European Collectibles and Curiosities
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Style: Baroque
Place of Origin: European
Road Map John Ogilby London St David's Britannia No 15 Abingdon Monmouth Framed
By John Ogilby
Located in BUNGAY, SUFFOLK
John Ogilby (British 1600-1676) Cosmographer and Geographick Printer to Charles II. A road map from Britannia, 1675/6. No 15.
The continuation of the r...
Category
1670s Baroque Antique European Collectibles and Curiosities
Materials
Paper
19th Century Italian Baroque Style Carved Putti Statue
Located in Petworth,West Sussex, GB
A 19th century impressive large scale Italian Baroque style putti statue, depicts a winged cherub, with branch, different smaller scallop shells and hold...
Category
19th Century Baroque Antique European Collectibles and Curiosities
Materials
Pine
Officina Profumo Farmaceutica di Santa Maria Novella Hardcover Photography book
Located in North Hollywood, CA
The Officina Profumo Farmaceutica di Santa Maria Novella Hardcover Photography book.
This book is a luxurious memento of the historic house of Sant...
Category
Late 20th Century Baroque European Collectibles and Curiosities
Materials
Paper
18th 19th Century French Carved Oak Panel of Saint Philomena
Located in Buisson, FR
Beautiful weathered oak panel representing Saint Philomena.
Also known as Philomena of Rome was a young virgin martyr whose remains were discovered ...
Category
18th Century Baroque Antique European Collectibles and Curiosities
Materials
Oak
Assumption of the Virgin Mary. Oil on Copper Possibly late 17th century
By Guido Reni
Located in Madrid, ES
Assumption of the Virgin Mary. Oil on Copper Possibly late 17th century Following models by Guido Reni (Bologna, 1575-1642).
Has faults.
Oil on copper that shows the Virgin Mary seated on clouds...
Category
Late 17th Century Baroque Antique European Collectibles and Curiosities
Materials
Copper, Other
Map Road John Ogilby Britannia No 74 Ipswich to Norwich Cromer Framed
By John Ogilby
Located in BUNGAY, SUFFOLK
The Road from Ipswich com Suffolk to Norwich and thence to cromer on the sea coast com Norfolk. By John Ogilby, Esq, His Majesties Cosmographer. Containing...
Category
1670s Baroque Antique European Collectibles and Curiosities
Materials
Paper
Road Map, John Ogilby, No 54, London, Yarmouth, Britannia
By John Ogilby
Located in BUNGAY, SUFFOLK
The Road from London to Yarmouth com. Norfolk. By John Ogilby, His Majesties Cosmographer. Containing 122 miles, 5 furlongs. No 54.
From Standard in Co...
Category
1670s Baroque Antique European Collectibles and Curiosities
Materials
Paper
17th Century Portuguese Tile Panel Representing "The Musician"
By Europa Antiques
Located in Madrid, ES
17th century Portuguese Tile Panel
Representing "The Musician "
Restored
Measures: 43cm x 28cm
Amazing unique art work.
Category
17th Century Baroque Antique European Collectibles and Curiosities
Materials
Porcelain
Road Map John Ogilby No 75 Kings Lyn Harwich, Britannia Framed Wallhanging
By John Ogilby
Located in BUNGAY, SUFFOLK
The Road from Kings Lyn Co Norfolk to Harwich Co Essex. By John Ogilby His Majesties Cosmographer. Containing 76 miles, 1 furlong.
From Lyn to Swaffam, to Stanford, to Thetford, To Icksworth, to Stowmarket, to Ipswich and to Harwich including ye Ferry, No 75, inscribed in pencil 1698
Hand colored and floated in the original black and gold frame, c1961. Some creasing commensurate with age. The back of the frame inscribed May 1961.
Provenance : Private Collection, acquired c1961, along with No 74 Ipswich to Norwich & No 54 London to Yarmouth. All in the original black and gold frames.
