Canadian Furniture

28.16 square chandelier lamp by Bocci Dimensions: D 60 x W 60 x H 300 cm Materials: blown glass, braided metal coaxial cable, electrical components, white powder coated canopy. Lamping: :1.5w LED or 20w xenon. Non-dimmable. Cable Lenght: fixed lengths. 3000mm (10’) standard / up to 30500mm (100’) maximum Available with Rectangular, or Square Canopy. Also available in different sizes. Please contact us for more information. All our lamps can be wired according to each country. If sold to the USA it will be wired for the USA for instance. 28.16 is a random configuration of sixteen 28 pendants...

Pair of Modern Macassar and brass end tables. Custom made by the artisans at Carrocel in Toronto, Canada. Modern brass metal cubed frames with floating macassar wood tops. Finished i...

Donovan Davis’s is a Canadian based artist currently residing in Toronto. He has over two decades dedicated to deconstructing and reconstructing photo based images. His photo collag...

Custom modern porcelain top dining table curved metal pedestal. Featuring a black porcelain top with curved corners and rounded geometric gu...

Monumental Studio Art Art Pottery hand executed by Josef Roschar, Roschars work of highest regard, perminant collections exhibited in many prominant museums throughout Canada and the...

Thomas (Tom) Hodson (Canadian 1924-2006) Oil on Board Born in Toronto Ontario, Thomas Sherlock Hodgson grew up on Toronto's Centre Island and attended art classes that were organized by Group of Seven member Arthur Lismer at what was then known as the Art Gallery of Toronto, now the Art Gallery of Ontario. He was a successful painter and commercial artist in his lifetime, as well as a teacher and enthusiastic member of the Toronto group “Painters Eleven”. He worked in oil, acrylic, watercolour, gouache, silkscreen, charcoal and mixed media. His subject matters were non-objective abstracts, landscapes, nudes, figures and portraits. His styles were abstract expressionism, lyrical abstraction, realism and pop art. Today it is his abstract expressionism that continues to attract. Hodgson taught at the Ontario College of Art from 1968 to 1972 and began painting full time in 1976. He has traveled with his paintbrush throughout Europe and to Australia. During WWII he served 2 years overseas with the Royal Canadian Air Force. As a member of the Canadian Olympic...

Hilary Clark Cole (Canadian) Mixed-media sculpture done in welded steel and bronze. Canadian sculptor Hilary Clark Cole was born in Victoria, British Columbia, and is a graduate of...

Custom modern black lacquered console table by Carrocel. Handcrafted here in Toronto, Canada and ready to ship. Art Deco inspired design, finished in hand polished black lacquer acce...

The CRISS-CROSS Chandelier was created from a genuine desire to blend art with lighting. It is a sculptural piece that is composed of cut steel rod, c...

Pair of Quebec turned and carved maple pricket candlesticks, on tripodal bases, later adapted to electricity and fitted with custom parchment shades.

Oil on board of a mythical Scottish highlander who just slayed a dragon that has turned to bones, circa 1990s. Painted by Canadian artist Fraser fr...

Unique Gigi light by Darmes Dimensions: D 138 x H 40 cm Materials: Glass Color variations are available. Gigi is playful. Its lines are daring and its tones sensual. Under the breat...

Squaretown Solid Wood Contemporary Stool by HOLLIS + MORRIS 2014 Dimensions: 13” W x 13” D x 18” H Materials: Solid wood, hardwax oil Options available: Wood: w.oak white, w.oak nat...

Carrocel custom made porcelain top dining table. Featuring a black lacquered tapered wood edge and rounded geometric antique champagne finis...

21.5 Pendant by Bocci Dimensions: D 15.2 x H 300 cm Materials: brushed nickel, round canopy. Weight:3 kg Also available in different dimensions. All our lamps can be wired acc...

Carrocel custom made sideboard, made of distressed walnut, accentuated with parchment finished drawers adorned with gold leaf hardware. Perched upon a so...

Carved Black Soapstone Inuit figure stooped over, grasping a bag at his feet.

Paul Vanier Beaulieu (Canada 1910-1996) Medium: Ink and pencil Size Without frame: 12" high x 9.5" wide With frame: 21.5" high x 17.25" wide Born in Montreal, Quebec, in 1910,...

Layout Coffee Table by Studio Super Sunday Dimensions: D 53,3 x W 119,4 x H 35,6 cm. Materials: Ash. Available in six different finishes. Prices may vary. Please contact us. We ar...

Metal plated oak large isthmus dining table by Hollis & Morris Dimensions: 102" x 42" x H 29.5" Materials: Solid wood. Cold rolled steel. Hardwax oil, powder-coated metal. Metal pl...

