19th Century French Gothic Free Standing Repousse Brass Church Crucifix

This free standing antique cross was hand carved from oak wood in France. Signed by the artist and dated 1923, the crucifix stands on a globe like base and features our Lord Jesus C...

This antique patinated gilt casket was created in France, circa 1890. Built with brass and copper, the miniature trunk-shaped box with bombe top, stands on...

This antique carved statue of Christ nailed on the cross was crafted in France, circa 1850. Found in a private chapel in the Rhone Valley, the large cross features a detailed hand ca...

This beautiful, antique cross was crafted in France, circa 1870. The large iron crucifix rests on an oval base, and features our Lord nailed on the cross and is decorated with vine a...

This important antique carved statue of Christ nailed on the cross was crafted in Lyon, France, circa 1850. Found in a private chapel in the Rhone Valley, the large antique cross features a detailed hand carved sculpture of Jesus nailed on a wooden cross with forged iron nails over his hands and feet. The painted sculpture is well-proportioned, and has realistic details throughout the body, face, and hair. The pediment has the Latin inscription INRI (in John 19:19), which in English translates to "Jesus the Nazarene, King of the Jews", and John 19:20 states that this was written in three languages, Hebrew, Latin, and Greek during the crucifixion of Jesus. The title "King of the Jews" is only used in the New Testament by gentiles, namely by the Magi, Pontius Pilate, and the Roman soldiers. In contrast, the Jewish leaders use the designation "King of Israel". Although the phrase "King of the Jews" is used in most English translations, it has also been translated "King of the Judeans". The life-size religious crucifix...

Decorate a study of office with this elegant floor fixture. Crafted in southern France, circa 1860, the candelabra lamp stands on a tripod base ending with three feet. The twisted st...

Originally used in a French chapel, this exquisite brass repousse pricket or candlestick from the late nineteenth century stands at over two and a half f...

A stunning pair of very fine quality French Neo-Gothic gilt metal church reliquaries. circa 1860s Most impressive objets d’art, born in France in the second half of the 19th century, most likely Parisian gilded bronze and brass ormolu work, exceptionally executed sculptural form, the exquisitely detailed architectural cathedral shaped case having a removable pointed steeple roof with cross finial, opening to relic display case surrounded on all sides by original glazed glass panes, stepped base, rising on disc feet. Signed, stamped by maker / bronzier "BC" (unknown) model "5096" and other faint marks to lid interiors. Additional photos available upon request Dimensions: (approx) 14.75" High, 6.75" Wide, 6.75" Deep; 13.25 lbs total History: A reliquary (also referred to as a shrine, by the French term châsse or monstrance) is a container for important religious relics. The earliest reliquaries were essentially boxes, either simply box-shaped or based on an architectural design, taking the form of a model of a church with a pitched roof. These latter are known by the French term chasse, and typical examples from the 12th to 14th century have wooden frameworks with gilt-copper plaques nailed on, decorated in champlevé enamel. Limoges was the largest production centre; NB the English usage differs from that of the French châsse, which denotes large size rather than shape. Relics of the True Cross became very popular from the 9th century onward and were housed in magnificent gold and silver cross-shaped reliquaries decorated with enamels and precious stones. From about the end of the 10th century, reliquaries in the shape of the relics they housed also became popular; hence, for instance, the skull of Pope Alexander I was housed in a head-shaped reliquary. Similarly, the bones of saints were often housed in reliquaries that recalled the shape of the original body part, such as an arm or a foot. A philatory is a transparent reliquary designed to contain and exhibit the bones and relics of saints. This style of reliquary has a viewing portal to view the relic inside. The feretrum was a medieval form of reliquary or shrine containing the sacred effigies and relics of a saint. During the later Middle Ages, the monstrance form, primarily used for consecrated hosts, was sometimes used for reliquaries. These housed the relic in a rock crystal, or glass capsule mounted on a column above a base, enabling the relic to be displayed to the faithful. Reliquaries in the form of large pieces of metalwork jewellery also appeared around this time, housing tiny relics such as pieces of the Holy Thorn, notably the Holy Thorn Reliquary now in the British Museum. Condition: Superb museum quality examples, in excellent original unrestored antique condition with beautifully aged patina. Wear consistent with age and use. Heavily patinated - scattered oxidation. Overall wonderful examples. Typically reliquaries were not sold in pairs, so to find a matching pair such as this is exceptionally rare. Worldwide shipping available Local pickup available near Dallas, Texas Additional: We here at Lynx Hollow Antiques love religious antiques, from Christian tabernacles, Catholic altarpiece, life-size Buddhist temple sculptures, Hindu votive offerings, 16th century Islamic mosque architectural salvaged windows...

An antique brass altar candlestick from 19th century France, that has been converted into an electrified lamp. This gorgeous fixture i...

19th century carved wood crucifix was sculpted from olive wood then set upon an ebonized cross with base inset with faux tortoiseshell, circa 1880s Mea...

19th Century French Gothic Sacrament cabinet was artfully sculpted from solid oak and fruitwood to create a remarkable religious artifact designed to be appreciated throughout the ages! The trapezoidal form of the casework is in keeping with the Gothic style, which historians concur originated in the Cathedral of St. Denis during the middle of the 12th century. Boldly molded crown follows the complex contours and overlooks the case below which features a single door flanked by cornerposts that feature pilasters facing front as well as the sides, with recessed arched panels topped with recessed circular frames above filled with carved rosettes highlighted in gold. The arched recesses facing the front are also filled with carved floral and wheat motifs also highlighted in gold, representing the Bread of Life. The door panel, however, steals the show, with a gloriously carved relief work depicting both wheat and fully laden grapevines adding the significance of the Blood of Christ...

Crucifix in its vitrine, French, late 19th century Golden frame Good condition For shipping: 46/38/8 cm 2.4 kg.