Sheet width 45cm., 17 ¾”., height 34.5cm., 13 ½“
Frame width 50cm 19 ¾”., height 40cm., 15 ¾”
Literature: In a remarkable life John Ogilby pursued, several careers, each ending in misfortune, and yet he always emerged undeterred, to carry on. His modern reputation is based on his final career, started in his sixty-sixth year, as a publisher of maps and geographical accounts.
Ogilby was born outside Dundee, in 1600, the son of a Scottish gentleman. While he was still a child, the family moved to London. When the elder Ogilby was imprisoned for debt, the young John invested his savings in a lottery, won a minor prize, and settled his father's debts. Unfortunately, not enough money was left to secure John a good apprenticeship; instead, he was apprenticed to a dance master. Ogilby was soon dancing in masques at court but, one day, while executing a particularly ambitious leap, he landed badly. The accident left him with a permanent limp, and ended his dancing career. However, he had come to the attention of Thomas Wentworth, later Earl of Strafford, Charles I's most senior minister. Ever one to exploit his contacts, Ogilby became a dance instructor in Strafford's household.
When Strafford was sent to Ireland, Ogilby accompanied him as Deputy-Master of the Kings Revels, and then Master of Revels. In Dublin, he built the New Theatre, in St. Werburgh Street, which prospered at first, but the Irish Rebellion, in 1641, cost Ogilby his fortune, which he estimated at £2,000, and almost his life. After brief service as a soldier, he returned to England, survived shipwreck on the way, and arrived back penniless.
On his return, Ogilby turned his attention to the Latin classics, as a translator and publisher. His first faltering attempt, in 1649, was a translation of the works of Virgil, but after his marriage to a wealthy widow the same year, his publishing activities received a considerable boost. One means by which Ogilby financed these volumes was by subscription, securing advance payments from his patrons, in return for including their name and coats-of-arms on the plates of illustrations. Another approach was to secure a patron, preferably in the court circle. Ogilby's first patron was Strafford, who found out too late that all leading ministers are dispensable when Charles I assented to his execution in 1641. As he re-established himself, Ogilby sought a new patron, the King himself.
In 1661, Ogilby was approached to write poetry for Charles II's coronation procession; he later published 'The Relation of His Majesties Entertainment Passing Through the City of London', and a much enlarged edition the following year, which included a Fine set of plates depicting the procession. Royal favour was bestowed in 1674 when John Ogilby received the title of 'His Majesty's Cosmographer and Geographick Printer' with a salary of £13.6s.8d per annum.
In 1665, Ogilby left London to avoid the Plague then ravaging the capital. The following year, in the Great Fire of London, Ogilby claimed that he lost his entire stock of books valued at some £3,000, as well as his shop and house, leaving him worth just £5.
As he sought to restore his fortunes, Ogilby was already looking in new directions. The initial opportunity he seized on was the reconstruction of London's burnt-out centre. He secured appointment as a 'sworn viewer', whose duty was to establish the property boundaries as they existed before the Fire. Ogilby was assisted in the project by his step-grandson, William Morgan...
Category
1670s Baroque Antique European Collectibles and Curiosities
Materials
Paper
17th Century Portuguese Tile Panel Representing "The Saints"
By Europa Antiques
Located in Madrid, ES
17th Century Portuguese Tile Panel
Representing "The Saints"
restored
15cm x 29cm
Amazing Unique Art Work.
Category
17th Century Baroque Antique European Collectibles and Curiosities
Materials
Porcelain
17th Century, Portuguese Tile Panel Representing "The Saint"
By Europa Antiques
Located in Madrid, ES
17th Century portuguese tile panel.
Representing "The Saint".
Restored.
Measures: 28cm x 28cm.
Amazing unique art work.
