Very Fine Louis XV Style Piano by Francois Linke, Signed., Stamped by Zwiener

Francois Linke (1855-1946) A Louis XV style ormolu mounted Kingwood and parquetry mueble d'appui, by Francois Linke, Index Number 204, For Maison Krieger, Paris, Early 20th Centur...

Large and very fine Francois Linke roll top desk French late 19th-early 20th century Bureau a cylindre, index number 393. Paris. Acajou and satine cu...

Francois LINKE (1855-1946) Fine French Bureau Plat (Table A Ecrire, index Number 1660) Paris, February-May 1911 , acajou and loupe d'amboine, one friez...

Louis XV Style Gilt-Bronze Mtd. Marble Top Fruitwood Marquetry Commode The breched aleop serpentine molded marble top above a conforming body fitted with two drawers, centering inla...

Bronze Mounted Steinway Model M Baby Grand Piano A Model Of Francois Linke Dimensions : Height 43 in., Length 67 in., Width 56.25 in A Gilt-Bronze Mounted Steinway & Sons Baby G...

A spectacular French mid-19th century, circa 1855, Louis XVI st. tulipwood parquetry and ormolu mounted, Model 2 Concert Grand Piano, signed Pleyel...

Fully Restored 1901 Steinway & Sons Model B Louis XV Baroque Rococo Grand Piano – Serial Number 99151, Full 88 key keyboard. The most exquisitely d...

This Erard parallel-strung grand piano, crafted in Paris in 1845 (serial number: 18725), has been extraordinarily well-tended, restored and maintained, enduring today as not only a spectacular example of the pinnacle of 19th Century piano design - characterized by its innovative construction and exceptional sonoral qualities - but also as a premium instrument by the most advanced modern standards, concert-ready for world-class, discriminating performers and their audiences. Erard was a renowned piano manufacturer established by Sébastien Erard, and for much of the 19th Century, the company produced some of the most exquisite and innovative European pianos of the era. The sound produced by this parallel-strung grand piano is characterized by a clarity and transparency that distinguishes it from its contemporaries. The parallel arrangement of strings contributes to a more direct transfer of sound energy, resulting in a balanced and articulate tone across the instrument's registers. This piano's tone is beloved for its sweetness in the treble range and a robust quality in the bass, while also allowing for an especially nuanced and expressive interpretation of the musical repertoire of its era. The ebony and ivory keyboard is a testament to the meticulous attention Erard paid to the tactile experience of playing. Each key is precision-weighted, providing a responsive touch that allows the pianist to articulate a wide range of dynamics and expressiveness. An interior faux tableau latches to the outer case lid in an open position for maximum concert volume, and rests in a lowered position to maintain a softer, more muted experience. The year 1845 places this Erard instrument in the heart of the Romantic era, a period marked by a surge in musical creativity and emotional expression. Composer/performers like Chopin and Liszt were drawn to Erard grand...