North American Furniture

A very rare set of 4 matching exterior large iron scones , featuring frosted etched glass, old black untouched finish with decorative details . Lights are functional have been clean...

AUTHOR: CESCINSKY, Herbert & Malcolm R. Webster. TITLE: English Domestic Clocks. PUBLISHER: London: George Routledge & Sons, Ltd, 1914. DESCRIPTION: SECOND EDITION. 1 vol., 11-15...

Kalo sterling silver hand wrought or hammered bowl, in Arts & Crafts style, made between 1912 and 1916. It measures 10'' in diameter by 2 1/4'' in height, weighs 19.1 troy ounces, and bears hallmarks as shown. The Kalo Shop was the "leading maker" of Arts and Crafts movement silver in Chicago. The shop and affiliated Kalo Arts and Crafts Community House, a practicing school and workshop noted for silver and jewelry in nearby Park Ridge...

Tiffany Studios, New York, 'Jeweled Blossom' table light, c. 1907 Height: 21.5 Inches (55 cm) Diameter: 16 inches (40.2 cm) Leaded opal glass with some white cabochons, mainly in g...

Bronze box with white and orange glass paste, Pine Needle model, made by TIFFANY & Co, (1837 to the present). Signed TIFFANY STUDIOS, NEW YORK, 823. USA, CIRCA 1910.

Tiffany Studios New York Table Lamp This Damascene shade has exceptional blue and green iridescence and is in pristine condition. ...

This mini brass bird cage has a bird inside and really could be used for a tiny bird.The condition is very good and it has been polished.

Fabulous mission Oak Arts & Crafts 3 drawer desk with a horizontal slat back desk chair with a rush seat. One long drawer over two short drawers. Both pieces are all quarter sawn oak...

Fantastic & fabulous terracotta chimney pot by the Excelsior Clay co. of Lisbon Ohio c1910. In excellent antique condition with loads of patina just waiting to be in your garden. Pro...

For sale we have a beautiful antique typewriter. This 1918 Antique Hammond Folding typewriter is a great relic from the early 20the century that will add cool industrial detail to your interior. All the parts on this Hammond typewriter...

Tiffany Studios Leaded Glass and Gilt Bronze Jeweled Drophead Dragonfly Table Lamp, circa 1910. At the turn of the century, Clara Driscoll, head of the women’s glass cutting department and the brains behind some of Tiffany’s most iconic shades introduced the “Drophead Dragonfly” to the world. Unable to cut the pieces of glass small enough to give the desired lacy effect to the wings of the dragonfly, Driscoll came up with the idea of using a brass filigree overlay that would be soldered over top of the glass wings, giving a much more intricate appearance. These filigrees had previously been used on smaller decorative items but were a new concept in lamp design. The Dragonfly became one of Tiffany’s first recorded leaded shades, shown as early as 1899 by Art Nouveau tastemaker Siegfried Bing at Grafton Galleries in London The design won her the bronze medal at the 1900 world's fair a year later. As the son of Tiffany & Co-founder Charles Lewis Tiffany, jewels to Louis Comfort Tiffany were as water is to a fish. It is no wonder with this background that Tiffany made the bold decision to employ Leo Popper & Sons of New York City as its producer of glass jewels Popper was founded in 1880 to produce imitation stones for costume jewelry, and Tiffany’s entrepreneurial prowess saw the possibility of using jewels in leaded glass shades. On the subject, Tiffany wrote: “Anyone who has seen the great rose windows of Chartres has, intuitively or otherwise, understood the relationship between glass and jewels. Designed to refract light prismatically, and placed to raise heads beatifically, they resemble nothing so much as magnificent celestial jewels.” It was likely for this reason that model no. 1507 was Tiffany’s favorite. More than any of its variants, the shade was spangled with a wide assortment of cabochon topaz glass jewels. This lamp features a unique example of Tiffany Studios' iconic Drophead Dragonfly shade depicting a swarm of nine descending dragonflies, each with a distinct combination of body and eye color. Dragonflies, each with wings of strikingly mottled apple green and deep red and a unique combination of eye and body color. The ground is a warm saffron yellow shaded up to rich butter yellow, punctuated by twinkling amber cabochons jewels and topped by geometric bands of purple mauve and mint green. The vibrancy and variation in the dragonfly glass...

