Mother-of-Pearl Collectible Jewelry

This pair of antique lorgnette opera glasses were made by LeRoy of France in approximately 1880 in the period Victorian style. These bi...

A splendid pair of 'lorgnettes' (long-handled opera, or theatre, glasses). Lorgnettes, eye glasses held in place by long handles rather than resting on the bridge of one's nose, were...

Japanese 19th century miniature lacquer chest with waterfall. Late Edo to early Meiji period lacquer chest (mid to late 19th century) with two characters on the front reading Nuno an...

A pair of stunning miniature binoculars, or opera glasses, crafted from brass and clad in iridescent mother of pearl inlaid pieces. Dating from the late 19th to early 20th century, t...

A William IV cabinet attributed to Town and Emmanuel Constructed in a strongly grained olivewood and dressed with gold brass inlays and an etched and engraved brass panel; rising from a plinth base, the lockable single door having an inset panel in the manner of Jean Berain, enclosing a shelved interior, and flanked by narrow vertical conforming panels; the apron being dressed with three bronze rosettes, and the Jura Jaune marble is dressed with a three quarter arcaded brass gallery, circa 1830 The cabinet is illustrated and discussed in Christopher Payne’s “British Furniture 1820 to 1920” published in 2023. Payne singles out the rarity of the olivewood timber used as well as the necessity for hand cutting the large marquetry panel. Literature: Payne, Christopher. British Furniture 1820 to 1920 : The Luxury Market. ACC Art Books, 2023, pp. 38-39 (illus. fig. 1.33). Town and Emanuel Recorded in the 'Dictionary of English Furniture Makers 1660-1840', published by the Furniture History Society, as being situated at 103 New Bond Street between 1830 and 1840, and apart from being manufacturers of furniture, also dealt in 'curiosities and antiques'. The late renowned connoisseur Christopher Gilbert records in his 'Pictorial Dictionary of Marked London Furniture' London 1997, also published by the Furniture History Society, a writing table in the Transitional manner with similar plaques. Their label reads 'Town and Emanuel, manufacturers of Buhl Marquetrie, Resner (sic) & Carved Furniture, tripods, screens & c. of the finest and most superb designs of the Louis 14th. Splendid cabinets and tables inlaid with fine Sevres and Dresden china...

Antique 19th century English Victorian era walnut chess table, circa 1885.

A splendid pair of late Victorian Opera / Theatre glasses professionally re-polished to gleam, making them as good as they would have looked over 100 y...

19th century mahogany and inlaid display cabinet, the shaped cornice above an inlaid frieze, two glazed doors below opening to reveal two glass shelves inside, the bottom of each doo...

A gorgeous pair of antique Mother-of-Pearl opera or theatre glasses, by renowned maker 'Colmont Paris'. Constructed from brass, with inlaid panels of i...

A stunning pair of French Opera glasses made from gilded brass, all intact and original. The glasses are clad in alternating Mother of Pearl or Nacre shell...

Antique French Parisian Mother-of-Pearl & Abalone Opera Glasses with Original Case, Circa 1890.

A scarce French Provincial Louis XV (1715-1774) / Louis XVI (1774-1792) Period mixed wood religious oratory (prie-dieu / altar) Hand-crafted in France in the 18th century, with later 19th century elements, likely originating in the south of France / Mediterranean region, featuring pegged solid wooden construction of warm, rich fruitwood, chesnut, oak, and maple. Having a slant-front bureau with tall raised back decorated with three Renaissance Revival style high relief panels, the center depicting religious scene comprising Jesus and winged Saint, the side panels with foliate floral fruit pendant carvings, flanked by classical turned baluster-form columns, surmounted with highly stylized hand carved and turned finials. Over a slant-front with star parquetry, the hinged drop-front opens to reveal a distressed leather writing desk / lectern / pulpit on which the holy books can be laid open and allows to shelter the books, which were considered precious goods at that time. The lower sacristy cabinet has a pair of slide-out supports flanking a paneled cupboard door decorated with a large stepped base Christian cross parquetry inlay, affixed with later decorative forged iron faux escutcheon overtop. The door opening with key to a single fixed shelf on which holy items...