Category
17th Century Baroque Antique European Collectibles and Curiosities
Materials
Porcelain
17th Century Norther European Wrought Iron Pestle, 8.5 Inches
Located in Stamford, CT
Unusual wrought iron pestle, most are bronze like most mortars. This one is at least 17th century, quite possibly dating to the Gothic period. I have owned two iron mortars in my ti...
Category
Early 17th Century Baroque Antique European Collectibles and Curiosities
Materials
Wrought Iron
Road Map, John Ogilby, London, Barwick, York, Chester, Darlington, Durham Framed
By John Ogilby
Located in BUNGAY, SUFFOLK
The continuation of the road from London to Barwick beginning at York and extending to Chester in ye Street. Plate ye 4th continuing 76 ½ miles. No 8.
York to Burrowbridge, to Top...
Category
1670s Baroque Antique European Collectibles and Curiosities
Materials
Paper
Buckingham Both Shyre and Shire John Speed 1610 Gilded Frame
Located in BUNGAY, SUFFOLK
Just purchased more information to follow.
In unrestored condition, the sheet can be cleaned.
Category
17th Century Baroque Antique European Collectibles and Curiosities
Materials
Paper
18th Century Italian Bronze Pestle for a Mortar, 9 Inches Long
Located in Stamford, CT
If you've got the mortar, I have the pestle! There are so many mortars out there, and so few pestles. It's nice to have both. Here is your opportunity to marry this large scale pestl...
Category
18th Century Baroque Antique European Collectibles and Curiosities
Materials
Bronze
Reliquary Altar. Wood, Glass, Metal, Etc. Spain, 17th Century
Located in Madrid, ES
Wall reliquary altar. Carved, polychrome and gilded wood, glass, metal, etc. Spanish school, 17th century.
Reliquary altar made of carved, gilded and polychrome wood composed of a part that imitates a curtain of the type usually used to cover altars and other pieces when they are not used, topped by a winged angel head, and a composition organized around a tondo large central stem, from which arise a series of stems ending in scrolls. Some of these stems (eight in total) eventually form a kind of crown of leaves in the center of which are as many circular reliquaries of saints. In this mentioned central tondo there is an Agnus Dei (or Ágnusdei) made of wax. On the visible side there is an image of the Risen Christ (inspired by the one sculpted by Michelangelo Buonarroti around 1520 and found in Santa Maria sopra Minerva in Rome) accompanied by angels with symbols of the Passion and on a pedestal. This image is known to have been used on these pieces before 1598, again in 1619, and again in 1690. These relics (they are blessed by the Pope) get their name because they are printed on the front, above the book with the seven seals , the haloed Paschal Lamb carrying the banner of the Resurrection. In the text around the image, it seems to include a reference to Pope Pius V...
Category
17th Century Baroque Antique European Collectibles and Curiosities
Materials
Metal, Other
18th Century Spanish Baroque Carved Giltwood Altar Ornament with Angel Head
Located in Buisson, FR
Wonderful baroque altar ornament with Angel head. Great and unique item.
Spain circa 1750
Weathered, losses and old repairs.
More photo's available on...
Category
18th Century Baroque Antique European Collectibles and Curiosities
Materials
Wood
Embroidered Textile Chasuble Religious Vestment
Located in New York, NY
Antique embroidered textile chasuble with floral decorative patterns in blue, yellow and pink, likely made in the 17th-18th century in Europe. The piece is framed and has marking on the back paper indicating it to be a gift from William Randolph Hearst...
Category
17th Century Baroque Antique European Collectibles and Curiosities
Materials
Textile
Map Road Strip Britannia Sheet 2 John Ogilby London Aberistwith Islip Bramyard
By John Ogilby
Located in BUNGAY, SUFFOLK
From John Ogilby's, 'Britannia, an Illustration of the Kingdom of
England and Dominion of Wales'. First published in 1675 it remains the greatest advance ...
