Paint Musical Instruments

Maharam Pillow Small Dot Pattern by Charles & Ray Eames 006 Document Reverse Small dot pattern offers an alternate scale of Dot Pattern, Ray Eames' 1947 design for the Museum of Mo...

A Philco Model 9-S-262 console radio with multiple band dial. Circa. 1938. All electrical components and speaker intact, but not tested. Beautiful dial, grill cloth and finish. 42 ...

Steinway & Sons, Baby Grand Model L Piano, Refurbished Satin Ebony, 1911, 88 Keys, Serial Number 146562 This exceptional 1911 Steinway piano, Model 146561, has undergone a complete ...

Vintage hand painted brain model on stand by Denoyer-Geppert, circa 1990s. The model consists of eight pieces of molded, nonbreakable, vinyl that are conne...

AMBIANIC presents Art Deco Vintage Decorative Zenith Floor Model Radio Console 43 h x 24 W x 16.75 Preowned vintage condition Tested not working. Missing...

Royal House Antiques Royal House Antiques is delighted to offer for sale this very fine and highly collectable Antique circa 1895 French Automaton Industrial Locomotive moving gilt bronze clock sitting on top of a solid marble base with bronze feet These clocks vary massively in price, once recently sold for over £150,000 on 1stdibs, which was fully restored and look brand new. They have two mechanical winding features, one operates the clock and the other turns the wheels, I have wound the clock and it works as does the turning mechanism however both will need serving as they have sat for a very long time unused, I can have this done with a very fine clock restorer should the new owner wish I will include the full specification on this piece below which I found online, my example is in very fine order indeed, the sale includes everything pictured and that’s it, if you can’t see it it’s not included Dimensions Height:- 45cm Width:- 47.5cm Depth:- 23cm Please note all measurements are taken at the widest point, if you would like any additional or specific measurements please ask c.1895 French Animated Locomotive Clock...

A fine quality therapeutic musical automaton clown toy in wonderful vintage condition. Features porcelain head, hands and feet. Made in France during the ...

