Baroque Globes

We are delighted to offer for sale this Beautiful Glove Drinks Trolley Atlas holding a globe Beautiful design inside the globe Spaces for drinks Plastic Ice box Dimensions ...

A fine pair of 15 inch floor globes by J & G Cary, dated 1820 and 1833, each set into a mahogany stand with a vase shaped support and three legs centred on a compass, one with a labe...

3-455, pair Italian revolving globe bookends.

An Italian pair of world globe bookends with brass accents, circa mid-20th century, Italy. A great pair for an office, library, living room, etc. Marked 'Made in Italy' on back as sh...

Elegant beautiful pair of solid resin bookends circa 1980's decorative Assyrian Winged Liongreat example of Mesopotamian Art.

A pair of 18th Century Scene Painted Screens with very good color and excellent form. All with scenes with men in capes and plumed hats, some on h...

20th-Century Decorative Metal Globe We present you this hand-made metal globe from the 2nd half of the 20th century. It is decorative in nature. The placement of continents and coun...

This Arts & Crafts style floor height world globe made by Replogle Company in the 1960's, is on a super original cantilever base with brass rod and teak frame. Very clean 16 inch dia...

Mid-Century Modern polished brass ball orb sculptural bookend. The design features a round spherical globe beautifully enhanced by a square walnut wood Stand, adding an architectural...

A large and extremely rare 24-inch terrestrial globe by Newton Our most magnificent and rare globes were a pair of 24-inch Newton globes. These too were updated in 1852 (terre...

Unique and fascinating pair of small globes, made with artisanal care by Italian manufacturers in the 19th century and hand painted on fine paper. These small globes are mounted on a...

A wonderful set of Terrestrial and Celestial 12 inch globes by George Philip and Son. Presented on brass inclined plain mounts attached to original turned ebonized wooden bases and uprights with axes secured at the top by brass acorn finials. Unusually, the terrestrial globe has a copyright date shown under the cartouche, 1946. The celestial globe is printed in beige against a dark blue background and shows the constellations and many named stars. Solid lines connect the stars within constellations rather than illustrating them as mythological and other figures.? A cartouche is present that includes the title and maker's address. When looking at the stars from Earth the viewpoint is effectively inside a celestial sphere. The surface of a celestial globe shows the star field as a projection viewed from the outside and is therefore reversed, with the constellations appearing as their mirror images. The terrestrial globe is printed in several colours and comprises of twelve coated lithographic paper gores with polar calottes over a twelve inch card sphere. The age of the globe has been confirmed by the political borders and named cities displayed. The globe is nicely detailed and has a grid network of parallels and meridians. It shows all the continents and countries as they were at the time it was printed and also indicates all the principal steamship routes with distances in nautical miles. The globe also has a printed Analemma - a diagram showing the declination of the Sun for every day in the year and the equation of time. The Analemma therefore shows the position of the Sun in the sky as seen from a fixed location on Earth at the same mean solar time, as the sun's position varies over the course of a year. A cartouche is present that includes the title and maker's address. Dimensions of each globe: 30.5 cm/12 inches (diameter) x 59 cm/23 1/4 inches (max height). George Philip, (1800–1882) was a cartographer and map publisher. He founded George Philip & Sons in 1834 in Liverpool primarily as a bookseller and stationer, but rapidly expanding to become a publisher of primarily maps, atlases and educational works. He had one son, also George (1823–1902), who was admitted to the business in 1848. George senior was born in Huntly, Aberdeenshire and by 1819 he had become assistant to the Liverpool bookseller, William Grapel before going on to start his own business. He used cartographers (such as John Bartholomew the elder, August Petermann, and William Hughes) to produce maps on copper plates. Philip then had these printed and hand-coloured by his women tinters. The business expanded rapidly and by the time he produced his county maps of 1862 he was using machine...