Category
17th Century Baroque Antique European Collectibles and Curiosities
Materials
Paper
Pair of Wrought Iron Gold Spanish Church Altar Gates
Located in Hastings, GB
A glorious pair of large, hand forged wrought iron Church Altar Gates, Spain circa 1900. These gates would have stood at the entrance to the altar in a chu...
Category
Early 1900s Baroque Antique European Collectibles and Curiosities
Materials
Wrought Iron
Map Holy Promise Land Canaan Richard Palmer Richard Blome 1687 Joseph Moxon
Located in BUNGAY, SUFFOLK
Canaan comonly called the Holy Land or the Land of Promise, being the Possesion of the Israelites & travelled through by Our Lord & Saviour Iesus Christ and his Apostles. Engraven by Richard Palmer for Richard Blome. 1687
Blome, Richard, 1641-1705. London. 283 x 452 mm. Copperplate.
Probably from an English Bible...
Category
17th Century Baroque Antique European Collectibles and Curiosities
Materials
Paper
19th C. Italian Wood & Metal Embossed Relicquary
Located in Los Angeles, CA
19th Century wood & embossed metal relicquary. The piece originally sat on the alter of the church holding relics. Mirror has been placed where the glass originally held the relics.
Category
19th Century Baroque Antique European Collectibles and Curiosities
Materials
Metal
17th Century Italian Baroque Architectural Bases Carved Giltwood Elements Pair
Located in Milan, IT
17th Century Italian Baroque Architectural Bases Pair of Carved and Giltwood Elements featuring blue painting details, a pair of antique decorativ...
Category
Mid-17th Century Baroque Antique European Collectibles and Curiosities
Materials
Wood, Giltwood
Pin and Pair of Italian Gold Earrings, 19th Century
By Europa Antiques
Located in Madrid, ES
Pin and pair of Italian gold earrings
19th Century
In filigree silver and gold, consisting of a brooch and a pair of earrings, with pendant d...
Category
19th Century Baroque Antique European Collectibles and Curiosities
Materials
Gold, Silver
Pair of Antique Friezes in the Shape of a Flower
Located in Alessandria, Piemonte
Pair of antique friezes in wood in the shape of a flower. They bear traces of lacquering, now erased by time. I just had the centrale part redone, to gi...
Category
Late 17th Century Baroque Antique European Collectibles and Curiosities
Materials
Fruitwood
17th century Baroque Hand Carved Saint Anthony Sculpture w. Child & Lily Flower
Located in Lisse, NL
Rare and wonderful Saint Anthony church sculpture, European 17th century Baroque.
This rare and sizable wall statuette of Franciscan Saint Anthony is another one of our recent great finds. This wonderful church relic...
Category
17th Century Baroque Antique European Collectibles and Curiosities
Materials
Wrought Iron
Italian 19th Century Carved Wooden Saint Figure
Located in Buisson, FR
Very nice saint figure. Hand carved wood with glass eyes
Italy, circa 1800-1850. Weathered, small losses.
Category
19th Century Baroque Antique European Collectibles and Curiosities
Materials
Wood
Caravaggesque Oil on Copper "Flagellation of Christ" Baroque Sicilian, 17th Cent
By (After) Caravaggio
Located in Milano, IT
Splendid 17th-century Italian painting by unknown artist, but certainly a follower of Caravaggio, relying on style and drawing.
The painting has a very beautiful gilded wooden frame, with a subtle greek with spheres and an overlying rectangular frame with sinuous flowers on each corner, very elegant and beautiful.
The painting depicts one of the most depicted religious scenes ever, the scourging of Christ, and is entirely done in oil on copper.
The scourging of Jesus is an episode narrated in the Gospels (Mk15:15-16; Mt27:26-27; Lk23:16-26; Jn19:1-17[1]).
Scourging is a flogging, particularly bloody, by means of sticks, rods or cat-o-nine-tails, the latter instrument consisting, in the Roman typology, of a short stick to which were secured several strings ending in metal claws, leads and bone splinters that caused tremendous lacerations and fractures to the tortured person. Chains are used in this scene, both to immobilize Jesus Christ and to flog him, as we can see in the upper right hand of the scourger.