Antique flag for the Island of Bermuda. The flag of the British Overseas Territory of Bermuda as a red ensign was first adopted on 4 October 1910. British red ensign with the union f...

Being offered is pair of sterling silver candlesticks by Gorham Silversmiths of Providence, Rhode Island. They are hallmarked 1913 (one hundred and eleven years old). They are Cori...

Edwardian dark-stained burlwood vanity with 3 drawers and a top trifold mirror. The vanity has a kidney shape with decorative brass pulls

Being offered is a sterling silver serving spoon by S. Kirk and Sons in the “Forget-Me-Not” pattern, 1910. A gorgeous floral motif of daises, roses and leaves decorates the entire ...

Being offered is a sterling silver Art Nouveau overlay perfume bottle. This bottle has cranberry-red colored glass with silver overlay of swirls, flowers and leaves motif all around...

A heavy, iron chandelier in medieval revival and Henry III styles; hand wrought decoration, with honeycomb wax candle sleeves and heavy chain, 14 light. Amer...

Charming Iron Wire Haired Fox Terrier Door Stop with intact original paint attributed to Hubley circa 1910. Hard to find with original patinaed cold ...

Being offered is a sterling silver vase by Whiting Manufacturing, hallmarked 1915. This one hundred and nine years old antique silver vase has been restored to its original conditio...

Gorham sterling silver basket or bowl in pattern number 2340A from 1915 in Art Nouveau style with pierced and finely engraved floral and natural motifs adorning the body and handle. ...

“A Robineau vase is a true work of art, unique in conception and perfect in execution, for every piece that left this studio was a labor of love.” – Ethel Brand Wise, The American Magazine of Art, 1929 Adelaide Alsop Robineau was a pioneer in American studio ceramics and excelled as an innovator in pottery both technically and aesthetically. As a young woman of high society in the late Victorian era, she gained early accolades as a skilled watercolorist and china painter and taught for a time at St. Mary’s Hall in Minnesota. In 1899, she married Samuel E. Robineau, a French gentleman and collector of Chinese ceramics. He was deeply intrigued by her talent and steadfastly supported and encouraged her throughout her career. The couple collaborated to produce a popular and influential monthly journal together, Keramic Studio, and went on to build a studio on their property in Syracuse, New York, which they named Four Winds. Robineau would also go on to teach for many years at Syracuse University while creating her own work and raising three children. Early in her career, she studied at Alfred University under Charles Binns, who is widely considered to be the progenitor of contemporary studio ceramics in America. His program established a shift in the craft of ceramics as an academic pursuit, rather than one of apprenticeship. Pottery throwers and the artists who decorated the wares traditionally inhabited separate roles in ceramic manufacture, a practice common in Europe. Binns’ philosophy merged the two, such that the potter had total agency of the final product. This marked a historic divergence in the creation of art pottery – one that Adelaide Robineau...

“A Robineau vase is a true work of art, unique in conception and perfect in execution, for every piece that left this studio was a labor of love.” – Ethel Brand Wise, The American Magazine of Art, 1929 Adelaide Alsop Robineau was a pioneer in American studio ceramics and excelled as an innovator in pottery both technically and aesthetically. As a young woman of high society in the late Victorian era, she gained early accolades as a skilled watercolorist and china painter and taught for a time at St. Mary’s Hall in Minnesota. In 1899, she married Samuel E. Robineau, a French gentleman and collector of Chinese ceramics. He was deeply intrigued by her talent and steadfastly supported and encouraged her throughout her career. The couple collaborated to produce a popular and influential monthly journal together, Keramic Studio, and went on to build a studio on their property in Syracuse, New York, which they named Four Winds. Robineau would also go on to teach for many years at Syracuse University while creating her own work and raising three children. Early in her career, she studied at Alfred University under Charles Binns, who is widely considered to be the progenitor of contemporary studio ceramics in America. His program established a shift in the craft of ceramics as an academic pursuit, rather than one of apprenticeship. Pottery throwers and the artists who decorated the wares traditionally inhabited separate roles in ceramic manufacture, a practice common in Europe. Binns’ philosophy merged the two, such that the potter had total agency of the final product. This marked a historic divergence in the creation of art pottery – one that Adelaide Robineau...

