Bottle Cap Chain Chain Chain

A hand blown, irregular, clear glass cone shade topped with a large crystal bead, finished with a sleek, chunky brass chain and canopy. A candelabra size, brass socket with a glass c...

Belle Époque style, oversized glass and brass bell jar lantern, pendant. Acanthus leaf and acorn detailing with custom delicately swirled chain ...

A plaster pendant in a smooth, undulating shell shape, with scalloped edges. A newer take on Francis Elkins's 1940's plaster plafonnier. Hanging by ...

Organically shaped with a touch of whimsy this one of a kind pair of Fir chairs was handcrafted in 1912 in the Big Sur/Carmel region of Central California. The bottom of each chair i...

Large vintage collectible Guerlain Shalimar eau de cologne perfume bottle. Empty collectible glass bottle of the famous Shalimar perfume. Shalimar ...

Crafting History: Textiles, Metals and Ceramics at the University of Georgia, February 1, 2018 by Ashley Callahan, Annelies Mondi and Mary Hallam Pearse. Georgia Museum of Art 2018. 1st Ed softcover. For more than a century, the University of Georgia has provided students with opportunities to study textiles, metals and ceramics. This book which accompanied the exhibition of the same name, on view at the museum February 1 April 29, 2018 tells the story of a small department that began in home economics under the direction of women interested in practical applications of art and design, and now exists in the Franklin College of Arts and Sciences as the Lamar Dodd School of Art, named for its long-time director. It features work by more than 30 faculty members who contributed to craft education at UGA including: Earl...

An Eastern European Kethubah Strikingly Decorated in Papercut Form, and with the Central Traditional Hebrew Text of a Most Uncommon Petite Appearance. Uni...

An Intricate Jerusalem Textile, made in Jerusalem, 1886. Double-sided large pouch. Wool thread embroidered on cotton net. One side has a lion and stag holding flags reading “Jerusalem” in Hebrew, which flank a crowned Ten Commandments. Titled in Hebrew “Swift as a deer, strong as a lion” (Ethics of the Fathers 5:20). “Jerusalem” is seen in large lettering, atop a pair of birds and flowers. Top scene of the reverse side is titled “Mount of Olives”, amongst a plethora of olive trees, and a cluster of buildings is titled “Chulda the Prophetess”, (where her and others tombs reside). Main scene is titled “The Western Wall”, which features the wall and outer structures with turrets and Cyprus trees. The Hebrew date of “1886” is revealed on the bottom corners. This delicate textile, incredibly vibrant in color after 130 years of being created, is a masterful, exceedingly rare work of art produced in Jerusalem by an unknown woman --- likely quite young, a teenager --- as a gift to an unknown individual. Too complex to be a “tourist trinket”, as we know of one other similarly-made textile that is in the collection of the Israel Museum, and is dated 1876: see the book “Jewish Folk Art: From Biblical Days to Modern Times”, page 122. A clue to where perhaps this was made is in the depiction of the lion and stag holding flags, as they are identical to those featured on the crest of Moses Montefiore. In the 19th century, Montefiore gave enormous sums of money to purchase land for Jewish settlements and establish schools in Palestine. This textile most likely hailed from a school for girls funded by Montefiore, and was made as either a gift for Montefiore himself, or another wealthy donor. As to the actual purpose of this textile, since it is in the form of a large pouch, its intended purpose might have been to hold a tallit (prayer...