Set of Four Sculptural Brass Art Coat hangers, 1960s

Large asymmetric pine wall coat rack with integrated mirror, France, 1960s.

Mid-Century Modern teak and metal wall coat rack, France, 1960s. Should hang on the wall, mounting material is included.

Midcentury Geometric art shaped umbrella stand in copper, 1960s.

Sculptural painted patinated metal umbrella stand, 1960's Painted metal in patinated copper look.

Cognac leather and brass umbrella stand, France, 1960s With lovely patina to the cognac leather, with plastic rim and brass handles.

Bronze owl door handle with matching keyhole, 1960s.

A stylish 1950's set of 4 x triple and 3 smaller double brass hooks or coat hangers in the style of Luigi Caccia Dominioni. heavy, sculptural, beautiful design and quality. the dime...

The Adão coat peg is hand turned from Portuguese chestnut wood by master wood turner Carlos Barbosa. In the true spirit of Origin, the coat peg is named after the craftsman who first made it, Adão Gomes. Designed by Pauline Deltour to be significant in size, the object has distinct concave faces to bring out a sculptural presence. Adão coat peg is available in two sizes, and finished with a natural wax coating. Material: Chestnut Wood As a handcrafted product, each piece is unique. Natural qualities of wood could result in variations in color tone, wood grain and the presence of medullary rays or knots. Observations of such differences across products or orders does not constitute a basis for order cancellation or product returns. Designed by Pauline Deltour, made by Carlos Barbosa. The Craftsman Carlos Barbosa and his two sons run a wood working factory in Paços de Ferreira. They produce high quality objects and furniture for both local architects and international clients. The unique thing about them is they stock a very large variety of Portuguese and imported hardwoods, and combine the best of hand and machine processes to make high quality products, in small to medium sized production runs. The Designer Pauline Deltour was born in 1983, in Landerneau, France. She graduated from les Arts Décoratifs in 2007 and has worked for 4 years for Konstantin Grcic in Munich, Germany. She has opened her very own studio in Paris in 2010. Distinguished by being both severe and delicate, its designs reflect a vocabulary which is characteristic of her own personality. Her precise hand, neat lines, carefully selected materials and colour ranges, and the way in which they come together, form the individual identity of this young French designer’s work. Emblematic, hard-hitting seduction is achieved through rare qualities which are as elemental to the design as they are challenging to implement. An iron fist in a velvet glove...

The Adão Coat Peg is hand turned from Portuguese chestnut wood by master wood turner Carlos Barbosa. In the true spirit of Origin, the coat peg is named after the craftsman who first made it, Adão Gomes. Designed by Pauline Deltour to be significant in size, the object has distinct concave faces to bring out a sculptural presence. Adão coat peg is available in two sizes, and finished with a natural wax coating. Material: Chestnut Wood As a handcrafted product, each piece is unique. Natural qualities of wood could result in variations in color tone, wood grain and the presence of medullary rays or knots. Observations of such differences across products or orders does not constitute a basis for order cancellation or product returns. Designed by Pauline Deltour, made by Carlos Barbosa. The Craftsman Carlos Barbosa and his two sons run a wood working factory in Paços de Ferreira. They produce high quality objects and furniture for both local architects and international clients. The unique thing about them is they stock a very large variety of Portuguese and imported hardwoods, and combine the best of hand and machine processes to make high quality products, in small to medium sized production runs. The Designer Pauline Deltour was born in 1983, in Landerneau, France. She graduated from les Arts Décoratifs in 2007 and has worked for 4 years for Konstantin Grcic in Munich, Germany. She has opened her very own studio in Paris in 2010. Distinguished by being both severe and delicate, its designs reflect a vocabulary which is characteristic of her own personality. Her precise hand, neat lines, carefully selected materials and colour ranges, and the way in which they come together, form the individual identity of this young French designer’s work. Emblematic, hard-hitting seduction is achieved through rare qualities which are as elemental to the design as they are challenging to implement. An iron fist in a velvet glove...

Wonderful design and highly practical antique corner stand. This great quality and condition, Arts & Crafts umbrella stand has the most beautiful shape and patina. This early 20th century home accessory breathes nothing but quality, style and elegance and for us to have discovered it in this pristine condition more than made our day. The quality is expressed both in the design and in the heavy brass execution which makes it stand truly firm and stable. The stylized, solid brass hoof legs...

Set of 5 interesting sculptural cypress knees, organic art.

A set of four mid-20th century American cast brass oak leaf bin pulls each with three oak leaves and three acorns.