Cherry Hat Racks and Stands
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Material: Cherry
19th Century French Turned Hanging Hat and Coat Rack
Located in High Point, NC
19th century cherry hanging wall coat and hat rack from France. The lollipop knobs at the top are for hats, and the lower hangers pull down fro...
Category
19th Century French Art Nouveau Antique Cherry Hat Racks and Stands
Materials
Cherry
Circa 1900 French Lollipop Hat and Coat Rack
Located in High Point, NC
Circa 1900 French faux bamboo turned hat and coat rack (also great for umbrellas) made from cherry. The lollipop turnings have a molded edge and a central button. The way this one ...
Category
Early 1900s French Art Nouveau Antique Cherry Hat Racks and Stands
Materials
Cherry
Antique Arts & Crafts Custom Made Cherry Wood Plant Stand
Located in San Diego, CA
Antique arts & crafts period custom made cherry wood (I believe it is cherry, not positive) plant stand, circa 1930s. The piece is in very good vintage condition and measure 11.5"W ...
Category
Early 20th Century American Arts and Crafts Cherry Hat Racks and Stands
Materials
Cherry
Circa 1900 French Cherry Turned Hat and Coat Rack
Located in High Point, NC
Circa 1900 hand-turned cherry coat and hat rack from France. The rack is made in the faux bamboo style, which has remained popular throughout time. The rack is made from cherry, wh...
Category
Early 1900s French Art Nouveau Antique Cherry Hat Racks and Stands
Materials
Cherry
19th Century Faux Bamboo Hat or Coat Rack
Located in High Point, NC
Late 19th century faux bamboo hat or coat rack from France. The rack hangs on the wall on what appear to be the original hangers. The rack has five turned pegs for whatever you cho...
Category
19th Century French Art Nouveau Antique Cherry Hat Racks and Stands
Materials
Cherry
Circa 1900 French 6 Peg Hat or Coat Rack
Located in High Point, NC
Circa 1900 French coat or hat rack with six hand turned pegs. The back of the rack is expertly hand turned to mimic the appearance of bamboo. Each one of the hand turned pegs is lo...
Category
Early 1900s French Art Nouveau Antique Cherry Hat Racks and Stands
Materials
Cherry
Circa 1900 French Cherry Accordion Coat and Hat Rack
Located in High Point, NC
Circa 1900 hand turend cherry hat and coat rack from France. The rack is made in an accordion style, so it can be closed for moving or packing, and open for use for hats and coats w...
Category
Early 1900s French Art Nouveau Antique Cherry Hat Racks and Stands
Materials
Cherry
French Faux Bamboo Hat/Coat Rack, Circa 1920
Located in High Point, NC
Circa 1920's hand turned cherry hat or coat rack from France. The back of the rack is hand turned to give the appearance of faux bamboo. The rack has six hand turned pegs, all wit...
Category
1920s French Vintage Cherry Hat Racks and Stands
Materials
Cherry
Faux Bamboo Expandable Hat or Coat Rack, Circa 1900
Located in High Point, NC
Circa 1900-1909 expandable hat or coat rack from France. The rack is turned from cherry and has three hand turned hat hangers at the top, over seven hooks below for coats or other hangable items. The rack as shown measures 38 w x 6.75 d x 17 h. When closed, the rack measures 6.5 w x 7 d x 22 h. These accordion racks...
Category
Early 1900s French Art Nouveau Antique Cherry Hat Racks and Stands
Materials
Cherry
Late 19th Century French Turned Hat/Coat Rack
Located in High Point, NC
Hand turned faux bamboo hat or coat rack from France. The rack is hand turned from cherry, and has been turned to look like bamboo and has five hand turned pegs for hanging hats, co...
Category
Early 1900s French Antique Cherry Hat Racks and Stands
Materials
Cherry
Faux Bamboo Expandable Hat or Coat Rack, Circa 1900
Located in High Point, NC
Circa 1900-1909 expandable hat or coat rack from France. The rack is turned from cherry and has ten hand turned hat or coat hangers. The rack as shown measures 37 w x 6 d x 15 h. When closed, the rack measures 7 w x 6 d x 20.5 h. These accordion racks...
