The Tom Scheerer Compendium Book by Tom Scheerer

Tom Scheerer Decorates By: Mimi Read Photography by Francesco Lagnese In a world where over-the-top accessorizing and conspicuous luxury get all the attention, Tom Scheerer has cult...

Sean Scherer’s Kabinett & Kammer Creating Authentic Interiors By: Sean Scherer Photography by William Abranowicz Foreword by Anderson Cooper In this book...

Sean Scherer’s Vignettes By: Sean Scherer Designer, collector, and proprietor of the contemporary curiosity shop Kabinett & Kammer, Sean Scherer shares h...

An Entertaining Life: Designing Town and Country By: Paolo Moschino, Philip Vergeylen Foreword by Bunny Williams 250 color illustrations ISBN: 978-0-86565-426-6 Hardcover Join two ...

The Gernsheim Collection, Edited by Roy Flukinger. University of Texas Press, Sep 1, 2010. One of the most important collections of photography in the world. Amassed by the renowned husband-and-wife team of Helmut and Alison Gernsheim between 1945 and 1963, it contains an unparalleled range of images, beginning with the world's earliest-known photograph from nature, made by Joseph Nicéphore Niépce in 1826. It includes some 35,000 major and representative photographs from the 19th and 20th c; a research library of some 3,600 books, journals, and published articles; about 250 autographed letters and manuscripts; and more than 200 pieces of early photographic equipment. Its encyclopedic scope—as well as the expertise and taste with which the Gernsheims built the collection—makes the Gernsheim Collection one of the world's premier resources for the study and appreciation of the development of photography. Published to coincide with a landmark exhibition staged by the Harry Ransom Center at the University of Texas at Austin, which owns the collection, this book presents masterpieces of the collection, along with lesser-known images of great historical significance. Arranged in chronological order, this selection effectively constitutes a visual history of photography from its beginnings to the mid-20th c. Each full-page image is accompanied by an extensive annotation in which Roy Flukinger describes the photograph's place in the evolution of photography and also within the Gernsheim Collection. Flukinger also provides an enlightening introduction in which he traces the Gernsheims' passionate careers as collectors and pioneering historians of photography, showing how their untiring efforts significantly contributed to the acceptance of photography as a fine art and as a field worthy of intellectual inquiry. Appreciations of the Gernsheim Collection by Alison Nordström and Mark Haworth...

The definitive monograph of Oehlen's work to date. Limited to 1,000 numbered copies, each signed by Albert Oehlen. Also available: An Art Edition limited to 100 copies, each signed by the artist and accompanied by an original artwork. Often wryly funny and just as smart, Albert Oehlen’s paintings play the medium for all it’s worth and then some. After realizing that the so-called death of painting freed him to explore "the number of aspects through which one could expand painting," Oehlen started work on a wide variety of figurative and non-objective offerings, in what he has called his "post-non-figurative" art. The artist continuously challenges himself, setting up rules that force him to overcome convention and his own routine in order to arrive at a satisfying image. During his career he has chosen to paint in primary colors only or in gray, to integrate mirrors into his canvases, or to start on computer paintings when the first PCs became available. In his most recent work Oehlen expands painting through the use of advertising posters whose in-your-face aesthetics he transforms with subtle brushwork. Never without a touch of tongue-in-cheek humour, his work seems to be winking at us as it dares us to change the way we perceive an image. This XL monograph covers the entire Scope of Oehlen’s oeuvre: Roberto Ohrt discusses the early years, when Oehlen came into his own alongside Kippenberger, Bu¨ttner, and others, part of a scene that broke rules in art and rock music. Klaus Kertess examines the years from 1988 onwards, when Oehlen saw himself more self-consciously as a painter and started his first abstract works, then continued to probe the limits of the medium. Martin Prinzhorn and John Corbett...

Sotheby's: Tom Devenish Collection of Important English Furniture New York April 2008. First edition softcover. Tom Devenish, was a New Yor...

The Judith Neisser Collection: Minimal and Postminimal Innovation by James Rondeau and Anne Rorimer. 1st Ed hardcover with dust jacket. Publisher Yale University Press, 2011. One of Chicago's premier art patrons and an architecture and interior design critic, Judith Neisser has amassed a remarkable collection of international contemporary art. More than 100 works are presented in this captivating, inside look at the Neisser family collection, highlighting paintings, sculpture, and works on paper from the 1960s to the present. Special emphasis is given to Minimalism and Conceptualism, most notably objects by Sol LeWitt, Robert Ryman, Donald Judd, Brice Marden, and Blinky Palermo. Other artists practicing in distinct traditions, such as Eva Hesse, Cy Twombly, and Rudolf Stingel...