18th Century Italian Ecclesiastical Tabernacle with Aragonite

18th century Italian sunray with baroque pearls mounted on an aragonite crystal base. The 18th century gold leaf sunray originally part of a halo or sunburst motif in an artistic depiction in a historic church. It is mounted onto the white aragonite...

18th century Italian crucifix with gold-plated kyanite, calcite crystals in matrix, and baroque pearls. The crucifix is originally from a church in Liguria. It is hand-carved and pai...

18th century Italian hand-carved gold leaf angel with fossil agate coral wings and mounted aragonite. The hand-carved angel was once part of a decorative, angelic depiction in a ...

18th century Italian gold leaf angel wing with rutilated quartz crystals on natural-forming aragonite crystal cluster. The hand-carved angel wing was once part of a heavenly, angelic depiction in a historic church in Italy. The aragonite is from Morocco and is known for this particular type of crystalized formations. The mineral emulates a cloud which is compliments the 18th century Italian gilded angel wing. The rutile quartz crystals are adorned on the base and aspects of the wing and the gold of the rutile perfectly matches the original gilded 18th century Italian artifact...

18th Century Italian Tabernacle Door Fragment. Unique piece that can go anywhere. Perfect for a sculpture on the wall in a hallway or niche.

Important and historic, acquired from the estate of legendary American businessman, the late T. Boone Pickens, we're proud to offer this exceptional carved giltwood reliquary - monstrance from the early 18th century. Elaborately hand carved in period Rococo - Rocaille taste, with superb scrollwork, openwork, fanciful acanthus leaf and shell, ornate detailing, polychrome painted warm pastel colors, now beautifully distressed, muted tones, with remnants of gold gilded accents. Pieces such as this were used in early churches for convenient exhibition or public display of some object of piety and other important religious relics...

Hand-painted, parcel-gilt, wood statue of the Virgin Mary mounted on a circa 1725, old-wood base.

18th century spanish polychromed tabernacle, niche for the display of Santos. Original finish in somber tones of ochre and siena.