-era Berlin, were originally published by the Hogarth Press...