British Furniture

English Chippendale hand painted and gilded marriage bed with original silk and bell flower coverings, central gilt carved shell cornice, flanking gilt ca...

Margit Wittig has used her sculptural skills to create beautifully-crafted, well-proportioned contemporary candlesticks, which are compositio...

What a door! Manufactured by Mather & Platt Ltd of Manchester, England. The doors stands at over 7ft high and nearly 5ft wide, the steel patchwork is all intact and the door is finished in its original red paint with a wonderful aged patina. The original cast iron hinges are bolted through the door and have the original hinge pins. The latch mechanism is also complete and in working order. Established in 1852 Mather & Platt became leaders in fire sprinkler...

"Love Saves The Day" Harland Miller, 2014 15 color silkscreen print on 410gsm Somerset paper 146 cm x 105 cm page size Edition 100 signed and numbered in pencil. One of the top three most desirable Harland Miller prints, this is a stunning large format print, mounted and framed in a white box frame. Frame size 162 cm x 121 cm Provenance: The Ingleby Gallery, Edinburgh, Scotland. purchased on 7th May 2016 In late 2012, Miller had his first solo show at Ingleby Gallery entitled "Overcoming Optimism" Harland Miller Harland Miller is both a writer and artist (his debut novel Slow Down Arthur Stick to Thirty was published in 2000) and his paintings of books simultaneously provide a subject for the painter and an outlet for the writer. They combine the emotive possibilities of abstract expressionism with the quick punch of words to deliver their message, and for all the macho grist of their making, and often overwhelming scale, they somehow express a frailty that hints at the human condition. As Miller has said: “Painting is the worst medium to express narrative, but perhaps the best to hit a nerve”. Harland Miller was born in Yorkshire in 1964. He has lived in New York and Berlin and currently lives and works in London. Biography 1964 Born Yorkshire, England 1984 – 1987 BA Chelsea College of Art, London 1987 – 1988 MA Chelsea College of Art, London Lives and works in London Solo Exhibitions 2020 York , So Good They Named It Once, York Gallery, York, UK - Millers largest Solo exhibition to date. 2019 Harland Miller, White Cube Hong Kong, China 2017 One Bar Electric Memoir, White Cube Mason’s Yard, London, UK 2016 Tonight We Make History (P.S. I Can’t Be There), Blain Southern, Berlin, Germany 2015 In Dreams Begin Monsters, Palacio Quintanar, Segovia, Spain 2013 Wherever You Are Whatever You’re Doing This One’s For You, Reflex Amsterdam, Amsterdam, The Netherlands A DECISIVE BLOW AGAINST IF., Other Criteria, London, UK 2012 The Next Life’s On Me, White Cube Gallery, London, UK On Overcoming Optimism, Ingleby Gallery, Edinburgh, UK Harland Miller, Galleria Marabini, Bologna, Italy 2011 Rocky VI, Galerie Alex Daniels - Reflex Amsterdam, The Netherlands Have You Ever Stopped To Wonder Why You’re Not Here, LAB Art, Beirut, Lebanon 2010 I'll Never Forget What I Can't Remember, Galerie Alex Daniels - Reflex Amsterdam, The Netherlands Butterside Down, Galleria Marabini, Bologna, Italy 2009 Harland Miller: Don’t Let the Bastards Cheer You Up, BALTIC Centre for Contemporary Art, Gateshead 2007 Siesta Forever – Come on and Sing My Song, The Fireplace Project, East Hamptons, USA 2005 Dear Son, This is one of the last of my few remaining pre marital possessions – look after it won’t you, Love Dad, Marianne Boesky Gallery, New York, USA 2002 To Jean, A Small Memento for a Great Effort, Love Alan, White Cube, London, UK 2000 First I was Afraid; I was Petrified, Fig.-1, London, UK 1995 Harland Miller, Enrico Navarra Gallery, Paris, France You Dig the Tunnel, I’ll Hide the Soil, Fakhoury Steinitz Gallery, Paris, France First I was Afraid I was Petrified, The Scotch House, Tel Aviv, Israel Group Exhibitions 2019 Summer Contemporary, Maddox Gallery, London, UK Art in the Culloden Estate and Spa, Gormley’s Fine Art, Holywood, UK Between the Lines, Maddox Gallery, London, UK Contemporary British Editions, Galerie Maximillian, London, UK 2018 TWENTY, Ingleby, Edinburgh, UK 2016 Daydreaming with Stanley Kubrick, Somerset House, London, UK 2014 What Marcel Duchamp taught me, Fine Arts Society, London, UK 2013 Once upon a time and a very good time it was…, Ingleby Gallery, Edinburgh, UK Sculpture in the Close, Jesus College, Cambridge, UK 2012 AKA Peace, ICA, London, UK Cool Britannia, Gallery Hyundai, New Space, Seoul, Korea 2010 Kupferstichkabinett: Between Thought and Action, White Cube, London, UK Exhibitionism, The Art of Display, Courtauld Institute of Art, London, UK 2009 Different Places, Different Stories, König-Heinrich-Platz, Duisburg, Germany Inspired, Mitchell Library (City Museum), Glasgow, UK TURPS BANANA 1, Galleria Marabini, Milan, Italy TURPS BANANA 2, Galleria Marabini, Bologna, Italy 2008 You Dig The Tunnel, I’ll Hide The Soil, White Cube, Hoxton Square and Shoreditch Town Hall, London, UK Voewood Projects, High Kelling, Norfolk, UK 2007 Summer Exhibition, Royal Academy of Arts, London, UK 2006 The Portrait, V22 Ashwin Street, London, UK Summer Exhibition, Royal Academy of Arts, London, UK 2005 Summer Exhibition, Royal Academy of Arts, London, UK 2004 Direct Painting, Kunsthalle Mannheim, Mannheim, Germany The Charged Image, Collection of Douglas Cramer, Joseloff Gallery, West Hartford, CT, USA 1996 Bad August, Richard Salmon...