According to some personal research, it turned out that the actual scourging of Christ was mostly depicted at the column, while this Christ is on the ground, so presumably Christ here is scourged during the Way of the Cross at one of those stages where he fell.
The painting has a very dark coloring, which is why this painting is believed to faithfully follow Caravaggio's style of dry, authoritarian brushstrokes. The painting shows a figure agonizing on the ground that continues to receive beatings and floggings of all kinds, representing Christ; his face is crucified in a loquacious expression of pain, he turns his eyes to heaven as if to invoke God, but at the same time those same eyes admonish the wickedness and arrogance inherent in humanity.
Christ has one hand resting on the ground in the act of holding himself, while the other takes a completely unnatural stance against the barren ground. His body appears hardened to wanting to parry the blows, his legs are curled up on his knees as he takes kicks from the soldier above him. Christ is depicted pinned down from the neck with a very large and strong black iron bolt held by the other soldier. The soldier on the right in the foreground wears a one-shoulder tunic with an orange tunic and blue pants. On his feet he wears gray shoes, at his waist he has a belt with an iron helmet...
Category
17th Century Baroque Antique European Collectibles and Curiosities
Materials
Copper
18th Century Spanish Silver on Wood Baroque Reliquary
Located in Buisson, FR
Beautiful and detailed reliquary holder with a thin hammered layer of silver on wood. Beautiful details.,
Spain, circa 1750. Weathered and small losses.
Category
18th Century Baroque Antique European Collectibles and Curiosities
Materials
Silver
Head of a Saint. Polychromed Wood. 17th Century 'Later Base'
By Spanish Manufactory
Located in Madrid, ES
Saint head. Carved and polychrome wood. Spanish school, 17th century.
Head made of carved and polychrome wood of a young man, with curly and tonsured dark hair, who keeps his gaze ...
Category
17th Century Baroque Antique European Collectibles and Curiosities
Materials
Other
17th Century Portuguese Tile Panel Representing "The Saint"
By Europa Antiques
Located in Madrid, ES
17th Century Portuguese Tile Panel
Representing "The Saint"
restored
28cm x 28cm
Amazing Unique Art Work.
Category
17th Century Baroque Antique European Collectibles and Curiosities
Materials
Porcelain
18th Century Spanish Baroque Period Christ Crucified Altar Sculpture
By Juan De Mesa
Located in Forney, TX
A scarce Baroque Period Spanish altarpiece retablo / reredo, by (attributed) Luis Salvador Carmona (1708-1767), depicting thorn crowned Christ crucified / Cristo crucificado hand carved, polychromed wood with forged iron nails, mounted on later plaque.
This rare antique religious work / object of art, circa 1750, most likely commissioned by the Catholic Church of Spain, destined to be prominently displayed as an altarpiece / retablo or as part of a much larger reredo, directly behind the main altar at a Spanish or Continental European Catholic Church (French, Italian, Iberian, Portuguese)
The Crucified Christ, displayed mounted on a later faded red fabric upholstered shaped backboard plaque with textured gilt border. The exceptional hand sculpted, carved, gessoed, polychrome painted figure depicting bloodied Jesus, with crown of thorns atop his head, only wearing a undulating shaped cloth around his loin, arms extended and feet crossed, spear head form iron nails through both. The verso covered in an old paper printed backing with metal hook hardware at top for wall hanging.
Dimensions (approx):
Overall:
22" High, 14.5" Wide, 3.25" Deep
Figure only:
16" High, 10" Wide, 3" Deep
Historical background:
Artist: (attrib)
Luis Salvador Carmona (1708, Nava del Rey – 1767, Madrid) was a Spanish Baroque sculptor who came from a family of artists, including uncle of Manuel Salvador Carmona. He was sent to be trained in Madrid in the workshop of Juan Alonso...
