Emile Gallé Art Nouveau Marquetry Fire Screen Panel with Iris Motif

This Daum Nancy French art glass vase has been made in the form of a diamond shaped tumbler with a mottled pink color and gilt accents. The exterior of the piece features detailed wh...

Vintage Georg Jensen sterling silver tazza compote with grape motif. This fabulous Georg Jensen sterling silver tazza features Jensen's iconic grape motif, a celebrated range of pieces which were inspired by the Art Nouveau aesthetic coupled with time the artist spent traveling in Italy. Georg Jensen was born in 1866 and trained as a sculptor at the Royal Danish Academy of Fine Arts, graduating in 1892. Jensen began his artistic career in ceramics and started working with silver in 1904. He went on to establish his own smithy in Copenhagen and like many others working during the Art Nouveau period, was strongly influenced by natural forms and structure found in flowers and plants. As mentioned above, Jensen spent time in Italy shortly after the turn of the century and developed an appreciation for ancient Roman silver work. He was also struck by the work of more recent Italian artists and was particularly influenced by those pieces which drew upon classical mythology, such as Baroque painter Caravaggio's 'Bacchus'. Jensen combined these influences with emerging Art Nouveau organic motifs, leading him to utilize the malleable qualities of silver to create his renowned Grape Collection. This form of this silver tazza was initially designed by Jensen in 1918. The piece has a round pedestal foot which rises to a thick columnar stem reminiscent of the twisting trunk...

This fantastic stoneware table lamp was made in Muncie, Indiana by the talented team of Jim Wishon and Jerry Harrell. The lamp was thrown by Wishon and has an ovoid form with a cylindrical neck resembling that of a bottle. The piece features three large groupings of wheat stalks which were carved by Harrell. The lamp is finished in neutral beige hues with the carved decoration executed in a deeper shade of brown. The piece is signed by both artisans at the back near the cord along with the location of their Muncie Indiana workshop. The felt-lined foot is 6" in diameter and the body is approximately 10" across as measured at its widest point. The lamp comes with a pleated fabric drum shade manufactured by Kichler. As seen in the accompanying photographs the neutral color of the fabric complements the glaze on the lamp while enabling the darker carved...

This exquisite early 20th century Loring Andrews sterling silver footed bowl features hand chased repoussé decoration consisting of multiple flowers, strawberries and grape clusters ...

This striking English art pottery lamp was made by the renowned Moorcroft Pottery company of Burslem, Stoke-on-Trent, Staffordshire. Initially with James Macintyre & Co., innovative ceramist William Moorcroft founded his own firm in 1913. Underwritten by retailer Liberty London, the company went from strength to strength and was granted a Royal Warrant by Queen Mary in 1928, leading them to include the phrase ‘Potter To HM The Queen’ on their paper labels as well as in their impressed marks. William's son Walter joined the firm in 1935 and took over management and design responsibilities upon the death of his father in 1945. Moorcroft remains in business today with early pieces by William and Walter being particularly sought after. This Walter Moorcroft signed lamp has a traditional pear or bottle vase form which has been decorated in the 'Fuchsia' pattern. The body of the lamp has a variegated blue/blue-green background featuring Moorcroft's distinctive slip-trailing technique. The leaves and blossoms have been finished in bright jewel tones. The body of the lamp has been joined to a metal base having a milgrain edge and four scrolling feet. The top of the lamp has a simple metal cap topped by a decorative foliate band. The piece retains its original Lightolier reflector bowl, patented by Jacob Samuel Hamel in March of 1950. The reflector bowl has a frosted body which attaches to the lamp by Virtue of three screws. The lamp comes complete with a silk shade manufactured by Royal Knight...

These fabulous 19th century neoclassical French cassolettes have an athénienne form and are composed of bloodstone ornamented with beautifully detailed ormolu mounts. The green ovoid vessels are flecked with red and are each supported by three gilt bronze legs finished with rams hooves at the bottom and rams heads at the top. A central ring holds the legs firmly in place. The upper portion of the vessels bear wide gilt bronze bands decorated with floral and foliate motifs. The undersides are finished with a series of detailed leaves separated by stems and small berries with pinecone pendants...

Art Nouveau four panel folding screen, Mahogany Frame, glass top floral patterned silk looking fabric bottom. H: 1.5 mtr W: 2.00 mtr fully extended

Exceptional dressing / vanity polyptych folding screen (5 panels). Mahogany structure with inlays / marquetry of different essences with floral motifs. Copper handles, hinges and...

A French Art Nouveau carved and inlaid wood marquetry "Fougére" table by Emile Gallé with carved wood fern decorated legs with further inlaid various exotic wood marquetry landscap...

Belgian iron fire screen with Art Nouveau drawing. Can be used as a fire screen but is also a nice decoration piece.

Large Georg Hulbe Art Nouveau tooled leather three panel screen The central panels featuring a Sailing motif with superbly detailed tooled leather seagulls upper panels and classic ...

A Victorian Brass and Glass Art Nouveau Fire Screen This is a most charming Fire Screen in the art nouveau style, it has superb brass finials and is...