A Very Fine German 19th Century Louis XVI Style Burr Walnut Bechstein Concert Grand Piano, Serial No. 5655. The beautifully crafted Grand piano, raised on three tapered barrel shaped legs, with an intricately carved ornate music desk and original keys. Circa: 1872. Length: 80 inches (203.2 cm) Width: 59 inches: (149.9 cm) Height (top closed): 38 5/8 inches (98.1 cm) C. Bechstein Pianofortefabrik C. Bechstein Pianofortefabrik AG (also known as Bechstein) is a German manufacturer of pianos, established in 1853 by Carl Bechstein. Before Bechstein Young Carl Bechstein studied and worked in France and England as a piano craftsman, before he became an independent piano maker. His first pianos were made for other companies. C. Bechstein C. Bechstein piano factory was founded on 1 October 1853 by Carl Bechstein in Berlin, Germany. Carl Bechstein set out to manufacture a piano able to withstand the great demands imposed on the instrument by the virtuosi of the time, such as Franz Liszt. In 1857, Hans von Bülow (Liszt's son-in-law) gave the first public performance on a Bechstein grand piano by performing Liszt's Piano Sonata in B minor in Berlin By 1870, with endorsements from Franz Liszt and Hans von Bülow, Bechstein pianos had become a staple in many concert halls and private mansions. By that time three piano makers, all of which were founded in 1853, became established as the industry leaders across the world: Bechstein, Blüthner and Steinway & Sons. In 1881 Bechstein began supplying pianos to Queen Victoria. A gilded art-case piano was delivered to Buckingham Palace, followed by several more Bechstein pianos to Windsor Castle and other royal residences. By January 1886 they were among the piano manufacturers holding a Royal Warrant as a supplier to the Queen. Several British embassies across the world acquired Bechstein pianos. In 1885, Bechstein opened a branch in London, that eventually grew to become the largest showroom and dealership in Europe. By 1890 showrooms had been opened in Paris, Vienna, and Saint Petersburg. On 31 May 1901, Bechstein Hall, built at a cost of £100,000, was opened next to the company's London showroom at 36-40 Wigmore Street. Between 1901 and 1914, C. Bechstein was the largest piano dealership in London. At that time, Bechstein was patronized by the tsars of Russia, the royal families of Spain, Belgium, the Netherlands, Italy, Sweden, Norway, Austria and Denmark, and other royalty and aristocracy. The list of royal clients of Bechstein may be found on the soundboard of vintage Bechstein pianos made before the Second World War. The list is part of the original Bechstein trademark logo; it can be seen under the strings in the center of a piano's soundboard. The signature of Carl Bechstein The years from the 1870s through 1914 brought Bechstein their most dramatic increase in sales. In 1880 a second Bechstein factory was opened in Berlin, and the third factory was opened in 1897 in Berlin-Kreuzberg. Production reached 3,700 pianos annually in 1900, and 4,600 in 1910, making Bechstein the largest German manufacturer of high-end pianos. At that time, about three quarters of production went to international markets, especially Britain and the Commonwealth, and Russia. Carl Bechstein died in 1900, and the Bechstein company continued to operate under the management of his sons. Between 1900 and 1914 C. Bechstein was one of the leading piano makers in the world, employing 1,200 craftsmen and workers by 1913 and making five thousand pianos per year. First World War C. Bechstein suffered huge property losses in London, Paris, and St. Petersburg during World War I. The largest loss was in London. Although the company's position in the United Kingdom was initially unaffected, with the company still listed as holding a Royal Warrant in January 1915, Warrants to both King George V, and his wife Queen Mary were cancelled on 13 April 1915. Bechstein was not the only musical concern to be affected by growing anti-German sentiment: there were earlier attempts, led by William Boosey, to boycott German music altogether. In 1915, despite being a Baronet and Privy Counsellor, Sir Edgar Speyer, who was then funding the Proms, was forced to leave the country. Following the passing of the Trading with the Enemy Amendment Act 1916 the British arm of the company was wound-up on 5 June 1916, all Bechstein property, including the concert hall and showrooms full of pianos, were seized as "enemy property" and closed. In 1916 the hall was sold as alien property at auction to Debenhams for £56,500. It was renamed Wigmore Hall, and then re-opened under the new name in 1917. All 137 Bechstein pianos at the Bechstein showrooms were confiscated too, and became property of the new owner of the Hall. After a dispute with his brother, Edwin Bechstein left the company and was paid off. Eventually the Bechstein factory resumed full-scale production during the 1920s. At that time, technical innovations and inventions of new materials and tools, as well as improvements in piano design and construction, had allowed Bechstein to become one of the leading piano makers again. The most successful models were the updated "A"-185 and "B"-208 grand pianos. The upright pianos became more popular after the war, and C. Bechstein were successful with its upright pianos Model-8 and Model-9, both of which have been considered the finest upright pianos. As the company was changed into a joint-stock company 1923, Edwin Bechstein and his wife Helene, bought themselves back into the company as shareholders. In 1930 the company collaborated with German electrical goods manufacturer Siemens under Nobel laureate Walther Nernst to produce one of the first electric pianos...

This is an iconic piece of American design history, designed by Charles and Ray Eames in 1946, for Herman Miller. This example is one of the earlier versions produced between 1946-1955. The veneer is a warm ash. The connecting fabric is a cotton canvas and allows for the screen to bend in a multitude of ways producing a screen in a variant of formations and also allows the screen to fold nearly flat for storage or shipping. A true classic! We have included several detail photos so you can get a true picture of condition, As is common with these older screens...

A very fine Anglo-French 19th century rosewood, palisander, amboyna and satinwood marquetry (inlaid) art-case baby grand piano, the works by "Collard & Collard". The intricately deco...

A deep circular hammered bronze gong with center boss, suspended from a carved, painted and silver gilt stand. The stand with scrolled openwork decorated crest with center monstrous ...

- All prices are listed ex works. - 5 year guarantee. - We regularly crate, ship and install PH Pianos worldwide with full insurance. This gorgeous new PH Bow Grand Piano...