Vintage Green and Pink Asian Quilted Colorful Decorative Trims

Hand-embroidered Suzani textile made in the last quarter of the 20th century. Glowing vibrant colors executed by the weaver giving it an old-world look and vintage feel. Measur...

Hand-embroidered Suzani textile made in the last quarter of the 20th century. Glowing vibrant colors executed by the weave giving it an old world look and vintage feel. Measure...

French vintage flower printed linen and cotton curtains Dimensions : Hanging length 96" Width (each) 47" One curtain is made up of thre...

Vintage hand-stitched Suzani silk embroidery from Uzbekistan in Central Asia in a “Prayer Rug” pattern. The vintage Uzbek Suzani is on a black cotton background with silk embroidery in red, blue, green, yellow. The design of this Suzani Embroidery is very unique in the "Prayer Rug" design. This Suzani Embroidery could be used as a table cover or as a beautiful wall art. Dimensions: 36" x 63" Date of Manufacture: 2nd Quarter of the 1000s Place of Origin: Uzbekistan Material: Silk stitching embroidery on cotton Condition: Wear consistent with age and use Vintage Uzbek Suzani, Antique Suzani, Antique Suzani Embroidery, Antique Uzbek Suzani, South American Textile, Indian Textile, European Embroidery, Persian Kerman Suzani, 18th Century Antique French Tapestry...

Brussels late 17th century tapestry, "Asia" from a Four Continents series. Designed by Lodowijk van Schoor, Woven in the Workshop of J. van der Borcht I Size: 9'4 high x 18' wide. Wool, silk and metal thread pattern wefts This extremely colorful and attractive late Baroque Flemish tapestry with a popular iconography is the product of two important figures in 17th century Brussels weaving. J. van der Borcht I (circa 1650–1713) was a master weaver and tapestry entrepreneur who established a most distinguished family tapestry firm and was followed by J. van der Borcht II, Jasper van der Borcht, Pieter van der Borcht and Jan Frans van der Borcht, taking the operations into the mid18th century. Their wealthy patrons allowed the firm to engage some of the best designers and as a result the artistic quality, as well as the sheer technical execution, is always high. The Van der Borchts wove tapestry series (or single pieces) of Mythological Scenes, Months, Allegories, Armorials, Triumphs of the Gods, The Continents, as well as more down-to-earth genre scenes designed or inspired by David Teniers II or Teniers III. Their artist designers included, besides the Teniers, Jan van Orley, Augustin Coppens, Gerard Lairesse, Phillipe de Hondt, and the Antwerp-born Lodowijk van Schoor (circa 1650–1702), the designer of U-1362. Van Schoor was the successor of David Teniers III. He was the designer or co-creator of about fifteen sets of tapestries. His cartoons were utilized and copied in both the Northern and Southern Netherlands, and continued popular well into the 18th century. His style, especially in his later works, is more harmonious and refined than Teniers and he avoided genre scenes with peasants. Van Schoor sometimes collaborated with other artists, for example Lucas Aertschellinck (1620 – 1699) who specialized in landscape backgrounds as in the set of Mythological Scenes” woven circa 1700 in the Van der Borcht shop. He did not collaborate on this tapestry, Van Schoor’s figures are graceful and his color schemes vivid, in keeping with the best of contemporary Flemish tapestry. Van Schoor’s designs influenced artists working at great remove from Brussels, even so far as the Florentine workshop of Bernini and Demignot where a Van Schoor inspired “Four Continents” set was woven in the early 1720s. The “Four Continents” or “Four Parts of the World” was a popular theme in the 17th and 18th centuries for tapestry patrons. Each continent was identified by native peoples and animals: America (North and South together) by Indians and the Turkey bird...

Inspired by a worn-in pair of jeans and created alongside the team at Simon Miller, USA, our indigo cotton canvas is hand dyed using a chemical free proce...