The Right Stuff signed by Tom Wolfe, First Edition in Original Dust Jacket, 1979

Roosevelt, Eleanor. Christmas: A Story. New York: Alfred A. Knopf, 1940. First Edition. Twelvemo. In the publisher's colorful original dust jacket and printed pictorial boards. This...

Vonnegut, Kurt. Galapagos. New York: Delacorte Press/Seymour Lawrence, 1985. Stated first trade edition. 8vo. In original dust jacket and hardcover boards. Presented is a stated fir...

Eldrige, Fred. Wrath in Burma: The Uncensored Story of General Stilwell and International Maneuvers in the Far East. New York: Doubleday & Company, 1946. First Edition. In the publis...

Powell, Colin with Joseph E. Persico. My American Journey, New York: Random House, 1995. Stated first edition. Signed by Powell on full title page. In publisher’s boards with origina...

First Edition, third issue of Dr. Seuss' most famous book, accompanied by a card bearing the AUTHOR's SIGNATURE and a quick SKETCH of his famous "green egg." Seuss, Dr. (Theodor Seuss Geisel, 1904 – 1991) The Cat in the Hat New York: Random House, 1957. First edition, First Printing, Third Issue. Dust jacket. 8vo, 9 x 6 1/2" (230 x 165 mm), (2) + 61 + (1) pp; pictorial end papers, verso of free end paper blank, pictorial title page, copyright page. Binding with glazed pictorial paper cover over boards and title on spine, very light signs of wear at corners and spine ends, binding stitched at 1 inch intervals; upper cover illustrated and lettered with addition of "For beginner readers"; back cover with excerpts from reviews printed in letterpress below illustration of chalkboard reading Educators hail The Cat in the Hat. Printed in red, black, salmon, dark blue and light blue on wove paper, with bold illustrations on every spread; pages a touch yellowed on edges. On the back of the last page of text is a note on the book enclosed within a large outline in blue of Cat in the Hat. The ORIGINAL DUST WRAPPER in near fine condition, with just slight wear on corners and a chip on the bottom of the spine, reproduces the book's cover; front flap bears price on upper right corner, 195/195, indicating this is the second state of the dust jacket. Accompanied by a small drawing of a "green egg" with "Dr. Seuss" autograph in black ink with on a light green index card, 3 x 5 in. (76 x 127 mm). [Younger & Hirsch 7; Greenaway 95] Dr. Seuss was challenged by Houghton Mifflin's Education Division director, William Ellsworth Spaulding, to create a book for young children using the 225 essential words for beginning readers, a book they would not want to put down. Seuss used 223 of the words from the list, plus 13 others. Seuss tricked kids into enjoying learning with his destructive and charismatic house guest. Inspired in part by Krazy Kat and Felix the Cat, but with a wily mind all his own, the Cat in the Hat's humor and naughtiness are engaged in the noble cause of literacy. "Parents," notes biographer Brian Jay Jones, "were more than happy to join Dr. Seuss as fellow revolutionaries. Even if parents didn't necessarily understand the pedagogy, it was easy to see the difference between the staid DICK AND JANE...

C-print, 21.8 x 28.8 cm on 22.9 x 33 cm paper (8.6 x 11.8 in. on 9 x 13 in. paper); hardcover volume in a slipcase, letterpress-printed text, two different paper stocks, plus tip-ins, 24 x 34 cm (9.4 x 13.4 in.), 356 pages. “Larry Schiller is the one who came up with so many of these primal pictures. It was he who broke the story in the first place!” —Tom Wolfe In 1964, famed writer Ken Kesey...

Fiber-based gelatin silver print, 21.8 x 28.8 cm on 22.9 x 33 cm paper (8.6 x 11.8 in. on 9 x 13 in. paper); hardcover volume in a slipcase, letterpress-printed text, two different paper stocks, and tip-ins, 24 x 34 cm (9.4 x 13.4 in.), 356 pages. In 1964, famed writer Ken Kesey and his band of Merry Pranksters set off across America on a “Transcontinental Bus Tour,” headed for the New York World’s Fair. Kesey’s journey, in the company of his Merry Pranksters, lies at the heart of The Electric Kool-Aid Acid Test, an as-if-first-hand account of the group’s antics and ethos by Tom Wolfe, wunderkind of the New Journalism movement. This Art Edition presents Wolfe’s era-defining text in letterpress, along with facsimile reproductions of his manuscript pages, ephemera of the period, and photographs of the acid scene by Lawrence Schiller and Ted Streshinsky. The accompanying print, Me and My Shadow, by Lawrence Schiller, was photographed at the Hollywood Acid Test on February 25, 1966. As the first photojournalist to capture the acid scene from the inside, Schiller began with a single contact in Berkeley, California, and built a large network of young, receptive subjects who allowed him to document their experiences with LSD starting in late 1965. At first, he was a fly on the wall as groups of friends tripped in the privacy of their homes. By early 1966 he had met the Merry Pranksters and was invited to the Acid Test in Hollywood. During the Test, Kool-Aid laced with a heavy dose of LSD was served up from an industrial-sized pot. Participants turned on the Grateful Dead’s music and tuned in to the burgeoning psychedelic scene. Schiller’s image of a tripster “freaking freely” with his own shadow—long believed to be Neal Cassady—appeared in Life magazine in March 1966 in a photo essay which served to introduce the nation to the sweeping new LSD epidemic. For Flaming Lips lead singer Wayne Coyne...

A rare first edition, with near-fine dust jacket of the children's classic. Grahame, Kenneth. The Wind in the Willows; with a frontispiece by Graham Robertson. London: Methuen and Co., 1908. First Edition. 8vo. 7 1/2 x 4 3/4 in. (190 x 120 mm). pp. [1] + viii + 302 + i. Laid paper, deckle edges, t.e.g. With a captioned frontispieces, "And a River went out of Eden", on coated paper after a pen-and-ink drawing by Walford Graham Robertson (1866 – 1948); tissue guard. Original blue-green cloth with gilt illustration on the spine (Toad dressed in a driving outfit and goggles) and upper cover ( Pan playing flute to Rat and Mole by the river) and a single gilt rule on the upper cover. In the second issue publisher's pictorial peach-color dust jacket printed in black with price of 7/6 instead of 6/-.The spine of the dust jacket slightly darkened but in excellent condition with a couple small tears at head expertly repaired on verso; scattered foxing and discoloration to dust jacket and pages, wear to spine edges consistent with age. [Grolier: One Hundred Books Famous in Children's Literature, no.61; Osborne I, p. 349; Hunt p. 45 & 66; Hahn, D. Oxford Companion to Children's Literature, p. 241-242] Condition: Near fine in Near fine dust-jacket. This is the FIRST EDITION with a SCARCE DUST JACKET of one of the essential classics of children's literature. The book is based on bedtime stories that the Scottish-born banker and author Kenneth Grahame...