'Meander' quilt by British artist-maker, Emily Campbell. Emily’s knowledge of sewing combines with the formal and visual principles she learned as a two-dimensional designer to re-imagine the patchwork quilt. She has interpreted traditional patchwork geometry, dispensing with floral prints in favour of bold combinations of solid colour. Emily quilts all her designs for us by hand. Bespoke sizes are therefore possible. An accomplished undergraduate dress and costume maker, Emily progressed from an English degree to a diploma in Clothing Technology and became a pattern maker for the fashion designer Jean Muir. After completing her Master of Fine Arts at Yale School of Art she practised as a graphic designer at Pentagram in New York before embarking on a series of national and international programme director roles in the arts, design and education. In 2012, a quilt made from old denim and canvas work clothes featured in an exhibition about Gee’s Bend (the famed quilting community in Alabama). This prompted Emily to up-cycle the family’s old jeans into her first patchwork quilt. She studied rhythm, rule and variation in Anni Albers’ pattern drawings. She took inspiration from Gustav Klimt, Victor Pasmore and Ellsworth Kelly, and many more artists besides. Emily is the founder of Pemberton Qwilts. This takes its name from Sheila Frances Hayes, née Pemberton, who first taught Emily to sew. Three of Emily’s ‘TV Quilts’ were commissioned by Anya Hindmarch for her concept store at London Fashion Week 2023. These bear a single word of personal significance (see images). Emily was also among the textile artists selected for a group show at David Parr House, Cambridge that year. Helen Chislett...

Circa 1920's. Pair 1920's English red studded club chairs. Original Rexine leather buttoned and studded with sprung seat pads, brass leg caps, great wea...

A Neoclassical red transferware tile made by Spode 1806-1810, with the ‘Zeus in His Chariot’ pattern. Sir William Hamilton’s Collection of Etruscan, Greek and Roman antiquities, first published in 1766 by Pierre d’Hancarville, was a landmark publication in English design. It intended to disseminate the Antique style through its engravings of Attic pottery. The catalog’s faithful reproductions of Classical vases led British potteries, including Spode, to adapt or even copy the ancient art for modern life. These Spode Greek pattern tiles reflect the major influence of Hamilton’s catalog on English Neoclassicism. The central scene was taken directly from the catalog. This tile can be dated to a narrow window of production in the Spode factory, 1806-1810. During that time, Spode used a technique known as the “Pluck and Dust” method to print in red transfer designs onto creamware. Using this method, source prints were transferred overglaze using tissue imprinted with a very faint rendition of the design outlined in sticky oil. The decorator applied the tissue to the object then carefully “plucked” or pulled it away, leaving the sticky oil design behind. Then, a finely-ground enamel color was “dusted” onto the surface, sticking to any areas that had the oil. A final firing at a low temperature in the enamel kiln made the pattern permanent. The Pluck and Dust technique improved upon bat-printing and enabled larger designers to be transferred. It was short-lived, however, as under-glaze transfer printing soon took over as the preferred method for producing transferwares. Dimensions: 5 in. x 5 in. x 1/4 in. Condition: Excellent. Provenance: The Collection of Nancy and Andrew Ramage Jonathan Horne...

