South Asian Furniture

Cotton Vegetable Dyed Cream, Green And Coral Scalloped Striped Indian Dhurrie Rug - 20"x22" (50x55cm) These special flat-weave dhurries are hand-woven with 15 ply 100% cotton yarn...

The price enclosed represents our price per square foot for custom orders in this design. Please share your size and we will share CADs and custom listings to check out accordingly. ...

This unique hand-knotted Himalayan wool runner was inspired by the dynamic rhythms of the city of Osaka. High rise apartment buildings with their endless rows of balconies are captur...

31313 New Organic Brutalist Moroccan Rug, 08'00 x 09'10. Discover the exquisite charm of our hand-knotted wool Organic Brutalist Striped Moroccan rug, a masterpiece that seamlessly m...

This exquisite Indo-Saracenic colonnade, handcrafted in the 21st century from Sheesham wood, captures the timeless beauty of traditional Indian architecture. Currently in its natural...

Bronze sculpture of Hindu Deity Ardhanarishvara. Often referred to as the androgynous form of the god Shiva, this antique presents beautiful detail and patina. Aside from the longevi...

PRESENTING a LOVELY 19C Anglo Indian Bombay MOP (Mother of Pearl) Sadeli Mosaic Trinket Box from circa 1875-85. Gorgeously detailed and hand-crafted ‘sadeli mosaic’ inlay, from the Bombay Area, with deep greens with silver, pewter, mother of pearl, bone and ebony in geometric patterns. The box case, is made of sandalwood but completely covered in MOP, bone, faux ivory, ebony and mosaic inlay. Edged with faux ivory and banded with a different pattern of sadeli mosaic. Some minor damage to the top (repair is obvious in pics) and ivorine replacements to some edging, but it still a BEAUTIFUL BOX and of real QUALITY! The mosaic work is FABULOUS! Box opens to reveal its original blue velvet lining. It sits on 4 (recently added) silvered button feet. SADELI MOSAIC: “Anglo Indian boxes were made in India for the English residents from the early part of the 18th century. They were brought back or sent back to England usually by the people who had commissioned them. From the beginning of the nineteenth century they were imported more commercially, although not in any significant numbers until the middle decades. They were very highly valued, especially the early ones, to the extent that the designs were copied on late 19th and early 20th century tins. The ancient art of Sadeli Mosaic is said to have been introduced from Shiraz in Persia via Sind to Bombay, a long time before the Anglo Indian boxes were made. It was a technique, which required a high degree of skill and patience. It was executed very lavishly, in that the frequent cuts wasted a great amount of the precious materials used. The workmanship was however more than commensurable to the value of the materials. Ivory, silver, pewter (or other metals), wood and horn were cut into faceted rods which were bound together to form geometric patterns. When the glue has set, the rods were sliced in transverse sections. This gave the maker a number of angled circular pieces in the original pattern. Several variations of patterns could be achieved by combining the materials in different ways. The ivory was sometimes dyed green to give an extra color. The mosaic pieces in a combination of patterns, often separated by ivory, ebony, horn or silver stringing were used to veneer sandalwood boxes. In the early boxes, which date from the turn of the 18th to the 19th century, there are large panels of mosaic covering tops and sides of boxes. It took incredible skill to cover such large areas without any shakes or wavering of the pattern. The corners and joins on these boxes are impeccably matched. The makers (reputed to be Persian) of Sadeli mosaic made in the first two decades of the 19th century displayed a total understanding of the qualities of the different materials they used. They combined substances, which can expand and contract according to atmospheric conditions with others, which are hard and unyielding. The result was a sharp definition of the lines and patterns, which made up the whole design. On the early boxes the designs look deceptively simple. The fact is, they emerged from a culture, which had mastered geometry and understood how to generate a pattern from a set number of points. The patterns are so harmoniously combined that their incredible complexity is not immediately apparent. The earliest Sadeli boxes...

Handcrafted round picture frame with scalloped white buffalo bone inlaid. Vintage round inlaid bone picture Moorish Islamic style frame. Wood backing. Size: 7" H x 7" W x 0.75" D Pic...

79182 Vintage Earth-Tone Tibetan Rug, 09'00 x 12'02. This hand-knotted wool vintage Tibetan rug unfurls like a gentle reverie—a soft-spoken symphony of stylized flora and subtle symm...