14.50 square pendant by Bocci Dimensions: D 75.5 x H 200 cm Materials: white powder coated round canopy Weight: 109.6 kg Available: Round, Rectangle and Square version. All o...

Pair of James Fergus Kyle (1876-1941) paintings by Canadian cartoonist and illustrator. Size Without frame: 11" high x 8" wide With frame: 12" high x 9" wide.

Cerise Oort Resin side table by creators of objects. Materials: Resin, pigment DImensions: W 51 x D 51 x H 40 cm Also Available: Tourmaline, Bordeaux, Spice, Ochre, Forest, Ocean,...

This framed black and white photograph was done by the well-recognized Canadian photographer, Bruce Metcalfe in circa 1930 in the period Art Deco style. Bruce Metcalfe is known for h...

Abstract mixed medium painting, signed: Luigi Cosentino, titled “Abstract #29” signed Luigi Cosentino, bottom right and backside of the canvas, canvas ...

Mid Century pair of hand blown mercury glass flutes crafted in classic champagne glass form, decorated with acid etched flowers and ferns on the outsides with gold tone insides and s...

The luster medallion is a hand-formed sheet of aluminum, carefully folded and bent to create a ripple effect on the surface. This piece makes a beautiful addition to walls that need ...

This authentic Fabulous Primitive Blind door painted 1850s Dovetailed cupboard in Brownish / Red, it has many layers of paint which are worn through in many spots to reveal the origi...

The design of this desk is unique and spectacular, it would be a great touch of modernity in your home design. It is the result of all my research into wood bending, to create this p...

14.3 Chandelier lamp by Bocci Dimensions: diameter 15.2 x height 300 cm Materials: Cast glass, blown borosilicate glass, braided metal coaxial cable, electrical components, white powder-coated canopy. Available in deep, shallow, or mini canopy. Also sold individually and in sets. All our lamps can be wired according to each country. If sold to the USA it will be wired for the USA for instance. This low-voltage pendant...

U-Block signed by Cal Summers Materials: Wood fibre, Resin. Graphite Steel insert with bronze finish Size: 10” D x 14” W 19” H Cal Summers is a British designer who makes bespo...

Set of 4 modern side chairs in textured gray fabric opus chairs. Part of the Carrocel custom collection named the Opus chair for its sleek curved shape and ...

Modern black C table in oak. Custom hand crafted in Toronto Canada using oak woods and reinforced with metal. Beautiful textured oak wood grain with a sa...

Carved quartered sycamore bench with raised and lowered bubbles. Each bench has a unique handmade pattern. Handrubbed hardwax oil finish. Available in any species of wood and dimensi...

This unique and colorful Folk Art hooked rug was designed and crafted sometime between 1970 and 1980 and could be easily be adapted for use as a wall hanging. This rug is presumably made from synthetic wool and employs five colors to represent the Greyhound Bus...

Stunning White ceramic Lotte & Gunnar Bostlund lamp; beautiful ovoid shape,, Retains original fiberglass shade in great original condition,, Shade measures 16.5 by 16" in diameter,,

Made in Canada, this design controls light intensity through the rotation of the opposing disc, revealing more light as the disc rotates outwards on its axis. The concept was develop...

Layout Bedside Table by Studio Super Sunday Dimensions: D 33 x W 101,6 x H 45,7 cm. Materials: Ash. Available in six different finishes. Prices may vary. Please contact us. We are ...

Layout Dining Chair by Studio Super Sunday Dimensions: D 43,2 x W 43,2 x H 81,3 cm. Materials: Oak. Available in six different finishes. Prices may vary. Please contact us. We are ...

Main body hand-carved reclaimed tree root with carved maple and rosewood branches Sculpture with top hat (circa 1900) resting on top of the sculpture; hand-carved (without hat); Andr...

A set of 2 vintage beige wool embroidered panels for chair back upholstery. 100% Wool embroidery on wool.

Custom modern white chests with Ribbed Facade. These transitional style chests are wonderfully fresh and intrinsically modern. Made to order right here in Canada, crafted of solid wo...

A beautiful beige linen pillow with front red antique embroidered panel and metallic trims. Filled with 100% Canadian down and feather insert.

Custom made writing desk by quality case goods manufacturer Bermanfalk. Dramatic sloping chrome X-base supports single drawer dark wood cabinet with a blond wood top. Please confirm...

Set of 2 book bombs by Hamilton Holmes. Oxalino collection 2020 Dimensions: 25.4 diameter cm Materials: White oak. Perfect spheres turned from single slabs of lumber are given...