Antique Victorian quality cranberry glass decanter having an unusual rope twist glass handle and original stopper A quaint example in perfect original condition Dimensions: Heig...

The large Single Form coffee table is an elemental design with a focus on form and function. Made in powder-coated aluminium, the Single Form coffee table looks heavy and solid but i...

Looking for a very special poster for a special someone... head North by Northwest! 'Hitchcock's Super-Thriller!' In North by Northwest a New York City advertising executive goes on...

AUTHOR: DICKENS, Charles. TITLE: The Chimes: A Goblin Story Of Some Bells That Rang An Old Year Out And A New Year In. PUBLISHER: London: Chapman & Hall, 1845. DESCRIPTION: FIRST...

Margit Wittig has used her sculptural skills to create beautifully-crafted, well-proportioned candlesticks, which are compositions of her unique signature pearl-shaped designs. Each candlestick begins as hand-sculpted spheres which are used to create moulds in three sizes. Margit refers to these finished spheres as pearls. These highly original, eye-catching candlesticks come in three different sizes depending on the number of pearls: three, five and seven. The candlesticks are cast in resin and Jesmonite mixed with pigment at the start of the process, to ensure color consistency. Some of the candlesticks are subtly finished with hand painted gold patina to reflect the shimmer of the candle. Each one is made with a solid brass drip catcher and can be cast in a variety of colors. Working from her studio in London, as well as candlesticks, Margit creates artistic lighting...

AUTHOR: DICKENS, Charles. TITLE: The Battle Of Life. A Love Story. PUBLISHER: London: Chapman & Hall, 1846. DESCRIPTION: FIRST EDITION. 1 vol., illustrated, fourth state (as usua...

3 Volumes. W. F. P. Napier (Colonel H. P., 43rd Regiment. Member of the Royal Swedish Academy of Military Sciences). History of the Peninsular War and t...

LIBERTY Pair of Vases England Circa 1910 Factory production mark stamped on the underside of the vase "W" and “674/51” Ceramic Height. : 54 cm (21,25 in.) ; Diam. : 22 cm (8,66 in....

Elegant 20th century knoll style sofa, nice reupholstery using plush Orange-Red material with elegant fringing, the side panels fold down, comfortable seating, nice warm color. G...

This is an excellent vintage pair of English handmade red leather button backed wingback armchairs, dating from the late 20th century. They have deep buttoned backs, swept shaped ...

This is a stylish antique Edwardian sterling silver card case with hallmarks for Birmingham 1904 and the makers mark of the renowned silversmiths Deakin & Francis Ltd, in the origina...

The Skye cushion is inspired by the traditions of Japanese origami. Playing with block sequence patterns and colours the result is a vibrant printed velvet cushion. The rich, bold co...

A fine and stylish British mid-century red cased art glass knobbly vase by Whitefriars and dating from around 1960. The hand-blown heavily made vase has wonderful deep red colour and...

AUTHOR: Dickens, Charles. TITLE: A Christmas Carol. PUBLISHER: London: William Heinemann, 1964. DESCRIPTION: 1 vol., 7-15/16" x 5-13/16", illustrated with full page color p...

This antique tea of coffee spoon set was made by the Robert Stebbings silver firm of England in approximately 1900 in the period Edwardian style. The...

An English orange enamel expandable bookend, Midcentury Modern period, circa mid-20th century, England. Great design in a beautiful orange hue, exp...

Flamingo Dimmable Floor lamp. Reclaimed plastic, PVA, sand, acrylic paint, spray paint, pigment, polyurethane, LED dimmable spot bulb. The body of the Flamingo Lamp is adjustable in ...