Husain by Maqbul Fida Husain, Richard Bartholomew, Shiv S. Kapur · H. N. Abrams · hardback · 60 pages. A terrific copy of one of the best monographs on this important Indian artist. Illustrated in color and black & white. 60 pages of text and 192 illustrations. New York: Harry N. Abrams, 1st Edition 1972. First edition. Oblong hardcover. First printing. Text by Richard Bartholomew and Shiv S. Kapur. Includes 192 illustrations with 53 tipped in color plates. A fine and tight copy in a very near fine dust jacket price clipped dust jacket. Hardcover, bound in brown cloth. In a dust jacket. Title: Maqbool Fida Husain Author: BARTHOLOMEW, Richard and Shiv S. Kapur - Maqbool Fida Husain Book Condition Used PublisherHarry N. Abrams Place Of Publication New YorkDate Published1972 Keywords: Art Monographs. Maqbool Fida Husain Born ; 17 September 1915 Pandharpur, Maharashtra, British India Died : 9 June 2011 (aged 95) London, England, UK Nationality Indian (1915-2010) Qatari (2010–2011) Education Sir J. J. School of Art Known for Painting, drawing, writer, filmmaker Notable work Meenaxi a tale of three cities Through the eyes of a painter Movement Progressive Art Group Awards Padma Shri (1966) Padma Bhushan (1973) Padma Vibhushan (1991) Husain was associated with Indian modernism in the 1940s. His early association with the Progressive Artist's Group, or "PAG of Bombay" used modern technique, and was inspired by the "new" India after The Partition of 1947. His narrative paintings, executed in a modified Cubist style, can be caustic and funny as well as serious and sombre. His themes—sometimes treated in series—include topics as diverse as Mohandas K. Gandhi, Mother Teresa, the Ramayana, the Mahabharata, the British raj, and motifs of Indian urban and rural life. Early in his painting career, and until his death, he enjoyed depicting the lively and free spirit of horses in many of his works. Often referred to as the "Picasso of India", Husain is the most celebrated and internationally recognized Indian artist of the 20th century. Husain is primarily known for his paintings, but is also known for his drawings and his work as a printmaker, photographer, and filmmaker. Some of his later works stirred controversy, as they depicted traditional Deities of India in non traditional ways. He also directed a few movies. In 1967, he received the National Film Award for Best Experimental Film for Through The Eyes of a Painter.[3] In 2004, he directed Meenaxi: A Tale of Three Cities, a film he worked on with his artist son Owais Husain, which was screened in the Marché du Film section of the 2004 Cannes Film Festival. Husain was born on 17 september 1915 in Pandharpur to a Sulaymani Bohra family who trace their roots back to Gujarat within the last 200 years, and then originally to Yemen. He picked up taste in art through studying calligraphy while he stayed at a Madraasa in Baroda. Husain attended the Sir Jamsetjee Jeejebhoy School of Art in Mumbai. Early in his career Husain painted cinema posters in Mumbai. To earn extra money, he worked for a toy company designing and building toys. He often travelled to Gujarat to paint landscapes when he could afford to. This was a clique of young artists who wished to break with the nationalist traditions established by the Bengal school of art and to encourage an Indian avant-garde, engaged at an international level. The artists cite "The Partition" of India and Pakistan 14 August 1947, with its resulting religious rioting and heavy loss of life as their reason for forming The Progressive Artist's Group in Bombay in December 1947. The artists saw the Partition as a "turning point" for India, and their new style of art was urged on by, and was also a turning point for, (modern) Indian Art. Husain's first solo exhibit was in 1952 in Zurich. His first U.S.A. exhibit was at India House...

The Eye Rug is a modern reinterpretation of the 'evil eye,' a timeless symbol deeply rooted in Ottoman culture and widely regarded as a good luck charm. Even t...

Rare solid teak multi-drawer apothecary/file cabinet with locking mechanism and hardware in original patina. Beautifully aged metal pulls. Authentic and fu...

Evil Eye White Napkin - Set of 2 in Cotton Linen, Viya by Vikram Goyal The collection reimagines a protective totem for your home in the form of hand-embroidered table linen– negative energy knows it is not welcome here. From Kashmir to Kanyakumari, the “Nazar” motif has cast a watchful eye against evil forces for centuries. This talismanic belief transforms into more abstract forms across the textiles- from hanging lemon and chilli, a spirited face, or as an eye itself. Bring it home and watch it stand guard. Hand embroidered napkins...

Antique Brass Betel Nut Cutter from India Collectible Asian Artifact This excellent piece of art from India, made in solid brass, nut slicer or nut cracker which is two halves made w...

Pure wool jacquard rug with design inspired by 1920s illustrations of jewellery discovered by Luke in a museum's collection. "Our four Chateau Orlando rug designs for cc-tapis are no...

Soft, hand blocked reversible throw with stitching, made with 100% cotton. Reversible. Queen Bed Coverlet: 88" x 92" Care instructions: Dry clean, or machine wash on cold with like...

With spare, circular tops and slender, solid-metal supports, the Acantha table series is a tribute to the subtlety of craft and richness of rare material...

