Sparton Model 557 "Sled" Radio by Walter Dorwin Teague

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Designed by Walter Dorwin Teage for the Sparks-Worthington Company in Jackson, Michigan in 1936, the Sparton model 557 radio, also known as "sled" or "three-knob," is considered to be one of the best examples of the Deco Streamline style. The radio features cobalt blue mirrors on the front, top, and left side with contrasting ebony lacquer finish and five chrome bands, also known as "speed lines." The asymmetric geometric shapes and accent designs are distinctively Art Deco in appearance.

This is a prime example of a highly sought after Art Deco radio that is unmatched by competing manufacturers in its flair and presence. Chassis still retains original parts of the manufacturer's paper tag affixed to the back.

This Radio is currently on display at the California Heritage Museum in Santa Monica California for the "Collector's Choice - The Passion that is Collecting" exhibition. Please allow two weeks for delivery.


    Date of Manufacture
    Good. This item is sold a s a decorative piece..
    Wear consistent with age and use. Minor losses.
    9 in. H x 16.5 in. W x 8.5 in. D
    23 cm H x 42 cm W x 22 cm D
    Seller Location
    Van Nuys, CA
    Reference Number

About Walter Dorwin Teague (Designer)

Along with Raymond Loewy, Norman Bel Geddes, Henry Dreyfuss and others, Walter Dorwin Teague pioneered the field of industrial design in the early decades of the 20th century. In his designs for furniture and objects that ranged from table lamps to radios, Teague helped defined the Machine Age aesthetic — the streamlined style that was the American counterpart to the French Art Deco movement.

     Teague grew up in rural Indiana, the son of a Methodist minister who was also a tailor. The young Teague was skilled at drawing, and in 1903, after finishing high school, he saved some money and moved to New York, where he took classes at the Art Students League. He later found success as a typographer and an advertisement illustrator. The look of ads in the early 20th century was so far superior to that of the actual products being promoted that manufacturers began consulting with illustrators like Teague about the styling of their goods. Teague’s aesthetic sensibilities were strongly shaped by a trip he had made to Europe in 1926, when he toured the Universal Exposition in Paris, buildings by Le Corbusier and a Bauhaus exhibition. On his return home, Teague founded an industrial-design consultancy. The following year, he won his first big client, Kodak, for whom he designed cameras, such as the famed Bantam Special, with its sleek, “speed line” detailing. His firm would go on to design such things as pavilions for the 1939 New York World’s Fair, rail coaches, gas stations, automobiles, corporate logos and a Boeing airliner.

     Among collectors, Teague’s products designs are prized not so much for what they do as for what they represent: a moment when design took a hand in fostering a spirit of energy, optimism and progress. Objects such as his Kodak 1A Gift camera, with its Constructivist case and box, have a graphic punch that should find a place in many a vitrine. His 1930s glassware lines for Steuben still make a striking presence on the bar or the dinner table. The jewels among Teague collectibles are his 1939 Bakelite-shade table lamp for Polaroid (made before the firm began producing cameras) and his striking designs for the Sparton Radio Corporation, most notably the rare and stunning Bluebird model, with its circular glass and chrome frame. Prices for Teague’s work vary widely by medium, style and condition. But as you can see from these pages, the designs of Walter Dorwin Teague are emblems of both a time and a distinctive style. They are cynosures for any true collector.

About the Seller

1stdibs seller since 2012

Typical response time: 4 hours

Located in Van Nuys, CA

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