Category
Early 1900s French Art Nouveau Antique Cherry Hat Racks and Stands
Materials
Cherry
19th Century French Turned Hanging Hat and Coat Rack
Located in High Point, NC
19th century cherry hanging wall coat and hat rack from France. The lollipop knobs at the top are for hats, and the lower hangers pull down fro...
Category
19th Century French Art Nouveau Antique Cherry Hat Racks and Stands
Materials
Cherry
Flower Rack by Jean-Baptiste Van den Heede
Located in Geneve, CH
Flower Rack by Jean-Baptiste Van den Heede
Dimensions: W 69 x D 9 x H 12 cm
Materials: Cherry, Maple, Aluminum.
Also available: Other sizes can be made ...
Category
2010s Spanish Post-Modern Cherry Hat Racks and Stands
Materials
Aluminum
$2,072 / item
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ANTiQUE 1900 ARTS & CRAFTS SHAPLAND AND PETTER HALL COAT GLOVE UMBRELLA STAND
Located in West Sussex, Pulborough
Royal House Antiques
Royal House Antiques is delighted to offer for sale this stunning original Arts & Crafts Shapland & Petter Hall stand with hand hammered Copper panels over a Walnut frame with inset sheild mirror
Please note the delivery fee listed is just a guide, it covers within the M25 only for the UK and local Europe only for international, if you would like an accurate quote please send me your postcode and I’ll provide you with the exact price
A very good looking well made and decorative hat glove coat and scarf rack, this one is rare as it has the central mirror and its an earlier than usual example circa 1900
Made by Shapland & Petter, a full blub on their life and works can be found below
In terms of the condition it is straight and solid, the piece sits well in any setting and looks decorative and very English country house, we have cleaned waxed and polished the timber, there is one hook slightly bent, otherwise its in fine order
Dimensions
Height:- 205cm
Width:- 113cm
Depth:- 40cm
Please note all measurements are taken at the widest point, if you would like any additional or specific measurements please ask
Shapland and Petter of Barnstaple
Introduction
This Barnstaple based company manufactured some of the finest pieces of furniture in Arts and Crafts style but very little has been written about the company or the pieces they produced. It a great shame that whilst Shapland and Petter pieces have been illustrated in books and auction catalogues they are invariably attributed to other makers such as Liberty and Co in London or Wylie and Lochhead in Glasgow. With this feature, we intend to inspire a more thorough appreciation of the work of the company; readers are invited to help with the task by sending photographs and information.
Collectors and auction houses are now showing significantly more interest in Shapland and Petter pieces. The company, based in Barnstaple, England produced a very wide range of furniture in several different styles including many pieces in period reproduction and municipal style for town halls and commercial premises alongside their superb Arts and Crafts range
Distinctive features of their superb Arts and Crafts style are the use of heart shaped piercing, geometric shapes with angled arches and the application of repousse copper panels. Decoration with marquetry, metal inlay, mounting of ceramic and enamel cabochons were techniques which they mastered with a combination of state of the art technology and traditional craftsmanship. Most distinctively, the pieces were extremely well made, with care and very best quality materials
The growing interest in Shapland and Petter has raised many questions about the origins of the firm, and the sources of influence on their designs, some of which resemble designs by Ashbee, Ballie Scott, Voysey and Talwin Morris. Links have been assumed with Liberty and Co with the supposition Shapland and Petter worked on commissions for Liberty. There appears to be little evidence to support many of the assumptions which have developed around the company and this article is intended to help to start the discussion and to stimulate research
The History of Shapland and Petter
The Museum of North Devon in Barnstaple have an archive of Shapland and Petter which includes some company records and a small display of furniture and related items. The following text gives history of the company and is reproduced from the display boards in the museum with kind permission of North Devon Museums
