"Stump Speaking" First Edition Engraving After George Caleb Bingham, 1856

This is the 1889 William H. Overend (1851-1898) and Lionel Smythe (1839-1918) first edition, photogravure of the Calcutta Cup – a Rugby match between Scotland and England, that has been played over 100 times, the first match...

Presented is a handsome engraved portrait of George Washington by artist H. B. Hall. This engraving was published in New York, in a limited edition of 125 impressions. The engraving is based on a painting by William Birch Gilbert Stuart, a small miniature in enamel, completed in 1796. Birch painted Washington from life in his office in Philadelphia, by the request of I. G. Van Staphorst, Esqr. of Amsterdam. In the small portrait, Washington is depicted in a head and shoulders pose, facing right. He wears a dark coat and vest and a white shirt and ruffled cravat. The father of our country, George Washington was the commander in chief of the Continental Army during the American Revolutionary War (1775-83) and served two terms as the first United States president...

Presented here is an 1876 engraving of John B. Bachelder and James Walker’s Gettysburg. The Repulse of Longstreet’s Assault. The engraved scene depicts the decisive battle on the final day of the Battle of Gettysburg. Researched by the photographer and topographer John B. Bachelder and painted by James Walker, the original painting was created in 1870. This detailed engraving was done by H. B. Hall Jr. and published by James Drummond Ball. Otherwise called Pickett’s Charge, the battle occurred on July 3, 1863. Pickett’s corp commander, Lieutenant General James Longstreet was placed in charge of the attack despite his hesitations. Longstreet’s central role led to the title of the work, Repulse of Longstreet’s Assault. In an attempt to gain control of an important supply route, nine Confederate brigades charged across three-quarters of a mile of open ground against cannon fire to take Cemetery Ridge from the defending Union Army. Despite their overwhelming numbers, the Confederate forces were repelled with considerable casualties marking not only a decisive victory for the Union, but also the beginning of the slow defeat of Lee’s Army. The furthest the charging forces advanced before being repulsed would forever be known as the “High Water Mark of the Confederacy.” The Confederate army never recovered from the losses at Gettysburg and it effectively ended Lee’s campaign into Pennsylvania. The engraving gives the perspective from the Union rear, one that encompasses most of the battlefield, from Big Round Top on the left to the northern reaches of Cemetery Ridge on the right. The Confederate lines at Seminary Ridge are in the far distance, partially obscured by bursting shells. The image centers on the main Confederate assault, in the vicinity of what today are known as "The Copse" and "The Bloody Angle." The composition has elemen...

McClellan, George B. McClellan’s Own Story: The war for the Union, the soldiers who fought it, the civilians who directed it, and his relations to it and them. New York: Charles Webster, 1887. First edition. Illustrated with steel plate engravings and maps. Rebound in quarter navy leather and cloth boards, with raised bands, gilt tooling, and titles to the spine, new marbled endpapers, and a new archival cloth slipcase. Presented is the first edition of George B. McClellan Civil War memoir, McClellan’s Own Story: The War for the Union. The memoir was published posthumously in 1887 by Charles Webster, in New York. It is presented rebound in stunning quarter navy leather and cloth boards, with raised bands, gilt tooling, and titles to the spine, and new marbled endpapers. The book comes with a new archival cloth slipcase, with an inset image of McClellan on the front. General George B. McClellan is one of the most controversial figures of the American Civil War. His chief contribution to the Union cause was his brilliant ability to organize and train troops. Yet he proved to be an overly cautious and indecisive General. Despite early wins in West Virginia, McClellan began to fear the Confederate Army’s growing size and strength. He grew increasingly hesitant to engage without more men or resources and disagreed with many of Lincoln’s war decisions. As a result, McClellan was removed as General-in-Chief in the spring of 1862, though he retained command of the Army of the Potomac. After the Battle of Seven Pines, a hasty retreat to Washington after the Seven Days Battles, and the epic contest at Antietam, McClellan was removed from all command in November of that same year. He went on to become the unsuccessful Democratic Party nominee in the 1864 presidential election against the Republican Lincoln. Criticized after the Civil War, McClellan never publicly defended his actions as commander of the Union army. In this book, however, his memoir provides his answers to the many critics. Using a combination of military documents...

Speaking With Hands by Jennifer Blessing. Guggenheim Museum, 2004. First edition hardcover with dust jacket. Published for the exhibition of the same name at Solomon R. Guggenheim Museum, New York, June 4 - September 8, 2004. In October 1993, Henry M. Buhl purchased a photograph by Alfred Stieglitz of Georgia O'Keeffe's hands. This photograph would come to be the cornerstone of a private collection that now includes over 1000 images by some of the most famous as well as little-known and emerging artists. Focusing on the theme of the hand, Buhl gathered images spanning the history of photography, from a photogenic drawing negative made in 1840 by William Henry Fox Talbot to serial Polaroids made in 2002 by Cornelia Parker...

Antique map titled 'Novus Brasiliae Typus'. Fine old color example of Blaeu's first map of Brazil, with north oriented to the right. Includes inset map of Baya de todos Santos, elaborate cartouche, 2 compass roses and richly embellished vignettes of native Brazilian life and animals. The interior of the map includes vignettes of indigenous animals and native scenes, including cannibalism. Inset within a decorative border is a small map of "Baya de todos Sanctos". In the sea are monsters, a galleon and two compass roses. The large title cartouche features a male and female Brazilian, both of whom are shown naked. Willem Janszoon Blaeu (1571-1638) was a prominent Dutch geographer and publisher. Born the son of a herring merchant, Blaeu chose not fish but mathematics and astronomy for his focus. He studied with the famous Danish astronomer Tycho Brahe...

George Krause-1. Haverford: Toll & Armstron, Publishers, 1972. Stated first edition hardcover with dust jacket. 60 pp. A handsome book on art American phot...

The Prints of Reginald Marsh by Norman Sasowsky. Clarkson N. Potter, Inc. / Publisher / Distributed by Crown Publishers, Inc., New York, 1976. First Edition hardcover with dust jacke...