Category
18th Century Baroque Antique European Collectibles and Curiosities
Materials
Iron
The temptation of St Anthony. Oil on canvas. 17th c., after David Teniers II
By David Teniers the Younger
Located in Madrid, ES
Temptations of San Antonio Abad. Oil on canvas. 17th century, following the model of David Teniers II (Antwerp, 1610-Brussels, 1690).
Oil on canvas showing a figurative scene located inside a cave. To the right, you can see a cross standing, supported; to the left, a hut; and in the center of the painting appears an elderly, bearded man, leaning on a table on which there is a ceramic jug and a skull, with an open book at the foot of it. The man looks towards a woman, who points to something outside, and appears accompanied by a large frog and a series of ghostly beings or monsters dressed in brightly colored cloth and clothing.
San Antonio Abad or Antonio Magno (251-356) was a Christian monk, considered the founder of the eremitical movement. He was tempted numerous times by the devil while he was in the desert, becoming a subject frequently represented in art (as can be seen in this oil painting). He is represented in a black habit because the Order of the Knights of the Hospital of San Antonio (Hospitals) was placed under his patronage, being the color of the habits of the members of this order (the tau or Egyptian cross was also the symbol chosen by they).
David Teniers II or El Joven was a prominent Flemish painter and engraver, son of David Teniers El Viejo or I and father of David Teniers III, much appreciated at the time for his scenes of villagers and common people, his paintings of monkey painters, etc. . He dealt with the theme of the Temptations of Saint Anthony...
Category
17th Century Baroque Antique European Collectibles and Curiosities
Materials
Other
Blue Hand Painted Baroque Cherub or Angel Portuguese Ceramic Tile or Azulejo
Located in Coimbra, PT
Gorgeous blue hand painted Baroque cherub or angel 18th century style Portuguese ceramic tile or azulejo
This tile painted in blue over white in ...
Category
Late 20th Century Baroque European Collectibles and Curiosities
Materials
Delft, Faience, Terracotta
18th Century, Italian Carved Wooden Christ
Located in Buisson, FR
Very beautiful wooden Christ figure with a strong expression and traces of its original color,
Italy, circa 1750. Weathered and small losses, old repair...
Category
18th Century Baroque Antique European Collectibles and Curiosities
Materials
Wood
Bronze Mortar with Pestle, Spain, 17th Century
Located in Madrid, ES
Mortar with hand. Bronze. XVII century.
Mortar with a circular base, cylindrical body and slightly outwardly flared mouth, decorated with a series of smooth horizontal moldings arranged both in the lower and upper areas and with simple vertical elements (which still maintain slight balustraded shapes) derived from of the ribs that these specimens used to have in the medieval Spanish...
Category
17th Century Baroque Antique European Collectibles and Curiosities
Materials
Bronze, Other
18th C Baroque Style German G. von Gundlach Armorial Beer /Goblet/Kelchglas
Located in West Palm Beach, FL
18th C Baroque Style German G. von Gundlach Armorial Beer /Goblet/Kelchglas
Engraved later with ancestors name 'G. von Gundlach' with corresponding Armorial Crest, Germany, Hesse or Saxony region, Circa 1790
An exceptional 18th century example of early German or Dutch craftsmanship in this traditional Kelchglas form. A finely engraved later armorial to the body reveals the Gundlach family heraldry which date back to as early as 1304. The crest and shield of arms...
Category
18th Century Baroque Antique European Collectibles and Curiosities
Materials
Blown Glass
Da Annibale Carracci Deposizione di Cristo Opera Barocca Italiana 1650 circa
By Annibale Carracci
Located in Milan, IT
Deposizione di Cristo nel Sepolcro 1650, opera barocca di scuola emiliana ispirata al Cristo deposto nel sepolcro di Annibale Carracci esposto al Metropolitan Museum of Art in New Y...