Artist: Rolph Scarletti (Canadian, 1889 – 1984) Object: Modernist Abstract Composition Period: Ca. 1950’s Medium: Guache on paper, framed Dimensions (unframed): Height: 9-1/3” Width: 12” Dimensions (framed): Height: 22-3/4”” Width: 25-3/4” Rolph Scarlett (Canadian, 1889 – 1984) was a consummate explorer of twentieth-century abstract painting. Never afraid of trying new styles, curious and opinionated, constantly engaged with the world around him while steadfastly aware that he was on his own path and his alone, Scarlett more than once proved to be at the artistic zeitgeist of the eras in which he lived. Exposed very early on to the work of Paul Klee through a chance meeting in Europe with the artist himself, Scarlett took up abstraction with a fervor that never diminished during his long and impressive career. To create something that had never existed before: this was Scarlett’s great cause. And that is what is most obvious when you look at Scarlett’s work—you have never seen anything quite like it. Scarlett was Canadian-born, came of age in the Midwest, and spent few important years in Hollywood, where he designed stage sets. His work from this early period echoes Klee’s use of color, his confidence in naïve, primitive forms, and his blend of abstraction and figuration. In its flat spatial qualities it prefigures the Indian Space painting of the 1940s by a decade. He moved to New York in 1933 and eventually found his first great patron at the Museum of Non-Objective Painting, directed by Baroness Hilla Rebay and art patron Solomon R. Guggenheim. Guggenheim would collect over 60 works by Scarlett for his collection, more than any other artist outside of Vasily Kandinsky and Rudolf Bauer. As a frequent exhibitor and lecturer at the Museum of Non-Objective Painting (MNOP), Scarlett honed his sensitive feel for bodies in space and capitalized on his trademark use of bright, vivacious colors into accomplished, perfectly harmonized geometric works. However, Scarlett soon morphed these hard-edged forms into a nuanced expressionistic abstraction which, at its best, seems to be populated by dancing forms that animate the canvases. Along this way he was advised by Rudolf Bauer, the German expatriate and one of the originators of non-objective painting in the teens. Bauer had the idea for the Museum, and Rebay, his champion, had found in Solomon Guggenheim a patron for manifesting it. When Bauer emigrated just before World War II, he wanted to meet Scarlett. The two became friends, and Bauer advised Scarlett on his work over the course of many years. Even in a 1979 interview, Scarlett began to tear up as he recalled his first meeting with Bauer, a man whose work he "worshipped," describing that, "It was a touching moment for me, I’ll tell you." Scarlett and Rebay also had a close, important relationship, one in which he bore the brunt of her sometimes condescending, if motherly, critiques and admonitions with tolerance and gratefulness. Eventually, though, he had to push back. In a letter from 1951 he writes, "I have noticed with growing amazement that during the past three years you have accepted less and less of my work—and, that same work, which you rejected has been accepted and shown in the best and largest shows all over this country." This period—the late 1940s to the early 1950s—did in fact correspond to Scarlett’s most critical success, and to a return to the fanciful forms and characters of his pre-war work. At the same time, he found his own rhythm and complexity using a drip style similar to, though denser and more opaque than, the one made famous by Jackson Pollock, who had worked for many years at the MNOP and with whom he shared common influences. In 1949 he had a very well received solo show in 1949 at the Jacques Seligmann Gallery, reviewed very favorably in The New York Times: "The impression made by these paintings is one of originality and strength." He was also included in a juried show "American Painting Today" at the Metropolitan Museum of Art in 1950 and in the Whitney Annual of 1951. The curator for the Whitney show in fact bypassed a selection of Scarlett’s careful geometrics in favor of a new "lyrical" drip painting—one which he describes as having had "a helluva good time" making. Rebay articulated her loss of control over Scarlett very keenly in one of her last official letters to him: "So your way ended in the horrid jungle it is in now; even a Mr. Pollock’s smearage was not bad enough for you to have a try at; and betraying yourself, you betrayed art and my faith in you, and my present disgrace by my failure to foresee such an outrageous possibility—since you even paint objectively now." Yet, despite the fact that he was moving in his own direction when the change in leadership took place at the Museum of Non-Objective Painting and Rebay was forced out as director, Scarlett was hit hard. He understood this change rightly as a betrayal by the establishment. Scarlett was a unique individual and soul, and was affected personally and philosophically by the idea that the movement with which Scarlett had aligned his talents seemed to disappear overnight, and his life’s work rendered valueless. Without the Museum’s support, Scarlett decided eventually to move to the artists’ community of Shady, New York, just outside of Woodstock. He had occasional shows throughout the years, but mostly settled down to regional obscurity. He began making jewelry, which had been his first trade, and it was following a show of his jewelry in 1975 at the Jaro Gallery, that he was rediscovered by Samuel Esses, and his wife Sandy. Samuel Esses was a successful businessman and an avid collector. He always sought out that which was unusual and, like Scarlett, was ahead of his time in many ways. For example, in 1979, Sam became enthralled with the early graffiti appearing on the New York subway trains. With the sole goal of preserving these groundbreaking yet short lived works of art he was inspired to create "The Esses Studio," a painting warehouse and workshop for graffiti artists to work in a studio, collaborate, and paint on canvas. The biggest names of graffiti writing participated—Futura, Crash, Dondi, Zephyr, and Daze to name a few. The project was well received and provided critical validation at an important time for this alternative form of abstraction to be recognized by the established art world. The success of the "Esses Studio" helped fuel an alternative fire that would propel gallerists and curators to acknowledge other street artists and provide a foundation of acceptance for the early careers of Keith Haring and Jean-Michel Basquiat. It is not a stretch to say that what Esses saw in the graffiti art of the 1970s was very similar to what he saw in 1950s-era Scarletts—something raw, honest, and melding many twentieth century influences into one unique form. Inspired by the importance of the collection and the passion of the collector, Weinstein Gallery...