“A Robineau vase is a true work of art, unique in conception and perfect in execution, for every piece that left this studio was a labor of love.” – Ethel Brand Wise, The American Magazine of Art, 1929 Adelaide Alsop Robineau was a pioneer in American studio ceramics and excelled as an innovator in pottery both technically and aesthetically. As a young woman of high society in the late Victorian era, she gained early accolades as a skilled watercolorist and china painter and taught for a time at St. Mary’s Hall in Minnesota. In 1899, she married Samuel E. Robineau, a French gentleman and collector of Chinese ceramics. He was deeply intrigued by her talent and steadfastly supported and encouraged her throughout her career. The couple collaborated to produce a popular and influential monthly journal together, Keramic Studio, and went on to build a studio on their property in Syracuse, New York, which they named Four Winds. Robineau would also go on to teach for many years at Syracuse University while creating her own work and raising three children. Early in her career, she studied at Alfred University under Charles Binns, who is widely considered to be the progenitor of contemporary studio ceramics in America. His program established a shift in the craft of ceramics as an academic pursuit, rather than one of apprenticeship. Pottery throwers and the artists who decorated the wares traditionally inhabited separate roles in ceramic manufacture, a practice common in Europe. Binns’ philosophy merged the two, such that the potter had total agency of the final product. This marked a historic divergence in the creation of art pottery – one that Adelaide Robineau...

“A Robineau vase is a true work of art, unique in conception and perfect in execution, for every piece that left this studio was a labor of love.” – Ethel Brand Wise, The American Magazine of Art, 1929 Adelaide Alsop Robineau was a pioneer in American studio ceramics and excelled as an innovator in pottery both technically and aesthetically. As a young woman of high society in the late Victorian era, she gained early accolades as a skilled watercolorist and china painter and taught for a time at St. Mary’s Hall in Minnesota. In 1899, she married Samuel E. Robineau, a French gentleman and collector of Chinese ceramics. He was deeply intrigued by her talent and steadfastly supported and encouraged her throughout her career. The couple collaborated to produce a popular and influential monthly journal together, Keramic Studio, and went on to build a studio on their property in Syracuse, New York, which they named Four Winds. Robineau would also go on to teach for many years at Syracuse University while creating her own work and raising three children. Early in her career, she studied at Alfred University under Charles Binns, who is widely considered to be the progenitor of contemporary studio ceramics in America. His program established a shift in the craft of ceramics as an academic pursuit, rather than one of apprenticeship. Pottery throwers and the artists who decorated the wares traditionally inhabited separate roles in ceramic manufacture, a practice common in Europe. Binns’ philosophy merged the two, such that the potter had total agency of the final product. This marked a historic divergence in the creation of art pottery – one that Adelaide Robineau...

This original WWI poster encourages onlookers to "Fight or Buy Bonds" and dates to 1917. Issued as part of the Third Liberty Loan run, the poster w...

Spectacular simple be yet so elegant. A beautiful piece from the Gustav Stickley Craftsman workshops of the Arts and Crafts Mission period. Still in its original fumed oak finish and...

A highly important monumental American Arts & Crafts landscape window, attributed to Tiffany & Co, New York, Circa 1910. The window having a border with textured gold tone tiles, the background is composed of variegated blue glass, with a mountain range made of variegated dark brown glass. To the center is a fairytale castle with a body of blue water to the background. The castle having a pathway of textured glass and walls of golden colored glass tiles. The landscape is framed out with a pair of ivory colored columns festooned with trailing ivy. The panel is housed is a substantial wooden frame. Condition is very good, there are no cracked tiles, there are a few tiles that have been historically lead lined, the panel is in very good condition indeed. Whilst we have not located a Tiffany signature...

Fantastic Oak Arts & Crafts Mission leaded glass bookcase with 3 adjustable shelves. Storage space is 10" x 33". Recently refinished and a very tight cabinet. One side has a very mi...