Exclusive Chesterfield sofa with ottoman in beautiful velvet / alkantara look.  

This glass Art Deco perfume atomiser is an absolute delight. 1930's authentic Art Deco with a very desirable overall design in a clear glass with silver mirror concentric circles and...

Original vintage music advertising poster for tattoo You by the Rolling Stones featuring the award winning album cover design by the graphic designer Peter Corriston working with photographer Hubert Kretzschmar and illustrator Christian piper showing the face of the band's lead singer Mick Jagger (Sir Michael Philip Jagger; b 1943) covered in tribal tattoos and set against a bold red background with the album title above and the iconic Rolling Stones lips...

AUTHOR: CHURCHILL, Winston S. TITLE: Marlborough His Life and Times. PUBLISHER: London: George G. Harrap, 1933, 34, 36, 38. DESCRIPTION: ALL FIRST EDITIONS. 4 vols., 9-1/16...

A delightful and scarce Art Nouveau Royal Doulton Flambe ceramic cream jug with silver mounts dated 1907. The finely made miniature jug is of tall conic...

Our latest design - the single form coffee table. An elemental with focus on form and function. Made in powder coated aluminium and available ...

Ruby red tubular lamp designed by John and Sylvia Reid for Rotaflex. Rewired with a E-12 candelabra base socket and round plastic cord.

AUTHOR: ELKIN, R. H. (translator) - Rontgen, J. (tunes by) - H. Willebeek Le Mair - (illustrator). TITLE: Old Dutch Nursery Rhymes. PUBLISHER: London: Augener, Ltd., 1917. ...

A fine antique Victorian glass & sterling silver perfume bottle with an integral vinaigrette. By Sampson Mordan With a faceted ruby glass bottle mounted in etched gilt silver m...

Part of the Peaches collection, the Big Girl armchair is the largest piece in this new body of works. Reminiscent of a curvaceous female body, the pieces are composed of a wooden str...

Part of the Peaches collection, the Derriere armchair conveys aspects of the female figure. The pieces are composed of a wood structure made up of 6 symmetrical pieces with the addit...

A pair of red Robot bedside tables. The Robot side table features an open shelf on zig zag legs. A fun and functional design made of solid steel, powder-coated in red. The clean line...

The Adoni Sofa is a striking and beautifully prominent piece of furniture, with biscuit tufting that demonstrates fine skill of contemporary craft. Shown he...

Original 2001 British quad poster for the film Bully directed by Larry Clark with Brad Renfro / Bijou Phillips / Rachel Miner / Nick Stahl. Very Good-Fine...

T/240 - Fabric by Mulberry Lace Damask: a fabric cut of cm. 350 x 130 - elegant upholstery or drapery fabric. I ACCEPT OFFERS

Tray Mid-century bras and Lucite serving or bar tray. Hollywood regency 1950s- 1070s Lucite tray (acrylic or plexiglas metracrilato ) with tortoise shell design and brass edge. It is oval in shape and has two handles to hold it It is a very nice and elegant tray...

The Price Guide to Victorian Silver by Ian Harris. Clopton Woodbridge: The Antique Collectors' Club, 1971. 1st Ed hardcover with dust jacket. 275 pp. A guid...

Author: COWPER, William. Title: The Works of William Cowper, comprising His Poems, Correspondence, and Translations. Publisher: London: Baldwin & Cradock, 1835. Description...

Red 'Gogo' tub chair by Roger Bennett for Evans High Wycombe In vintage condition. Light wear consistent with age. The red vinyl has a few marks.

Wonderful Mid-Century Modern vase by Barnaby Marriott Powell for British / English glass manufacturer Whitefriars glass, circa 1938. This beautiful bright ruby red wave ribbed vase with a classic funnel form captured in vivid, vibrant red coloured / colored mouth blown molded glass...

A pair of vibrant orange Robot bedside tables. The Robot side table features an open shelf on zig zag legs. A fun and functional design made of solid steel, powder-coated in orange. ...

Set of four superb quality antique English hand-carved solid mahogany "Signed" Chippendale style side chairs with superbly pierced and hand-carved back splat; gadroon carved front seat rail; terminating in a handsome cabriole leg with acanthus leaf carved knee and ending in a ball and claw foot. Perfect for around a games table or breakfast table. Maker's label (on interior of chair rail): Thomas...