For over 100 years the Shapland and Petter factory has stood at the end of Barnstaple Long Bridge. Manufacturers of doors, door sets, and custom wood interiors, NT Shapland and Petter Ltd are still one of the towns largest employers. The company was established by Henry Shapland (b. 1823), a cabinet maker by trade. He embarked on a voyage to America in 1848, where he was inspired by an invention for a wave-moulding machine. He was only allowed to see it if he left the country immediately. Returning home with only rough notes, he reproduced the machine and in 1854 began a cabinet making business in one room at the Raleigh woolen mill in Pilton. Later the firm moved to Bear Street in Barnstaple. Henry Petter was an accountant who entered into partnership with Mr Shapland. The business progressed and in 1864 they bought the Raleigh Factory where Shapland first began his work. Success was rapid, but in 1888 the building burnt down. Immediately work began on a bigger and better factory - their present site by the Long Bridge - which included many modern inventions
The two Henrys died within two years of each other - Petter in 1907 and Shapland in 1909. In 1924 Shapland and Petter merged with the Barnstaple Cabinet Company, producing North Devon's biggest industry. During the First World War Shapland and Petter's skilled craftsmen turned their hands to wooden propellers for the aircraft of the Royal Flying Corps. After the war, public tastes changed, and hand carved furniture was too expensive for many. Shapland and Petter's output now included elegant veneered pieces with smooth Art Deco lines. The company fitted out Pullman carriages and ocean liners and made hand-carved church furniture. The famous England Rugby Captain W. W. Wakefield was appointed Company Director in 1927. Throughout the depression of the late 1920's and early 1930's the company still managed to produce high quality work
Furniture manufacturing continued until the outbreak of the Second World War in 1939. Many workers left to fight, while the factory worked on Air Ministry contracts for ammunition boxes. After the war came radio cabinets and laboratory and contract furniture, until eventually large quantities of doors were being produced for hospitals, hotels, schools, offices and other buildings. Examples of Shapland and Petter's work can be seen all over North Devon. In Barnstaple, the shop front at 109 High Street is a good example, and the interior of the old Lloyd's Bank, now Chamber's Brasserie, was also Shapland's work. Examples of carving by Shapland's men can be seen in two chairs and a reading desk in Barnstaple Parish Church
As cabinet makers, Shapland and Petter employed up to 350 people at a time. There were designers, carvers, cabinet makers, machinists, polishers, and labourers. The company was one of the first to install American labour-saving devices and was keen to adopt the most up-to-date machinery
The fire of 1888 at the Raleigh Cabinet Works was a huge loss for the company. However, it resulted in a new factory which was altogether more modern and better equipped. The new building by the river was arranged into blocks. The production line began with the saw mills and ended with the finishing rooms. There was modern machinery in every department - one of their saws was the first of its kind in Britain. Water sprinklers and electric lights were a necessity - this factory would not burn down
As well as the furniture production, Shapland and Petter imported timber by sea and rail. The new factory 's facilities were exceptional
Shapland and Petter were renowned for excellent design and workmanship. The carvers were highly skilled, serving seven year apprenticeships and attending classes at the Barnstaple School of Art. Ornately carved furniture required up to a hundred tools
The factory produced made to order woodwork for banks, hotels, and shops; mantelpieces, paneling and staircases. They fitted out Pullman railway carriages, the London Guildhall, and Edgar Wallace 's dining room as well as houses like Tapeley Park in North Devon
Much of the work involved intricate leaded glass panels, or inlaid fruitwood designs, like the white bedroom suite shown in the exhibition here. This type of work is typical of Art Nouveau 1895 to 1910, inspired by the fluid shapes of plants and flowers
Many pieces were made from standard designs. There were hundreds to choose from, and a selection could be seen in local and London showrooms and in catalogues. Although mass-produced, this furniture was well-made by skilled technicians and modern machinery
Arts and Crafts designs of Shapland and Petter
The development of the Arts and Crafts Movement in the South West of England has not been written up in any detail though we do know of the Art Potters of Barnstaple from the excellent book of this name by Audrey Edgeler. Less is known of the Barnstaple Guild of Metal Workers. We know of the Bath Cabinet Makers and the Newlyn School of Industrial Art in Cornwall but very little has been written about the furniture makers of Barnstaple in Devon