Nautical chart showing the harbor and local water. The chart display depths buoys, lighthouses, etc., This chart shows Eastern Point, Rocky Neck, Stage head, Thatcher Island, Sandy B...

A circa 1910's Caldwell silver plated bronze chandelier with 8 lights

Fantastic elegant and beautiful arts and crafts mission quarter sawn oak table by L & JG Stickley C1910. Great condition well taken care of thro...

An oak sideboard with four drawers, two doors concealing open storage and a plate rail. Retains original makers mark “The Work of L. & J. G. Stickley which was used between 1912 and ...

Art Nouveau Jewelry Pink Satin Lined Box, the woman is depicted with flowers in her hair and pink cheeks. Box has Evidence of wear over time, ...

Beautiful green Slag Glass panels give off a charming and warm glow when lit. C1912 lamp is in excellent antique condition and has recently been refinished with a dark mission Oak stain. Wiring is sound. See my other mission lamps...

A very nice pair of mission style period sconce lights , showing nice patina easy install procedure and simple glass shade. Salvaged from a home in Vancouver built in 1912.

Edwardian period, sterling silver-mounted, etched glass syrup jug with hinged lid, T.G. Hawkes and Company (makers), New York, Ca. 1910. The Hawkes Company a...

Tiffany Studios New York Geometric Greek Key Table Lamp New York circa. 1910 Leaded glass, Patinated bronze Dimensions: 22.25 Inches High Diameter: 16 Inches...

This highly rare and innovative Iridescent Favrile Art Glass Gord Form Vase is by Louis Comfort Tiffany and originates from the United States Circa 1916. This vase is a true gem, wit...

L & LG Stickley Oak Bookcase. Circa 1910 A single 16 pane glass window door bookcase with mortise and tenon oak wood construction is wonderful condition with a beautiful finish ready to complete your arts and crafts Gustave Stickley collection. Dimensions: 54-3/4 x 34-1/4 x 12 inches (139 x 87 x 30.5 cm) (each) Provenance: Property from the Estate of Angela Gross Folk Condition: Very good condition with tasteful handmade quality of the Arts and Crafts movement. Minor nicks and losses to edges throughout. Minor splits. Paint on interior not original to bookcase tastefully done.. No chips or cracks to glass pane. Founded in 1900 by Leopold and John George Stickley, L. and J.G. Stickley, Inc. is a manufacturer and marketer of premium solid wood furniture. Privately owned by the Audi family since 1974, the company now operates a facility greater than 400,000 square feet in Manlius, New York, an upholstery plant in North Carolina, and six retail showrooms in New York and Connecticut. Stickley, then 41, returned home to Eastwood, New York, where he set up his Craftsman Shops in 1898 and began to experiment with his own distinctive designs. He favored clean lines and emphasized the inherent beauty of natural wood and leather. Like Morris, he sought inspiration in the styles of the medieval period. He worked in natural white oak because of its strength and "honesty." Rejecting ornamentation and valuing craftsmanship, he based his designs on rectilinear forms; construction features, such as mortise and tenon and dovetail joints, doubled as decoration. He labeled his original pieces with his name and shopmark, which depicted a small joiner's compass inset with the slogan "Als ik kan," or "To the best of my ability," in Flemish. Stickley's furniture--called Mission Oak because of the early 1900s popularity of California mission architecture and because it somewhat resembled the furniture used in the missions--soon found enthusiastic support. So, too, did Stickley's philosophy, which others embraced as visionary and reformist. Soon manufacturers across the country were creating their own versions of "mission" furniture. These included Stickley's own younger brothers: Leopold and John George, who incorporated in Fayetteville, New York, in 1904, and, in 1905, introduced their first furniture line alongside Gustav's Mission Oak at a Grand Rapids trade show; Albert Stickley, who made furniture under the label Stickley Brothers Co. in Grand Rapids, Michigan; and Charles Stickley, who shared ownership of Stickley and Brandt Chair Co. in Binghamton, New York. All of the Stickleys were accomplished craftsmen, who, like their older brother, were not opposed to machines; they simply used machinery to get the manufacturing process to the point where the hand could efficiently take over and complete the joinery. It was not industrialization per se that they rejected, but the sloppy work practices encouraged by mass production. In fact, Leopold and John George Stickley introduced some cutting edge designs and innovative construction techniques of their own with their Handcraft line. However, only Gustav Stickley attempted to market a lifestyle. Like his European counterparts, Gustav Stickley published on the subject of his philosophy of simplicity. He introduced his own magazine, The Craftsman, whose masthead announced its purpose as being "in the interest of better art, better work, and a better, more reasonable way of living," and filled it with treatises and illustrations of his furniture and interior design--every aspect of the designed environment, from tiles and pottery to gardens and landscape. He also developed and sold model house plans...