Category
Mid-17th Century Baroque Antique European Collectibles and Curiosities
Materials
Wood, Canvas
17th Century Oil on Copper Saint Joseph and King David
Located in Firenze, IT
SHIPPING POLICY:
No additional costs will be added to this order.
Shipping costs will be totally covered by the seller (customs duties included).
Miniature on copper...
Category
Mid-17th Century Baroque Antique European Collectibles and Curiosities
Materials
Copper
Vintage Italian Parquetry Miniature Bombe' Chest
Located in Bradenton, FL
Miniature parquetry two drawer bombe chest made in Italy. All sides including back are finished.
Category
Mid-20th Century Baroque European Collectibles and Curiosities
Materials
Wood
Blue Hand Painted Baroque Cherub or Angel Portuguese Ceramic Tile or Azulejo
Located in Coimbra, PT
Gorgeous blue hand painted Baroque cherub or angel 18th century style Portuguese ceramic tile/azulejo
The tile painted in cobalt blue over wh...
Category
Late 20th Century Baroque European Collectibles and Curiosities
Materials
Delft, Faience, Terracotta
Large Pair of 18th / 19th Century Italian Silvered Reliquaries
Located in Milford, NH
A fine large pair of Italian silvered metal over wood reliquaries with putti, grape, shell, and scrollwork design. Each have memorial pendant displays with names (The left reads S. Innocentii M & S Clementiani M,” while the other is illegible. The pair is in very good condition, with great overall patina, some metal lifting...
Category
Late 18th Century Baroque Antique European Collectibles and Curiosities
Materials
Metal
Vintage Cartier Silk Scarf backed in Linen Pillow Sapphire Blue Antique Gold
By Cartier
Located in Belfast, Northern Ireland
Katie Larmour Studio is the original vintage scarf pillow maker. Gaining notability for her unique idea and creations back in 2013 - featured in the likes of the Financial Times, and first selling here on 1stdibs in 2016 - our creations are of the absolute top most quality, craftsmanship and finesse. Thank-you for looking.
Title:
Vintage Cartier Silk Scarf...
Category
Late 20th Century Baroque European Collectibles and Curiosities
Materials
Linen, Silk
18th Century Wooden Santos Jesus Sculpture Relic Vintage Antique Glass Eyes
Located in Hyattsville, MD
Interesting 18th Santos figure with glass eyes, but without hands or feet, this piece was part of a large installation. Appears all original with he...
Category
Late 18th Century Baroque Antique European Collectibles and Curiosities
Materials
Wood
Rare Low Walnut Italian Baroque Period Cellist Lectern
Located in Montreal, QC
Rare Low Walnut Italian Baroque Period Cellist lectern.
Category
1750s Baroque Antique European Collectibles and Curiosities
Materials
Walnut
17th Century, Spanish Giltwood Baroque Altarpiece with Angel Head
Located in Buisson, FR
Stunning and complete unique early Baroque altarpiece with beautiful and very rich carved and gilded decor,
Spain, circa 1650
Weathered, small losses, old repairs and adjustments o...
Category
17th Century Baroque Antique European Collectibles and Curiosities
Materials
Wood
Blue Hand Painted Baroque Cherub or Angel Portuguese Ceramic Tile or Azulejo
Located in Coimbra, PT
Gorgeous blue hand painted Baroque cherub or angel 18th century style Portuguese ceramic tile or azulejo
This tile painted in blue over white in ...
Category
Late 20th Century Baroque European Collectibles and Curiosities
Materials
Delft, Faience, Terracotta
Hand Painted Baroque Cherub or Angel Portuguese Ceramic Tile
Located in Coimbra, PT
Gorgeous blue hand painted Baroque cherub or angel 18th century style Portuguese ceramic tile/azulejo
The tile painted in cobalt blue over white in typ...