STACKABL is a configurator that allows anyone to customize furniture online, an innovative system that allows you to turn high-quality, surplus metal, wood, and felt offcuts from our manufacturing partners – located within a 150-mile-radius – into fully finished, custom works ready to be shipped to your home or project. Aided by algorithms and robotics, the configurator identifies remnant inventory (in the form of metal, wood, and felt) that fits your aesthetic choices. This inventory is then put back through the manufacturers' own machines, and into the hands of their own experts, who execute your design. In the fall of 2020, Maison Gerard paired with STACKABL to show just what can be accomplished with the configurator. Maison Gerard tapped the talents of six prominent designers, asking them to create pieces of their own within STACKABL. Benoist F. Drut's Maxine bench: Drut’s eye for eclecticism and exuberance is palpable in his design for the Maxine bench. The artistry and symmetry of eighteenth-century French royal furnishings, the energy and expertise of Parisian gallerist/decorator Madeleine Castaing, the Orientalist architecture of Frederic Church...

Unique Gigi grand light by Darmes Dimensions: D 27 x H 10.5 cm Materials: Glass Color variations are available. Gigi Grande, with its elegant geometry and...

Oak small Brockton dining table by Hollis & Morris Dimensions: Diameter 42" x Height 29.5" Materials: Solid wood. Cold rolled steel. Hardwax oil, powder-coated metal. Also availabl...

Modern bench with sleek metal base and channeled top. The perfect accent piece for a modern, contemporary home. Price includes complimentary curb side delivery to the continental ...

This gorgeous massive amethyst specimen is a stunning work of nature, beautifully mounted on a custom polished brass base by Studio Maison Nurita. The...

Modern Geometric Ottomans in Textured Fabric. Unique geometric shaping makes this modern ottoman stand out. Fully upholstered in a dense text...

Walnut Squaretown stool - Side table by Hollis & Morris Dimensions: 13" x 13" x H 18" Materials: Solid wood. Hardwax oil. Also available in natural oak, black oak, and white oak....

87.1 Pendant by Bocci Dimensions: D 11.6 x H 300 cm Materials: brushed nickel round canopy Weight: 1.4 kg Also available in different dimensions. All our lamps can be wired ac...

Sleek Modern Low Profile Bench by Carrocel. Beautiful minimalist design with unique herringbone patterned velvet. Completed with satin black lacquer...

Modern abstract, mixed-media on aluminum painting; titled “Every Day That Goes By” by Maria Astadjov, a conceptual fine artist. Signed on front bottom r...

16.35 Aspen Trunk sculptural floor lamp by Bocci Dimensions: D 122 x W 265 x H 712 cm Materials: Poured glass, electrical components, bead-blasted stainless steel armature compone...

The Enamel Abstract Armoire is a one-of-a-kind piece designed and hand-finished in Morgan Clayhall's Toronto studio. With over two decades of design expertise, the studio crafts besp...

Collected memory coffee table 1 by Claste Dimensions: D 122 x W 160 x H 30.5 cm. Material: Cararra Gioa (white), Rainbow Mist, Emperad...

38.16 Pendant by Bocci Dimensions: D 110 x W 37 x H 300 cm Materials: white powder coated round canopy. Weight: 43 kg Also available in different ...