PupCup by Yoshitomo Nara

This limited edition, fully functional chopping block by Juan Muñoz offers a disquieting quasi-narrative. The hand motif, seen here in a most literal use, r...

With landscape mobile, Roy Lichtenstein has designed a beautiful "art system" as a table centerpiece. Invoking Alexander Calder's standing mobiles, Lichtenstein termed this piece a "stabile." It is in fact a non-moving object representing a tall tree set in a green basin...

hand-made resin bear with International Klein Blue (IKB) pigment acrylic box: 10.63 x 7.48 x 19.29 inches edition size: 999 with 199 APs individual number inlaid under the right hind leg signed, numbered, and with two stamped COAs published by Artémus Éditions (2022) mint condition This limited edition is the result of a collaboration between the estates of two renowned French artists, Yves Klein and François Pompon. It is based on the original mould for Pompon’s L’Ours blanc, a cast sculpture of a white polar bear first shown in Paris at the Autumn Salon in 1922. Pompon created this bear a a few times using different media, however the most famous one, created in stone, can be seen at the Musée d'Orsay in Paris. This edition, titled L’Ours Pompon, transforms the bear with Klein's iconic International Klein Blue (IKB) pigment which Klein associated with the immaterial values beyond what can be seen or touched. L’Ours Pompon carries on the tradition in Klein's oeuvre of notable limited edition sculptures of classic historical forms like Victoire de Samothrace...

Evil Thoughts (1982) 100% Peruvian baby alpaca reversible throw Measures: 50 x 72 inches with 3" fringe handwoven dry clean only custom gift box Estate of Jean-Michel Basquiat Lice...

A one of a kind chess set by Italian American artist Marco Celotti. Created circa 1970, the set is quit marvelous. Each figure is filled with detail. Even the individual pawns, each...

A bespoken sterling silver necklace with five roundel bell shape of gradual sizes linked by joint chains, designed and made by Graziella Laffi (1923-2009), Lima, Peru, circa 1965. The subtly hammered roundels evoke a sense of history with the form found in pre-Columbian culture, yet the necklace appears beyond ethnic, it exuberates a confident and bold modernism. The necklace with Peruvian Cultural Ministry label to verso. Graziella Laffi was born in 1923 in Florence, Italy to Gino Laffi, a silversmith and artist. Following her family tradition, Graziella enrolled in master classes after elementary school, focusing on design and painting. She next attended Escuela de Bellas Artes de Puerta Romana for three years, where Gino taught, and then to the Accademia di Belle Arti di Firenze, where she concentrated in architecture until the start of World War II. In 1947, Graziella, then twenty-four, immigrated with her parents to Peru. Gino later created a silversmith studio and showroom called Fabrica Laffi on Avenue Mexico, where Graziella initially learned her Craft. The Pre-Columbian culture in her adopted country inspired Graziella to travel and collect, which ultimately influence her design in the silver pieces. Graziella learned the metalworking techniques of the ancient Peruvian civilizations and rejected the current technology. She mostly used hammering, rolling and creating joints as the ancients do. As an ambassador of Peruvian culture, her work promoted the indigenous Peruvian art and rekindled the interest in its ancient heritage throughout South America, the United States and Europe. She exhibited her growing collection of Peruvian artifacts...

We offer this silver plate Virgin sculpture by to Los Castillo, circa 1970. Of Taxco, Mexico.

A lovely brooch in gilt cast bronze made by French Parisian art jeweler Line Vautrin (1913-1997) circa 1940s. The brooch belongs to a collection called "The moon and the starts in th...