SHEPARD, Ernest H.. Drawn from Life. 1961 . FIRST EDITION - SIGNED !

AUTHOR: MILNE, A. A. TITLE: The House At Pooh Corner. PUBLISHER: London: Methuen & Co. Ltd., 1928. DESCRIPTION: FIRST EDITION SIGNED BY E. H. SHEPHARD. 1 vol, 7-1/2" x 5-1/4", si...

AUTHOR: FORSTER, E. M.. TITLE: Two Cheers For Democracy. PUBLISHER: London: Edward Arnold & Co., 1951. DESCRIPTION: FIRST EDITION SIGNED. 1 vol., 8-5/8" x 5-3/4", signed by the Fo...

AUTHOR: MILNE, A. A. (Alan Alexander). TITLE: The House At Pooh Corner. PUBLISHER: London: Methuen & Co. Ltd., 1928. DESCRIPTION: FIRST DELUXE EDITION SIGNED. 1 vol., 8-7/8" x 7-...

Author: Greene, Graham. Title: A Sort of Life. Publisher: London: The Bodley Head, 1971. Description: first edition presentation copy. 1 vol., inscribed on the front blank endleaf "For George Barker...

Hopper Drawing by Carter E Foster. 2013, Whitney Museum of American Art. 1st Ed hardcover with dust jacket. This monograph was prepared to accompany the exhibition at the Whitney Museum of American Art, from May 23 to October 6, 2013. The exhibition then traveled to Dallas and finally to the Walker Art Center in 2014. The book was owned by Herbert Kasper and inscribed by the author to him. Herbert Kasper was an American fashion designer known as Kasper. He studied English and advertising at New York University and fashion at the Parsons School of Design in New York from 1951–53 and l'Ecole de la Chambre Syndicale de la Couture Parisienne in 1953. He left NYU to serve in the US Army in Europe. After World War II he enrolled at Parsons, where he became a protégé of milliner Fred Frederics. After graduating, he returned to Paris for two years developing his skills in design while working for Jacques Fath, Christian Dior, and Marcel Rochas. When he returned to the US, he worked for Frederics at Mr. John. He was an avid art collector, and in 2011, the Morgan Library and Museum devoted an exhibition, called “Mannerism and Modernism: The Kasper Collection of Drawings and Photographs,” to the designer. Hopper Drawing is the first major museum exhibition to focus on the drawings and creative process of Edward Hopper (1882–1967). More than anything else, Hopper's drawings reveal the continually evolving relationship between observation and invention in the artist's work, and his abiding interest in the spaces and motifs--the street, the movie theatre, the office, the bedroom, the road—that he would return to throughout his career as an artist. This exhibition showcases the Whitney's unparalleled collection of Hopper's work, which includes over 2,500 drawings bequeathed to the museum by his widow Josephine Hopper...

Milne, A.A. (Alan Alexander): Winnie-the-Pooh An Exceptionally rare copy of the FIRST TRADE EDITION of Winnie-the-Pooh signed by both the Author and the Illustrator, with Original dust-jacket. London: Methuen, 1926.; First Trade Edition. Crown 8vo, 7 5/8 x 5 in (194 x 127 mm), pp. 158, full-page and text illustrations, illustrated endpapers with map of "100 Aker Wood... Drawn by me and Mr. Shepar Helpd (sic.)" Green cloth, gilt stamping on the front board with an illustration of Christopher Robin...

This is a vintage copy of Sandby Drawings at Windsor Castle by Adolph Paul Oppé, a distinguished art history volume, published circa 1950. A comprehensive and richly illustrated cata...

Ernest Howard Shepard (British, 1879–1976) Laying Breaks on a London Street, an Illustration for Punch Magazine Inkpen and body colour Signed ‘Ernest H. Shepard’ (lower left) 8 1/8 x...