Harry's Bar London a Book about the Famous London Dining Club

First edition of this iconic, definite text on cocktails features highly decorative pictorial endpapers. The book is illustrated throughout in Art Deco manner by Gilbert Rumbold. On ...

Antique print titled 'An ancient View of St. James's (..)'. Old print of Westminster, the old Westminster Abbey in the centre, with St James's Palace on the right. Westminster Abb...

The History of the Colony Club by Ann F. Cox. Hardcover, 1st edition. 1984. Privately printed by the club. The Colony Club is a women-only private social club in New York City.

Antique frontispiece of the 5th volume of 'Hedendaagsche historie of tegenwoordige staat van allen volkeren (..)' by Thomas Salmon. This volume describes the...

This is an antique art book 'Eleanor Fortescue Brickdale's Golden Book of Famous Women.' An English language literary compendium, dating to the ear...

Antique frontispiece of the 6th volume of 'Hedendaagsche historie of tegenwoordige staat van allen volkeren (..)' by Thomas Salmon. This volume describes par...

The Strangest Super-Heroes of All. The foundation of a pop-culture phenomenon. When Marvel publisher Martin Goodman asked Stan Lee to deliver another new team book for his line of comics, he had no idea he’d be getting something like The X-Men. In fact, nobody could have imagined the extraordinary phenomenon the X-Men would eventually grow into—not Goodman, not Lee, not even the forward-thinking futurist Jack Kirby. What they started out as was a charming, ragtag team of misfits, devised by Lee and Kirby to be mutants—youngsters born with “X-tra” powers thrust upon them not by accidentally crossing paths with cosmic rays or a nuclear blast, but by the fate of birth—led by a no-nonsense professor who trained them to become heroes that could protect the world from menaces, mutant and otherwise. The first years of storytelling laid the foundation for much of what has put the X-Men at the crossroads of comics and popular culture: Hounded by a public that fears and misunderstands them, mutantkind find themselves at the heart of their own civil rights struggle; Cyclops, Marvel Girl, Angel, Beast, and Iceman found safety amongst themselves despite the challenges that set them apart from others in society; and Professor Xavier lined up against his ideological foe, Magneto, who had assembled a Brotherhood of Evil Mutants to take the fight for their self-preservation directly to humankind. Along the way, Lee and Kirby—who were on fire taking comics into the Marvel Age—introduced a menagerie of villains and supporting characters that would become mainstays of Marvel and its lore: the super-powered siblings Quicksilver and Scarlet Witch; the formidable Blob; the unstoppable Juggernaut; the jungle dweller from the Savage Land, Ka-Zar; the demigod from the stars, the Stranger; and Bolivar Trask and his army of mutant-hunting Sentinels. And as Lee and Kirby gave way to new talents so they could move on to new corners of the Marvel Universe, Atlas era art veteran Werner Roth teamed with writing newcomer and future X-Men legend Roy Thomas...

The First Family of the Marvel Age. The ultimate collection of the world’s greatest comic magazine. Hoping to break out of a sales slump at Marvel in the early 1960s, veteran comic...

"It's a piece of art that I am really proud of..."—Rihanna "The book is a rollicking and sumptuous autobiography, told largely with intimate images."—Vogue Rihanna invites you into h...

‘The fashion bible.’ – Vogue The global bestseller, showcasing more than 500 of fashion’s greatest names from A-Z Phaidon’s iconic global bestseller The Fashion Book takes a fresh ...