Impressive Anglo Indian box crafted in mahogany and clad in tortoise shell decorated with bone straps, carved and painted floral panels, and paw feet. The inside has a mirror and bon...

This Bengali unsigned  abstract oil on canvas was purchased in Dhaka in the 70's alongside a Quamrul Hassan one. It is very much in the style of of Mohammad Kibria especially with th...

This is a very good example to the shawls of 19th C. from India.. It is in rather good shape for its age.

Manipur Ice Bucket Small in Brass & Cane, Viya By Vikram Goyal A classic pairing, reimagined. Robust cane becomes latticed second skin to the hand-beaten brass objects in an effortl...

Wall lamp Gingko 5 Leaves with structure in polished brass 2 Bulbs, lamp holder type E14, max 40 watts, 220-240 volt, dimmable, dimmer not included. Bulbs not included.  

Bridging the gap between traditional and modern, the Transitional Jute collection features rugs that exemplify versatility. Soft underfoot with a pleasing combination of textures, th...

Cloud Gray, The Cane Design, Pure Silk with Textured Wool, Hand Knotted, Runner Oriental Rug Primary materials: Wool & Silk Latex: No Pile height: 0.25 Inches Style: Transitional Pr...

Cotton Vegetable Dyed Blue, White And Red Striped Indian Dhurrie Rug-8'x10' These special flat-weave dhurries are hand-woven with 15 ply 100% cotton yarn. Due to the special manufac...

Blackbuck Candle Stand Small in Brass, Viya by Vikram Goyal The Blackbuck is an animal revered across cultures, and in India symbolic of purity and the divine. Our collection of cas...

Make a bold statement with our hand-painted iron decorative tray. Perfect for display, this tray adds a touch of wild elegance and artistic flair to any space. Intended for decorativ...

Wonderful original Easy Chair designed by Pierre Jeanneret. Model no. PJ-SI-29-A. The Easy Chair is masterpiece of modernist design, comfortable and practical, showcasing Jeanneret’s iconic “compass” style, with triangular-section legs, curved backrest and sloping armrests. Made in richly coloured Sissoo, lightly restored and re-caned to retain as much of the chair’s original patina as possible. Pierre Jeanneret (22 March 1896 - 4 December 1967) was a Swiss architect who collaborated with his cousin, Le Corbusier, designing furniture for Le Corbusier's vast modernist complex at Chandigarh. Jeanneret remained for over 15 years as the project’s chief architect and the city remains a masterpiece of the modern vision. The pair pioneered a new aesthetic that placed function and order over embellishment—Jeanneret’s work imbuing the strict geometry of modernism with lighter materials like cane and wood. Jeanneret also collaborated with other modern masters, Charlotte Perriand on experiments in aluminium and wood, and Jean Prouve developing prefabricated housing. Literature: Catalogue Raisonné du Mobilier: Jeanneret Chandigarh, 2019. Le Corbusier, Pierre Jeanneret, The Indian Adventure...

Hand-knotted in luscious wool, an 8x10 vintage Art Deco rug inspired by Chinese sensibilities of the 1920s. On the Design: The abrashed golden tones marry the sheen of wool for a...

Heavenly pair of Indian hand-crafted wall mirrors featuring mosaic bone inlay veneer. Embellished with scrolling vine and floral patterns in the Syrian Moorish style having a creamy ...

This fabulous Hand-Knotted carpet has been created and designed for extra strength and durability. This rug has been handcrafted for weeks in the traditional method that is used to m...

This is an extraordinary pair of Indian Throne or elaborate antique Ceremonial Chairs. The chairs are composed of pairs of fully carved lions...

Hand knotted in the cc-tapis atelier in Kathmandu, Nepal. The rug is made with a cotton weave, Himalayan wool, pure silk and linen coming from the areas surrounding the atelier. 125....

Add glamour and sophistication to any room when decorating with the Nimbus pillow. Size: 20”x 20” Features Zipper closure Fabric: Linen Insert included Shape: Square Edge Type: Standard/No Edge Type Care...

18thC and possibly earlier. Very large and incredibly heavy Sri Lankan Kandy style (with echoes of much earlier styles). 9 3/4 inches tall (with no finial or base these would be 15+ inches), 11 1/2 inches on custom stand, almost 10 inches wide at knees. Due to the requirement that Lankan Buddhas...

This 7x7 ode to French Art Deco rugs is the next addition to Rug & Kilim’s newly inspired Deco Collection. Hand-knotted in wool. Further on the Design: This piece boasts the Deco...

The Tana side or drinks table by DeMuro Das has a circular tray top in silver pyrite supported by a sculptural, hand-cast solid nickel silver base.

