Silver Pyx, 16th Century

Pyx. Carved and polychrome wood. Spanish school, 16th century. Box with a circular base and a frustoconical body that has a vaulted lid topped with a knob with a molding, it is made of carved wood and preserves traces of gilding on its outer surface and also on the interior (lid and base). In this area it is decorated with some vegetable-themed carvings on the lid and winged angel heads joined by curved textiles reminiscent of garlands on the front of the body. Typologically, the shape of the piece is reminiscent of silver pyxes...

Portapaz. Silver in its color and gilded. Century XVI. Portapaz made of silver that has a handle (decorated with delicate plant motifs similar to those of the pilasters) and a female and a male bust at the bottom, as well as other architectural elements on the back, and, on the front, an architectural composition classicist basement (with busts flanking a flower and a cross), two pilasters (vegetal decoration and capital recalling the composite order) with entablature (flowers flanking an angel's head; moldings), and a semicircular arch finish with elements veined in relief under cross and flanked by two architectural motifs in the upper part. This composition frames and enhances a gilt silver relief where you can see the Lament or Cry over the Body of Christ, with the Virgin holding the head of Jesus, Saint John at her side, the Magdalene and other characters, a cross following the group and a landscape background with houses and plant elements. This architectural structure mentioned is similar to the one present in other 16th century portapaces, such as that of the Magdalena de Dos Hermanas parish (Hernando de Ballesteros el Mozo, around 1575); or that of the Galaroza parish (same author and date); or that of the portapaz of San Miguel de Jerez de los Caballeros (in some details); etc. As for the relief, it is possible to clearly see a strong Italian influence, and the similarity between it and important pieces such as the Portapaz known as “de Cisneros by Juan de Burgos (1493-1497; MuseoCatedralicio de Alcalá de Henares), as well as in paintings and reliefs. Also noteworthy are both the male and female busts in the lower area and the Maltese cross (or Saint John's) that appears in this area. This symbol was used since the 12th century as an insignia by the Knights Hospitallers of the Order of Saint John of Jerusalem, also known as the Order of Malta...

Acetre. Bronze. Century XVI. Bronze piece that has a circular foot, and a circular body, with an outwardly hollowed mouth at the top, and a decoration in relief in this last area o...

With hallmarks. It is necessary to indicate the survival in this piece of some details from the Spanish Gothic silverware (cresting, which appears around the XV century; the endings ...

On one side of the pendant, Christ appears tied to a tall column in the center of the composition, being whipped by two sayones or soldiers with branches, following a customary compo...

Christ crucified. Carved wood. Century XVI. Crucified Christ made of carved wood that does not present a Cross of Thorns but does have a short and tight perizonium, with numerous fo...

Bronze mortar, Veneto, 16th century Lost-wax cast bronze mortar with body outlined by parallel and succeeding frames delineating its circumference. On the two faces, in a central p...

16th century cast iron mortar with two very beautiful handles Beautiful original object with a great patina and in very good condition.

Very elegant sculpture reprenting a Putti (angel) from the German renaissance period -16 century Rare sculpture in walnut of great quality with a very beau...

Bronze mortar with garlands, flowers and putti - Tuscany , second half of 17th century. Measures: height 10 diameter : 13 cm Artisans and healers used mortars for grinding food...

This is an absolutely exquisite rare Cooper-gilt ,silver-gold and three Sterling Silver angels Chalice originated from Augsburg (Germany ) in the 1500. The Goblet is 21cm high, diame...

Set of two 16th century oak panels, one representing a character accompanied by a dog, the other a character in flames, probably saints. These ...