Louis Féraud - 1st U.S. Edition, New York, 1986

An Aperture publication, 1st U.S edition, New York, 1975. Hardback, English text. Koudelka‘s first project in his photography career - The Gypsies, is considered a seminal work in t...

Published by Rizzoli, 1st U. S. edition, New York, 1987. Hardback with English text, translated from the original French text. Monsieur Dior’s ‘New Look...

Published by Rizzoli, 1st edition, New York, 2008. Hardback with English text. Cloth-bound in a salmon-coloured cover, profusely illustrated with coloured and black-and-white reprod...

A Rizzoli publication, 1st U. S. edition, New York, 1991. Hardback with English text. Translated from the original French edition. Synonymous with Haute Couture, Madame Vionnet’s sensuous yet technically excellent couture lent her the reputation of being ‘the architect among dressmakers’. Renowned for her invention of the bias cut, which sumptuously drapes into sinuous folds following the natural curves of the female body, it was an unparalleled invention which highlighted a dignified, classic yet modern and femme fatale ideal femme of the 30s . An admirer of Grecian statues...

GREAT HOUSES OF NEW YORK 1880-1930 presents the stories of 43 most elegant houses built in New York. With over 300 archival photographs and floor plans and a decade of research Micha...

Published by Rizzoli & Fine Arts Museums of San Francisco, 1st edition, New York, 2011. Hardback with English text. Quintessentially Spanish, Balenciaga took inspiration from the b...

Van Gogh a Retrospective 1986 1st edition. Large beautiful heavy hardcover coffee table book. New York: Hugh Lauter Levin Associates, 1986. First Edition; First Printing. Hardcover. Very Good in a Very Good dust jacket. Dimensions:13.50 X 10.5 X 1.50 inches. * Publisher ‏ : ‎ Hugh Lauter Levin Associates; First edition. (January 1, 1986) * Language ‏ : ‎ English * Hardcover ‏ : ‎ 385 pages Synopsis: This is a very useful book. If you are interested only in the reproductions (good drawings as well as paintings), you will enjoy their high quality--and the breadth of Vincent's work that they cover. If you are interested in primary resources about van Gogh's life--newspaper articles; letters and reminiscences from friends, fellow artists, relatives--this volume is a real treasure. Between the excellent reproductions and the extraordinarily fine collection of biographical materials, this must be the best one-volume source on van Gogh. By the time he died in 1890 at the age of thirty-seven Vincent van Gogh had painted hundreds of pictures, yet sold only a few. Today his paintings sell for millions of dollars each, and his life as an artist is legendary. He is the quintessential modern artist, operating on the edge of his sensibilities, where life and art are inextricably bound together. Van Gogh : a retrospective tells the story of the great Dutch artist as a single volume has never told it before, illuminating his work with a fascination selection of primary texts, including some of Van Gogh's letters. In 125 superb color reproductions and 103 black-and-white illustrations, the struggles and triumphs of Van Gogh's art are surveyed from the early dark landscapes and paintings of Dutch and Belgian laborers to the bright, intense visions of Paris, Arles, Saint Remy, and Auvers, where he took his life. Complementing the works are pertinent photographs from the period and portraits of the artist by Toulouse-Lautrec, Emile Bernard, Paul Gauguin, and others. Vincent Willem van Gogh was a Dutch Post-Impressionist painter who posthumously became one of the most famous and influential figures in Western art history. In a decade, he created about 2,100 artworks, including around 860 oil paintings, most of which date from the last two years of his life. From Publishers Weekly "He did not paint his pictures; it was like he exhaled them in a gasping, boiling breath," one German critic aptly wrote of Van Gogh. Reminiscences of the artist by friends and passing acquaintances, letters from his brother Theo and appreciations by critics and artists make up the text of this handsomely packaged potpourri. For Margritte, the blind force of Van Gogh's obsessions made the tortured artist an unfree man. To Kokoschka, the tension in the painter's famous sunflowers and undulating cypresses speak of the fragility of an easygoing lifestyle in a mechanized age. Each artist seems to confront his or her own concerns when analyzing Van Gogh. Jean Renoir, Francoise Gilot, Gauguin and Klee are among the commentators. One hundred twenty-five superior color reproductions and 103 halftones remind us that Van Gogh could do a very formal Still Life with Coffeepot, a street scene ablaze with fauve-like color or the solemn, biblical Raising of Lazarus...

Impressionism and Post-impressionism: The Hermitage, Leningrad, the Pushkin Museum of Fine Arts, Moscow, and the National Gallery of Art, Washington. Vintage 1986...

Art Fakes in America by David L. Goodrich. New York: The Viking Press, 1973. 1st edition hardcover with dust jacket. 246 pp. Guide to the business of making, buying, and selling frau...

Mobilier Louis XVI by Monica Burckhardt. Editions Charles Massin, Paris, 1976. 1st Ed hardcover with dust jacket. 80p of interior full color photos of period antique furniture of the...

New York Collects: Drawings and Watercolors, 1900–1950. Publisher: Pierpont Morgan Library, 1999. 1st Ed hardcover with dust jacket. Published in conjunction with the exhibition by P...

Fernand Léger by Carolyn Lachner. New York: The Museum of Modern Art, 1998. First edition hardcover with dust jacket. 303 pp. A book on the works of Joseph Fernand Henri Léger (1881-...