Lucio Fontana, Guido Ballo, 1970

Edith Wharton. Ethan Frome. Published by Charles Scribner & Sons, New York 1911. First edition. This is the novel that sealed Wharton's success as a n...

Edith Wharton. The House of Mirth. Published by Charles Scribner's Sons, New York, 1905. First edition, first issue This is the book that launched Whart...

Mobili di Ulrich by G. Morrazoni Milano, Luigi Alfieri, 1945. Excellent red cloth hardback with embossed gold title. 26 pages of text and 78 pages containing 133 photographs and 24 ...

Published by Museum für Kunst und Gewerbe Hamburg, 1st edition, 2003, Hamburg. Hardback with German and French text woven throughout. This is a very scarce and extremely finely produced catalogue, it was published alongside an exhibition, in a very small number of 600 only, this being number 369. There are 22 photographs with German text followed by a catalogue of 145 objects thereafter with text in French and German. This sumptuous catalogue is strewn with gorgeous buttons, brooches and buckles, powder compacts and large necklaces - which like great works...

Guido Cacciapuoti bronze horses couples 1940 Italy.

Fontana Arte 1970s. Ashtray in leather, brass and faceted glass.

Laveno - Guido Andlovitz - cista in ceramica smaltata -1930, Italy. Marchio sotto la base , Lavenia e simbolo grafico.

Abr-bandi, the central asian name for the ikat technique, derives from the Persian word abr which means "cloud". The ikat style is not limited to Central Asia, but nowhere have the ikat designs known as abr, or the technique itself proved so enduring or so gloriously inventive as in the ancient centers of Uzbek and Tadjik handicrafts- Bukhara, Samrkand and the towns of the Ferghana Valley. The craftsmanship of the abr masters, the abr bandchi, was their patrimony; their secrets and their repertoire of designs were handed down through the generations. Yet this art form has always been responsive to change and receptive to new weaving methods created to simplify the process without sacrifice of artistry. In the nineteenth century abr designs were used to decorate fabrics made into winter and summer...