'Vug in Fuchsia & Gold II' is a unique handblown sculpture by the British artist, Samantha Donaldson. Created by layers of coloured glass in fuchsia pink and amber/gold, the trans...

An exceptional, fine and impressive antique Victorian English sterling silver sugar sifter spoon and bowl - boxed; an addition to our silver teaware collection. This exceptional antique Victorian sterling silver gilt teaware set consists of a sugar bowl and sifter spoon. The bowl has a circular rounded form to a circular spreading foot. The surface of the bowl is embellished with exceptional chased floral ornamentation accented with scroll designs, all on a matte background. The decoration to the bowl incorporates a putto* design to one side and a scrolling leaf bordered cartouche to the other, displaying the contemporary bright cut engraved crest of a unicorn before trees. The upper portion of this exceptional bowl is encircled with a broad plain border and the rim of the foot is encompassed with an applied decorated border. The exceptional sugar sifter ladle is embellished with further putto and scrolling leaf ornamentation, reflecting the design to that of the bowl. The shell shaped bowl is embellished with scrolling pierced 'sifter' holes to each scalloped flute. The reverse surface of the terminal incorporates a cartouche displaying the aforementioned crest. Each exceptional example of Victorian silverware retains the original gilding. The underside of the sugar bowl bears the retailer's mark 'Goldsmiths & Silversmiths Compy, 112 Regent St'. This antique sugar sifter...

This unique piece is the 2022 re-issue of British-designer Jane Atfield's historical, 'RCP2 Chair,' an iconic example of sustainable design, to commemorate the 30th anniversary of th...

A magnificent, comprehensive and Art Deco antique George V English sterling silver twelve piece condiment set - boxed; an addition to our dining silverware collection. This exceptional antique George V twelve piece silver condiment set consists of three salts, three pepper pots, two mustard pots, two sauce ladles and two sauce pales. The impressive Art Deco salts, mustard pots and sauce pales have circular rounded forms and the accompanying pepper pots each have a plain baluster form. The surface of each piece is plain and unembellished. The antique silver salts have gilded interiors. The impressive salts and large sauce pales are all fitted with two scrolling handles; the silver mustard pots each feature one elongated scrolling handle and a hinged plain cover. The silver pepper pots are fitted with push fit covers with pierced 'pepper' holes in multiple diagonal line formations. The covers to each of the pepper pots and mustard pot are surmounted with a sterling silver cylindrical finial embellished with a silver ball. This antique boxed condiment set in sterling silver is presented with associated onslow pattern sterling silver ladles and teaspoons. This fine and impressive condiment set is fitted to the original hinged oak presentation box with satin and velvet lined interior; the box secures with a push fit catch. Such comprehensive and large Art Deco condiment...

A whimsical and charming mid-20th century English hand painted tole drum-style coffee table with three painted crests surrounding the drum, rope tensioners, and all supported by four metal ball feet. The perfect coffee table in your family room or children play room.

The large Single Form coffee table is an elemental design with a focus on form and function. Made in powder-coated aluminium, the Single Form ...

Luxury pillow created from exquisite and rare deadstock Irish Linen by Irish designer Katie Larmour. Made from quality deadstock, pure, 100% Irish Linen made from the flax plant, f...

Silver Gilt Stuart Devlin egg, dated 1979, London Assay, in fitted box Lovely hammered finish with bi-coloured blue flowers and staymens inside. Very heav...

AUTHOR: DODGSON, Charles Lutwidge: (Lewis Carroll). TITLE: Through The Looking-Glass And What Alice Found There. PUBLISHER: London: Macmillan & Co., 1872. DESCRIPTION: PRE-...

Modernism: Designing a New World 1914-1939 by Christopher Wilk. Victoria & Albert Museum, 2010. Hardcover with dust jacket. "Modernism: Designing a New World" is the first book to ex...

Original British film poster for Terry Gilliam's 1995 science fiction thriller 12 Monkeys. The film is starring Bruce Willis. This poster was designed fo...

'Acanthus Veronese in Orange' is a unique sculptural glass jar by British glass artist James Lethbridge. Blown glass with the outer layer covered in flame worked...