The establishment of a large cabinet making firm in Barnstaple is not remarkable in itself; there were several cabinet makers in the area. What is interesting is that this particular Barnstaple firm should become a leading maker of Arts and Crafts furniture, copying the styles of the leading Architect designers and creating their own unique style
Critics may point out that as their work was commercially driven and reliant upon machines it therefore does not really qualify as Arts and Crafts. Whilst the company was highly innovative in machine technology, they also employed many craftsmen who worked with their hands in woodcarving, marquetry work, design and application of decorative copperwork and other artistic embellishment in the true Arts and Crafts tradition. Anyone who has experience of Shapland and Petter workmanship knows the level of craftsmanship invested in each piece
Sources of inspiration
There appears to be no evidence to link any known architect, artist or designer to the Shapland and Petter company. Their designs appear to have been created solely by their own internal design staff none of whom appear to have published or registered their work in any other context
C. R. Ashbee who established the Guild of Handicrafts visited Barnstaple in 1893 and provided a twelve week course on the design and decoration of furniture. It is presumed that this visit was hosted by Shapland and Petter, and that their own staff and those from other local furniture makers attended the course. Ashbee appears to have been unimpressed by the commercial attitudes he encountered and apparently disappointed at the lack of interest in his (high minded) lectures. What is interesting however is the similarity between some of his designs and those used by Shapland and Petter, particularly in respect to inlaid floral design. Perhaps he left a lasting influence which has not yet been verified
There has been some speculation on the influence of Scottish designers, particularly because of the use of Glasgow rose designs which are typical of the Glasgow School, and particularly of Talwin Morris. There are also several designs which use similar motifs to those used by Baillie Scott, the use of two doves in flight for example. More research is needed to trace possible links here. One thing that is clear is that there was a great deal of copying and selling designs in the furniture industry at the time and a nineteenth century survey on the furniture trade recorded that '' Barnstaple pays the best prices for designs ..''
Collaboration with other companies
There is evidence that Shapland and Petter organised a wide network of companies to retail their products and hence many pieces have the labels of retail furnishers added. Little is known of their marketing in Europe and America but it may be that many Arts and Crafts pieces were sold abroad. Shapland and Petter had excellent access to rail and shipping lines for importing timber and presumably for exporting their finished products
The extent of their collaboration with other companies is yet to be ascertained but there is evidence that their suppliers included the Della Robbia Pottery, Pilkingtons Tile...
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Early 1900s English Arts and Crafts Antique Cherry Hat Racks and Stands
Materials
Copper
$4,029
H 80.71 in W 44.49 in D 15.75 in
20th Century Rustic French Faux Bamboo Carved 3 peg Wall Mount Coat/Hat Rack
Located in Clifton Forge, VA
This is a wonderfully decorative three peg wall mounted coat/hat/clothing rack with a carved faux bamboo backplate. The backplate is 17.5 inches long, 2 inches high and 1.25 inches d...
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Early 20th Century French Cherry Hat Racks and Stands
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Wood
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H 2 in W 17.5 in D 5 in
French Art Deco Hanging Coat Rack with Mirror and Hat Rack
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1920s Art Deco Vintage Cherry Hat Racks and Stands
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Large Antique Handmade Arts & Crafts Floor Easel / Artist Display Stand c. 1900
Located in Lisse, NL
Fine quality Arts & Crafts picture / painting stand in excellent condition.
This beautiful gallery easel comes with two large hand crafted wooden pegs for holding your large size pa...
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Early 20th Century French Arts and Crafts Cherry Hat Racks and Stands
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Bronze
$3,792
H 74 in W 31 in D 23 in
Shapland and Petter. A good Arts and Crafts oak hall stand
Located in London, GB
A good Arts and Crafts oak Hall stand by Shapland and Petter with a seat to the left and a mirror and glove drawer to the right, the lower section with Shaplands typical square shape...
