Screen by Félix Aublet, 1952

Charming Art Nouveau period small three-leaf screen or mantel screen in carved mahogany decorated with embroidery on silk representing birds. The wooden panels are carved with stylized leaves and chestnut fruits. Each leaf is decorated with a bird embroidered on an Indian yellow wild silk. The upper part is openworked with six beveled glass panes set in place. Each panel is carved in the form of arabesques, in a fully Art Nouveau taste. The whole, foldable, rests on four small curved feet ending in a hoof. The central panel is slightly larger than the other two. This small screen...

Beautiful pair of brass spread-wing eagle bookends by Virginia Metalcrafters, stamped 1952. The eagle is shown with its wings fully spread and a laurel branch and bundle of arrows clutched in its left talon. The eagle clutches a Union shield across its breast. The Union shield has a chief with three stars and six stripes completing the design. The eagle motif in décor and Folk Art has been widely used throughout our nation's history, most notably as part of our Great Seal. The founders of the United States were fond of comparing their new republic with the Roman Republic, in which eagle imagery, usually the golden eagle, was prominent. On June 20, 1782, the Continental Congress adopted the design for the Great Seal of the United States depicting a bald eagle grasping 13 arrows and an olive branch with its talons. When Charles Thomson put together the final design for the Great Seal, he placed a bundle of arrows in the eagle's left (sinister) talon. The official description specifies the bald eagle holding "in his sinister a bundle of thirteen arrows." The thirteen arrows are tightly aligned – a symbol of "strength in unity" that's found in the traditional cultures everywhere, from the Romans to the Iroquois— in this case a nod to the unity of the original 13 colonies. William J. Loth founded Virginia Metalcrafters in 1890, under the name Waynesboro Stove Company. The company, which made ornately cast Cook...

Knead Screen by kar Dimensions: W 158 x D 56 x H 150. Materials: MDF frame. Available also in black. Kar, is the root of Sanskrit Karma, meaning karmic repetition. We seek the cause...

Knead screen by kar Dimensions: W 158 x D 56 x H 150 Materials: MDF frame Available also in black. Kar, is the root of Sanskrit Karma, meaning karmic repetition. We seek the cause a...

A curved room divider with a solid wood frame upholstered in brown fabric.

A city's screen by Brut Collective 2020.