Anemometro in ottone cromato firmato R. F. Brevetés Paris Nr 5244 1870 circa

Cross-legged reduction compass, of chrome plated brass and steel, English manufacture from the end of the 19th century. Fixed or mobile center, whose opposite points form simple re...

Brass sextant signed H. Hughes & Son Ltd No. 32890 of the 1930s; instrument complete with optics and housed in its original mahogany wood box of with locking hooks and brass handle,...

Topographic level signed W.F Stanley of burnished brass, from the second half of the 19th century. In excellent condition and complete with original mahogany box with brass hinges an...

Astronomical round-section brass ground astronomical telescope with single-elongation focusing and rack and pinion, with researcher viewfinder, complete with oak rack stand and orig...

This ultra chic and modern signed vintage Italian Romeo Rega vintage checkers game has sculptural components. It is great just even as a decorative ob...

This Pleyel concert grand piano crafted in Paris in 1870 is a timeless masterpiece that embodies the elegance and craftsmanship of 19th-century French piano manufacturing. Pleyel instruments are renowned for their exceptional quality and rich musicality, representing the pinnacle of piano design in the Romantic era, and this piano – an early example of the technological innovation of cross-stringing that was burgeoning during the period – is one in a series of only six ever produced. This piano is in extraordinarily immaculate condition with nearly every original part, including the soundboard, pristine ivory keys, and the brass inlay in its beautifully figured walnut cabinet. Candle stands slide forward on either side of the collapsable music desk. This piano was first purchased by the French Count Charles Étienne Gustave Le Clerc, count of Juigné (1825-1900), one of the wealthiest landowners in Brittany and a member of the French National Assembly, later a member of the House of Representatives, and in late life, the Senate. The piano was restored in 1997 at Maison Erard by master restorationist Frits Janmaat in Amsterdam, and later conditioned by Edwin Beunk. In recent years, some of Europe's finest historically-informed musical artists played this Pleyel in PBS concert performances in collaboration with the late Sergiu Luca. Standing on substantial carved legs and brass wheels, the piano exudes a majestic presence through the graceful lines of its Second Empire style cabinet that embodies the period's aesthetics. The keyboard, meticulously crafted from ivory and ebony, is a testament to the attention to detail in every aspect. Its 85 keys...

Mechanical desk anemometer in brass. Very interesting scientific coal mining anemometer, made up back in the 1950's with brass and blackened steel parts...

Brass and ebony wood pantograph, in its original mahogany box. The wheels are made of ivory. The instrument shows the signature of the maker Lennel à La Sphére à Paris. France 1780. ...