HONORE LANNUIER: Cabinetmaker From Paris - 1998 The Metropolitan Museum Of Art

A large framed original photograph of a flower in the style of Edward Steichen. Pencil signed - Frank Gillespie and dated 1989 - see image 7. Beautiful. Look at all pictures and rea...

A beautiful black and white photographic portrait of young hasidic boy wearing black fedora w/ ominous looking mask hanging from his neck. In the style of Diane Arbus. Photo was pro...

Oversize exhibition poster set in vintage white painted wood frame under plexiglass - measuring 65" h x 48" w x 1/2" d / image size 61" h x 44" w. Naissance de l' ecriture Grand Pala...

Dynamic and brilliant American Primitive modern expressionist oil painting on canvas in period wood frame by Zoute (Leon Salter, 1903-1976) North Rose, NY - signed lower right Zoute ...

The American Wing: The Metropolitan Museum of Art. New York: Harrison House, 1987. Second edition hardcover with dust jacket. 352 pp. A ...

The Vatican Collections: The Papacy and Art by The Metropolitan Museum of Art. Published by The Metropolitan Museum of Art/Harry N. Abrams, 1988. 1st Ed softcover. Nearly three hundr...

Tapestry in the Renaissance: Art and Magnificence by Metropolitan Museum of Art. Published by the Yale University Press, 2002. 1st Edition hardcover catalog with dust jacket publishe...

The Metropolitan Museum of Art: The Renaissance in the North. Published by The Metropolitan Museum of Art, NY, 1987. 1st Ed hardcover with dust jacket. At roughly the same time that Italian art was beginning to reflect a reawakening of the classical spirit—an epoch and style we call the Renaissance—the arts of Northern Europe were experiencing their own efflorescence. Painting, sculpture, and the graphic arts were pursued with a new vigor in the Netherlands, in Germany, in France, and in England, and resulted in a vast body of work that constitutes one of the glories of Western civilization. During the fourteenth and fifteenth centuries, the masters of the North developed styles quite distinct from those in the South: an attention to minute detail, particularly with regard to landscape, but also in domestic interiors; and an emotive piety that dramatized the sorrow and suffering of the Passion. Jan van Eyck's Crucifixion and Last Judgment present a horrific vision of the death of Christ and the damnation of sinners, set against a deep and distant landscape, sensitively and realistically rendered. The Lamentation by Petrus Christus...