Beautiful old camel on wheels, trinket or spice box, vintage toy from the second half of the 20th century, made of solid red-colored wood, probably from India. The object has a beau...

Fossil Side Table In Petrified Wood Overlay Top & Brass, Viya By Vikram Goyal The slow, natural processes of the earth often yield the most remarkable designs. Petrified wood forms ...

Table lamp bank office with structure in antique brass finish. Two bulbs, lamp holder type E14, max 40 watt. Bulbs not included.  

Antique Anglo-Indian Mughal Mother of Pearl Inlaid Side Chair with Ram's Head. very collectable and rare to find we also have the armchairs ava...

This contemporary 2x3 rug is a grand new entry to Rug & Kilim’s custom classics Burano Collection. Hand-knotted in wool, this design is inspired by 17th-century antique Persian rugs ...

Throw decorative accent orange pillow embroidered and embellished with sequins with Heavily embellished border of metallic embroidery Moorish threads, gold beads embroidery on orange...

Leh Side Table Large in Brass with Semi Precious Stones, Viya by Vikram Goyal Crafted from cast brass and adorned with semi-precious stones, this collection pays homage to the diver...

Cotton Natural Vegetable Dyed, Sky Blue, Raspberry Pink And Tan Striped Indian Rug - 6'x9' These special flat-weave dhurries are hand-woven with 15 ply 100% cotton yarn. Due to the ...

Nepal Ritual Mask Himalayan Asian art antiques  A fine old Nepalese ritual mask of Shiva with moustache Hard dense wood with aged patina and traces of pigments Height 23 cm Perio...

Cotton Vegetable Dyed Pink And Green Striped Indian Dhurrie Rug - 2'x3' (60x90cm) These special flat-weave dhurries are hand-woven with 15 ply 100% cotton yarn. Due to the special...

Tronco Bench by NITUSH AROOSH Dimensions: D 40 x W 150 x H 45 cm. Materials: Stainless steel. Available in different finishes. All our lamps can be wired according to each country. If sold to the USA it will be wired for the USA for instance. Please contact us. Aroosh and Nitush Mahipal, the creative minds behind Nitush-Aroosh, were born and raised in New Delhi, India, amidst a vibrant cultural and artistic milieu. Their parents instilled in them a love of beauty and creativity from a young age, and they were fortunate to travel extensively to different parts of the world, where they were exposed to diverse forms of art, design, and architecture. From childhood, Aroosh and Nitush were captivated by the stainless steel available at their family’s factory, spending countless hours creating their toys and honing their skills. This fascination laid the foundation for their future design and art endeavors, eventually leading to the birth of Nitush-Aroosh. The Mahipal brothers use innovative techniques to create a crumbled effect on stainless steel, resulting in sculptural pieces that appear to be made of a different material altogether. Their sculptural objects, including furniture, lights, sculptures, and wall installations, are carefully crafted to invite the viewers to embark on self-discovery and introspection. The Mahipal brother’s maiden international art exhibition at the Marbella Art...

This hand-knotted wool rug in contemporary Moroccan style features a rich charcoal gray and ivory field adorned with an eye-catching geometric pattern. This stunning piece will enhan...

Elevate Your Space with Timeless Elegance Transform your interiors with the captivating beauty of our Art Deco -Inspired Wall Mirror—an exquisite fusion of traditional craftsmanship...

31110 New Scandinavian Modern Swedish Inspired Kilim Rug, 09'04 x 11'08. This exquisite handwoven wool Swedish inspired kilim rug, inspired by Scandinavian Modern design and meticulo...

Antique Indian Hindu Shiva Brass Votive Head – 19th Century Beautiful 19th-century brass votive head of Lord Shiva, finely cast with detailed moustache and turban. This larger form ...

Relax on this rich pintucked teal velvet Adele pillow with asymetrical gold foil stripes. Part of a beautiful new array of unique new pillows perfect fo...

Stunning teak sofa fully reupholstered in beige cowhide designed by Pierre Jeanneret for Chandigargh. Rectangular seat resting on two compass type side legs. New cushions. Sofas were...

Add a bold and artistic touch to your decor with our hand-painted iron tray, featuring an intricate bear design. Perfect for display on coffee tables, shelves, or as wall art, this t...

This vintage late 20th-century Indian hand-knotted rug beautifully interprets the classic Persian Sultanabad pattern, renowned for its elegance and grandeur. Crafted with exceptional...

The Forma side or drinks table by DeMuro Das has a top in pink quartz and a sculptural hand cast base in solid antique bronze.

Ashly Fine Rugs presents a New Modern Inspired Wool & Silk 9x12 black & white wave handmade area rug with lustrous shiny fibers and a thick durable pile. This gorgeous collection has...