Large antique, Industrial factory wooden foundry form mold, wheel, cog, gear, very unusual and rare size measuring 52" in diameter, retains original facto...

Large and fantastic 2 door arts & crafts mission cabinet. China Closet with deep shelves or a Bookcase, Has glass sides. All quarter sawn oak with a fabulous style. Thick post with ...

Being offered is a sterling silver basket with the original glass liner by International Silver. This adorable basket stands on four balls so it’s propped off the surface. It has a...

Beautiful set and unusual in its craftsmanship with its tight hand wrought curls. 5 piece set which includes a poker, brush, shovel and a log clamp. All with original age old patina....

Being offered is a sterling silver compote by Redlich & Company. It has an ornate edge and matching base. An elaborate pattern of different flowers and leaves interspersed with cut...

These lamps which have come to b known as banker's lamps are the most popular antique lamp for use on one's desk. Emeralite, the maker of this lamp is by far the most well known. Si...

This folky school house quilt in red ,white & blue is in fine condition.We believe its from a mid west collection.

Pleased to offer this great vintage medical cabinet. This cabinet was painted gold many years ago and I think looks great with this finish. This cabinet has a glass door, glass side ...

Clean Lined Mission Oak Desk, attributed to Stickley Brothers, unsigned, American, circa 1910s. This piece is well made with beautiful graining to the oak.

Original 1914 Model VV-VI Victor Talking Machine 78 speed record player housed in the original oak case with two doors that open to control the...

Being offered is a pair of sterling silver compotes by Graff, Washbourne & Dunn of New York. The rim is scalloped and but fluted as is the base of the compote. Along the edge there...

Tiffany Studios Empire Jewel Table Lamp Important and rare Tiffany Studios New York "Empire Jewel" Table Lamp, Only 2-3 known to exist and well documented in Alastair Duncans Tiffan...

A gorgeous Tiffany Studios Zodiac pattern letter opener. These retains significant amounts of red colored patina and some green. And, although gorgeous, please note there is a ripp...

The Zodiac pen tray is a fantastic holiday gift for the Cancer or Pisces who loves Tiffany, Arts and Crafts or simply fine living. Designed for pens over a century ago, the functions today can be endless. This examples is well cast and retains a fair amount of the original patina. The surface is a lovely mottled brown and black finish and there is significant red and green patina underneath where it was not exposed to UV light over the past century. The detail shots show the quality of the cast clearly and the markings of Tiffany Studios 1000. There is minor overall wear and modest scratching from both use and from cleaning. Nonetheless, the photos show how astoundingly attractive this example is and would we really expect a century old desk...

A very rare organic ribbed Louis Comfort Tiffany blue Favrile miniature vase in the Jugendstil style. Beautifully signed 'L. C. Tiffany Inc Favrile' Then (indistinctly) '7168 U' and ...

A very fine example of the genre known as banker's lamps. This example is signed by the most famous maker of these lamps, Emeralite. The shade is the original with no damage. These ...

Tiffany Studios American Arts and Crafts style patinated letter box and blotter ends. This set retains significant green and red patina and over the years had accumulated some black...

Very cool 1910 era Neo Classical pendant. The shade features crest. column and gryphon motif with acanthus accents. The original bronzed holder h...

Being offered is a sterling silver compote (not weighted) with old-world detail and charm. It has alternating medallions around the edge; rectangular and oval with bouquets of flowe...