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Early 1900s English Arts and Crafts Antique Cherry Hat Racks and Stands
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Mirror, Oak
Previously Available Items
19th Century French Faux Bamboo Coat Rack
Located in Winter Park, FL
A 19th century French faux bamboo wall coat rack with nine large pegs for hanging hats and coats. Made of cherry with decorative turned wood spindles and finials. This was made for t...
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Early 20th Century French Country Cherry Hat Racks and Stands
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Cherry
French Cherry Six Peg Hat Rack, C. 1920
Located in High Point, NC
Six peg hat or coat rack from France, made from cherry, circa 1920. The back of the rack is designed with raised molding to give the appearance of bamboo, and it has six hand turned ...
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1920s French Vintage Cherry Hat Racks and Stands
Materials
Cherry
French Cherry Accordion Hat Rack, circa 1910
Located in High Point, NC
Accordai hat and coat rack from France, circa 1900-1910. The rack is made from cherry, and is turned to have the appearance of bamboo. when it is closed, it measures 8.25 inches in w...
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Early 1900s French Antique Cherry Hat Racks and Stands
Materials
Cherry
French Cherry Hat Rack for Five Hats, circa 1910
Located in High Point, NC
Cherry hat rack from France, circa 1910. The rack is lovely and is made from a hand turned frame, the sides of which are joined by seven turned spindles. Five of the spindles have tu...
Category
Early 1900s French Antique Cherry Hat Racks and Stands
Materials
Cherry
Circa 1920 French Cherry Hat Rack
Located in High Point, NC
Circa 1920 cherry hat or coat rack from France. The back is turned to have bamboo like designs and four turned pegs with large knobs on the ends for hanging a multitude of items. T...
Category
1910s French Vintage Cherry Hat Racks and Stands
Materials
Cherry
French Cherry Five Peg Hat Rack, circa 1920
Located in High Point, NC
Five peg hat or coat rack from France, made from cherry, circa 1920. The back of the rack is designed with raised molding, to give a look of bamboo, and it has five hand turned lolli...
Category
1910s French Vintage Cherry Hat Racks and Stands
Materials
Cherry
French Cherry Hat Rack, circa 1920
Located in High Point, NC
Circa 1920 five peg hat or coat rack from France, made from cherry. The back of the rack is designed with raised molding, to give a look of bamboo, and it has five hand turned lollip...
Category
1910s French Vintage Cherry Hat Racks and Stands
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Cherry
Vintage Rustic Farmhouse 5 Hook Wood Iron Hat Coat Hall Wall Hanging Rack
Located in Dayton, OH
Rustic cherry wood hat / coat / clothing rack / wall tree with five iron hooks. Measure: 45".
Category
Late 20th Century Rustic Cherry Hat Racks and Stands
Materials
Iron
H 7.5 in W 8.25 in D 44.5 in
Vintage Folk Art Ebonized 'Tree' Hat or Coat Rack
Located in Brooklyn, NY
Impressive tree-form coat / hat rack, circa 1920s, composed of ebonized dry wood of an actual tree (likely cherry). Fitted to a carved wood base. Rich ebony color and marvelous textu...
Category
Early 20th Century American Folk Art Cherry Hat Racks and Stands
Materials
Cherry
French Faux Bamboo Coat Rack
Located in Winter Park, FL
A French faux bamboo wall coat rack with six large pegs for hanging hats and coats. Made of cherry with decorative turned wood spindles and finials. This was made for traveling, the ...
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Early 20th Century French Country Cherry Hat Racks and Stands
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Cherry
19th Century French Hall Tree
Located in High Point, NC
19th century French hall tree made from cherry and turned in the faux bamboo style of the Art Nouveau period. Wonderfully hand turned and original met...
Category
19th Century French Art Nouveau Antique Cherry Hat Racks and Stands
Materials
Cherry
Vintage Folk Art 'Tree' Hat or Coat Rack
Located in Brooklyn, NY
Impressive tree-form coat / hat rack, circa 1920s, composed of stained dry wood of an actual tree (likely cherry). Fitted to a carved wood base with carved decorative accents. Rich c...
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Early 20th Century American Folk Art Cherry Hat Racks and Stands
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Cherry
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