Giacometti by Bernard Lamarche-Vadel

The Moderns by Gaston Diehl, a treasury of painting throughout the world. Hardcover book with dustjacket. First edition published in 1978 by Crown Publishers, Inc. of New York. Print...

Klee by Denys Chevalier. Hardcover book with dustjacket. Published in 1979 by Crown Publishers Inc of New York. Printed in Italy. 51 Illustrations in color, 23 illustrations in black...

Van Gogh by D. M. Field. Softcover book, published in 2006 by Chartwell Books, Inc. Illustrated, 446 pages.

Lost Chicago by David Lowe. Illustrated with over 200 black and white photographs and prints. Hardcover book with dustjacket. Published in 1975 by Wings Books, a Random House Company...

Essential Monet by Vanessa Potts. Hardcover book with dustjacket, published in 2003 by Parragon Publishing of Bath, England. 256 pages, illustrated.

Tiffany Windows by Alastair Duncan. Hardcover book with dustjacket, published in 1982 by Simon and Schuster of New York. Printed and bound in Italy by ...

A very good hardback book about the life and work of Diego Giacometti and the works that he did in collaboration with his brother Alberto - much of which was done for Jean-Michel Fra...

Rare first issue of the first edition for Bernard Shaw’s first published novel. Shaw, George Bernard. An Unsocial Socialist. London: Swan Sonnenschein, Lowery & Co., 1887. First Edition, First Issue. Crown 8vo, 7 3/8 x 5 inches (188 x 126 mm); [4] 256 pp.; original red cloth, stamped in gilt on spine and covers, a little rubbed and soiled, spine slightly faded, hinges weak; dark brown endpapers; foxing on first 2 and last 2 sheets. First edition, first issue with "Author of The Confessions of Byron Cashel's Profession etc. etc." to title and no appendix. Ink inscription of Mrs Walter Crane on half title. [Broad, p. 87; Magill p. 965] This is Shaw's first published novel. It had been serialized in "To-Day, A Monthly Magazine of Scientific Socialism" between March and December of 1884. This printing was promptly canceled, and supposedly only samples for booksellers and travelers had been sent out with this title-page. Having attended a meeting by political economist Henry George in September 1882, Shaw became fascinated with Socialism, read Marx and became a member of the Fabian Society in September 1884, writing their first manifesto later that year. He believed in a more moderate, non-violent form of socialism and believed that socialist ideals could best be achieved by infiltration of people and ideas into existing political parties. In the early 1880s Shaw also began his literary career by writing music and art criticism and began writing novels, of which An Unsocial Socialist was the first published. But as his career as a playwright started taking off in the latter part of that decade, his political activities also decreased. Shaw later explained that he had intended An Unsocial Socialist as the first section of a monumental depiction of the downfall of capitalism. Gareth Griffith, in a study of Shaw's political thought, sees the novel as an interesting record of conditions, both in society at large and in the nascent socialist movement of the 1880s. [Griffith, Gareth. Socialism and Superior Brains: The Political Thought of George Bernard Shaw. London: Routledge, 1993]. The story centers on Sidney Trefusis, a millionaire socialist, who leaves his bride on their wedding day because he fears his passion for her will get in the way of his plans to overthrow the British government. Sidney vanished "underground"--Disguises himself as a common laborer called "Mengels"--and infiltrates Alton College, a girl's school where well-bred young women are "fitted and fatted to be put on the marriage market". His plan: take over the school and plant the seed of radical socialism into the fertile brains of the future consorts of cabinet ministers and kings. What he doesn't plan on is the presence of one Agatha Wylie, a sixth-form rabble-rouser, who falls hopelessly in love with both Sidney and his politics, and just happens to be his deserted wife's cousin. Love triangles, mistaken identities, Marx, Engels, pistols and the proletariat jostle for position. (via LibraryThing) An unusual ASSOCIATION COPY with ink inscription and address of "Mrs Walter Crane" [ie Mary Crane] on the half title. Walter Crane married Mary Andrews in 1871 and after a sojourn in Rome returned to London in 1873 living first in Wood End and then at Beaumont Lodge, Shepherd's Bush (the address she has written in this book). In 1914 Mary...

First edition of Bernard Rudofsky’s idiosyncratic and iconoclastic discussion of modern living conditions in postwar America, published by Oxford University Press in 1955. 201 pages, 8vo, hardcover with pictorial dust jacket. Several black-and-white illustrations. Rudofsky (1905-1988), an Austrian/American architect, curator, critic, industrial designer, exhibition designer, fashion designer, and author is best-known for his controversial exhibitions and accompanying catalogs, including Are Clothes Modern? (MoMA, 1944), Architecture Without Architects (MoMA, 1964), and Now I Lay Me Down to Eat (Cooper-Hewitt, 1980). He is also famous for his mid-century Bernardo sandal designs, which are popular again today. Behind the Picture Window...

This is a sale catalogue produced by Christie's New York in May 1987 for a sale of Furniture and works of Art by Alberto and Diego Giacometti. there are 38 lots, all photographed in ...

A very rare "Film Francais" softbound program featuring original artwork from Bernard Buffet, circa 1958. The program is in good vintage condition with no rips or tears and has nine ...

Made in the 1960s from over 40,000 matchsticks by Bernard Martell. The artist spent over 1700 hours meticulously reproducing the architectural splendor of the Brighton Royal Pavilion in a 1:100 scale model. It was first exhibited at Marlborough House and then for many years alongside the Pavilion, in the town of Brighton, England. The Royal Pavilion was built as seaside palace for King George IV by the architect John Nash in the Anglo-Raj style, very much in vogue in the English Regency period with its domes, minarets and intricate embellishments, inspired by the architecture in Colonial India. The building with its lavishly decorated interiors was finally completed in 1823 and remains very much intact to this day due to ongoing important preservation work. This unique architectural model is presented in a custom made glass case and mounted on a black lacquered Parsons...