Seven Falls Colorado Springs Antique Photographic Postcard, circa 1880

Presented is an autographed collage celebrating the women golfers of the 2009 Solheim Cup U.S. and European teams. The 11th Solheim Cup Matches were held Au...

Presented is an Apollo 16 mission photograph, signed and inscribed by Apollo 16 moonwalker Charlie Duke. The photograph shows Duke collecting lunar samples n...

Presented is a beautiful photogravure showing a Klamath man hunting from a dugout canoe. This image is Plate 458 from Volume 13 of Edward Curtis' epic project The North American Indian. The photogravure was published in 1923 by Suffolk Engr. Co., in Cambridge, MA. The Klamath people are from the inland region of Northern California and Southern Oregon. Their oral history records the volcanic eruption that created Crater Lake over 7000 years ago Edward S. Curtis created one of the most enduring and iconic visual records in the history of the photographic medium. He was an award-winning artist, a consummate craftsman, a visionary, an intrepid entrepreneur, and was highly regarded as a respected ethnographer and publisher. Curtis began photographing Native Americans in the mid-1890s and selling these images in his successful downtown Seattle studio. One of his earliest models was Princess Angeline, the aged daughter of chief Sealth, the Suquamish Indian after whom Seattle is named. At the National Photographic Convention of 1899 Curtis was awarded the grand prize for three of his soft-focused, sepia-toned images of Puget Sound Native Americans: Evening on the Sound, The Clam Digger, and The Mussel Gatherer. Curtis spent the summer of 1900 with George Bird Grinnell observing the Sun Dance at an encampment of Blood, Blackfeet, and Algonquin in Montana. This was a pivotal experience for Curtis, confirming his desire to study and photograph the Native tribes of North America. A trip to visit the Hopi reservation in Arizona a few months later further fueled his enthusiasm. Curtis envisioned a plan to create a massive scholarly and artistic work that would document the tribes west of the Mississippi, their ceremonies, beliefs, daily life, and landscapes. In 1906, Curtis approached railroad tycoon J.P. Morgan to request financial assistance for his project. Morgan agreed to pay him a total of $75,000, or $15,000 a year for five years. Morgan and Curtis decided that Curtis' masterwork, The North American Indian, would be a set of 20 volumes of ethnographic text illustrated with high quality photoengravings taken from his glass plate negatives. Each of these volumes would be accompanied by a portfolio of large size images, all sumptuously bound in Moroccan leather. The papers used for printing would also be of the best quality: a Dutch etching stock by Van Gelder, a Japanese vellum, and for the most discerning subscribers, a translucent Japanese tissue paper. To fund publication, Curtis would sell subscriptions at approximately $3,000 per set, with a total of 500 sets to be published. An ambitious and extensive project, Curtis spent much of his life documenting as many Native tribes as possible. The importance and the urgency of the task was clear to him, as he wrote in the introduction to his first volume of The North American Indians in 1907, "The information that is to be gathered ... respecting the mode of life of one of the great races of mankind, must be collected at once or the opportunity will be lost." In 1930, some 24 years after his initial request for funding, the last two volumes, Vol. 19 and Vol. 20, were published and The North American Indian project was finally completed. Curtis took over 40,000 photographs and made over 10,000 wax cylinder...

Presented is a photograph of the Phoenix Lander on Mars, signed and inscribed by Apollo 16 moonwalker Charlie Duke. In the inscription, Duke shares his thoug...

This SUMO-sized Art Edition (No. 1–100), designed by Lélia Wanick Salgado and signed by Sebastião Salgado, is presented with a clothbound companion volume, the signed print Adão Yawa...

This Sumo-sized Art Edition (No. 201–300), designed by Lélia Wanick Salgado and signed by Sebastião Salgado, is presented with a clothbound companion volume, the signed print Marauiá...

This Sumo-sized Art Edition (No. 101–200), designed by Lélia Wanick Salgado and signed by Sebastião Salgado, is presented with a clothbound companion volume, the signed print Young H...

Where Every Breath Is A Prayer: A Photographic Pilgrimage Into The Spiritual Heart Of Asia By Jon Ortner This is a beautiful large coffee table book. Edition first edition Binding hardcover PublisherStewart, Tabori & Chang Place Of Publication New York ,USA Date Published 1996 Keywords Buddhism Asia Spiritualism. With devotion and artistry, Photographer Jon Ortner has captured the essence of the sacred lands and ancient traditions of the world's most mysterious region. Retracing the journeys of holy men and shamans, he has traveled thousands of miles, over more than two decades, to portray spectacular landscapes, architectural marvels, and mystical peoples. His inspiring images-more than 300 in full color-vividly bring to life Asia's revered topography from the highest mountains and deepest gorges of the Himalayas to the once forbidden temples of Myanmar and Cambodia. Here also are the world's oldest city, Varanasi on India's Ganges River, majestic Angkor Wat, the largest temple ever built, and the volcanic peaks of Bali-magical landscapes infused with sanctity. His portraits of people are equally compelling, ranging from simply-clad ascetics engaged in ancient rites to gorgeously costumed dancers performing the same rites as their ancestors, visions that few Westerners have seen. The compelling narratives that accompany these haunting photographs trace the evolution of Hinduism and Buddhism, provide a travelogue of the region, and celebrate the teachings of these holy peoples...