Category
Late 20th Century Baroque European Collectibles and Curiosities
Materials
Delft, Faience, Terracotta
18th Century White and Gold Baroque Stand
Located in Hastings, GB
A superb baroque stand, crafted from wood (possibly Oak) with painted design in gilt, dating to the 18th century, German, these would originally have displayed the statues of the sai...
Category
1760s Baroque Antique European Collectibles and Curiosities
Materials
Wood
Mechanical Equatorial Sundial, Johann Michael Bergauer, Ante 1745
By Johann Michael Bergauer
Located in Milano, IT
Johann Michael Bergauer (Simonsfeld, 1676 - Innsbruck, 1745 circa)
Mechanical equatorial sundial
Signed: Michael Bergauer Insprugg? Innsbruck?
Ante 1745
Gilded and silvered brass; glass.
Measures: closed 1.29 x 3.50 x 4.92 in (33 x 89 x 125 mm); open 5.19 x 3.50 x 3.81 in (132 x 89 x 97 mm).
Weight: the sundial 0.49 lb (224 g); the case 0, 20 lb (95 g)
Original wooden case covered in brown leather.
State of conservation: very good. It has some signs of use. The spring that allowed for the two parts of the instrument to remain open is missing (absent even in the comparative specimens kept in museums).
The sundial is composed of two overlapping plates hinged together on the north edge.
The base plate is octagonal and is supported by three turned legs. The upper face is gilded and a compass with a magnetic variation index has been inserted. The rest of the surface is occupied by a rich decoration of engraved scrolls, centered around the inscription “Michael Bergauer Insprugg”. A foldable oval support with a plumb-bob is attached with a hinge on the southern edge. On the reverse of the base plate a table of the latitudes of some European cities (expanded with the vertical writing “Meiland 40” on the edge and “Rome” deleted) and of Jerusalem has been engraved. A Cam marked for 0 °-70 ° is applied near the northern edge. This can be adjusted to change the inclination of the upper plate according to the latitude; originally a spring, now lost, made it possible to keep the two plates of the clock open.
The second plate is round, has a toothed edge and measures 3.26 in (83 mm) in diameter: it is slightly smaller than the octagonal base which it rests upon and overlaps when the instrument is closed.
The recto is gilded and there are three concentric graduated circles engraved on it:
- the outermost is the equatorial hour dial, numbered I-XII, I-XII;
- the second-one is that of days 1-30 of the lunar month and has “Aetas lunae” engraved on it;
- the third, silvered, is a subsidiary hour dial, with double numbering 1-12; originally it could have been rotated.
The engravings of the first two circles are enameled in red.
In the center - on the polar axis - there is an alidade, at the end of which is associated the silvered minute dial. This, in turn, is welded, perpendicularly, to a small disc, also silvered, with a triangular gnomon. The plate, alidade and minute dial are connected to each other by toothed mechanisms.
Below is the procedure for measuring the time:
1) Adjust the Cam under the base of the clock, based on the latitude of your location;
2) Place the watch on a flat surface using the plumb-bob and with the side closest to the compass facing south;
3) Keeping the instrument still, manually rotate the alidade until the shadow cast by the triangular gnomon on the small silvered disc falls on the line marked below it;
4) The hour and minutes can therefore be read on the hour and minute dials set on the alidade respectively.
Johann Michael Bergauer, who sometimes only signs his works as Michael Bergauer, was born in Simonsfeld, north of Vienna. His apprenticeship as a watchmaker took place in Landshut and he probably worked as a laborer in Augsburg before becoming a watchmaker at the court of Karl Philipp von der Pfalz in Innsbruck in 1708. In the following years, his repeated attempts to obtain Innsbruck citizenship are documented and, in 1721, he is listed as a resident. In 1724 he was admitted to the guild of watchmakers, with which however he had continuous problems. In 1732 he presented a "masterpiece". This is the last reference to his business; he must have died before or in 1745 because in that year his widow appealed to the City Council.
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