A very fine George III Pocket Nutmeg Grater

A rare George III Neo Classical urn Pocket Nutmeg Grater made in Birmingham circa 1795 by Samuel Pemberton. The Nutmeg Grater is realistically modelled as a Neo Classical urn and is decorated with reeded bands and a band of fine beading on the domed, pull-off, cover. Once the cover is removed the silver rimmed steel grater is shown, which is also removable. The Grater is in excellent condition and is marked in the cover with SP for Samuel Pemberton of Birmingham. This is not a common design and a similar one is shown in the catalogue of the Robert and Meredith Green...

The fruit knife and fork have a silver blade and tines and reeded mounts. The mother-of-pearl handles are engraved with linear decoration and display silver stud work. Both are in ex...

An exceptional, fine, and impressive, large antique Georgian English sterling silver nutmeg grater made by Samuel Pemberton; an addition to our si...

Each cistern is in the form of a fluted vase on a rectangular pedestal. The lead-lined vases have brass handles, removable lids with pineapple finials and taps. The crossbanded pedestals have cupboard doors enclosing slatted shelves for warming plates in one and a lead-lined slops drawers, a tambour fronted shelf and a cellaret in the other. Susan Stuart, 'Gillow of Lancaster and London', 2008 vol 1 p308-315 illustrates many pedestal urns including the drawings for Workington Hall, Cumbria, dated 1788. PLates 342 and 343 show pedestals with a similar arrangement of shelves and drawers. Thomas Sheraton explained the functions of dining room pedestals in his 'Drawing Book' of 1793: 'IN spacious dining rooms the sideboards are often made without drawers of any sort, having simply a rail, a little ornament...