Paper More Carpets

First edition of Larry Clark’s iconic second book of photographs (following 1971’s Tulsa) documenting and immortalizing a debauched adolescent subculture. Self-published in 1983. Con...

A celebration of evolving taste, told through the stories behind 250 objects sold by the world's leading auction house founded in London in 1766, Christie's is one of the most import...

Christie's hardback auction catalogue Wednesday 27th and Thursday 28th October 1999 New York. In October of 1999, Anna Strasberg sourced Christie’s, the renowned auction company, to ...

First edition (stated) of Italian/Parisian fashion designer Elsa Schiaparelli’s autobiography, published in 1954 by E.P. Dutton & Co. Per the dust...

A vintage American Braided carpet from the second quarter of the 20th century. Although America (British-America) has been producing rugs since the 16th century it was never industrialized at the time. Colonial America had been importing European rugs through England. However, tariffs after the Revolutionary War concluded the importation business. The American rug industry boomed during the third quarter of the 19th century. What started off as a makeshift homemade project by women in the late 16th to early 17th century, braiding scrap clothing and fabrics to provide warmth and a feeling of protection for homes had now become popularized in American fashion, design, and trade. Vintage American Braided rugs...

Christie's Review of the Season 1990. Hardcover book with dustjacket. Printed in the Netherlands, 500 pages.

First Edition, published by Christie's Realty International, London, 2008. Accompanies the auction Post-War and Contemporary Art Evening Sale, Tuesday 13th May, 2008. This beautif...

Catalog of a Christie’s London sale held on Wednesday, May 10, 2000 dispersing an important collection of French 20th century decorative arts, featuring al...

Christie's Important Old Master Paintings catalog, New York January, 29 1999. This auction catalog consists of 206 lots, all color illustrations, with all lots described in detail. C...

A vintage American Braid round/circular accent rug handmade during the mid-20th century. Measures: 7' 1" x 7' 1".

Jewellery by Cartier Christie's Published by Christie's, Geneva, 1992, Auction Hardcover Book Catalog. The Art of Cartier Habsburg Feldman auction hardcover. 135 page catalog June 28...

A vintage American Braided oval room size carpet handmade during the mid-20th century. Measures: 9' 5" x 12' 3" North American has never developed a unified handmade rug tradition, but rather it is the unassimilated confluence of several. From Mexico comes the Saltillo serape wearing blanket, and this stimulates the Navajo and Rio Grande (Colorado) weavers, first as blankets, then as rugs. The thrifty habits of rural America gave rise to the New England (and Western Canadian) hooked rug types, while the farmers of the Midwest recycled their disused garments into braided and rag rugs. The closest to a real ongoing tradition are the Southwestern (New Mexican) Navajo rugs. By the 1860’s the native tribes were weaving wearing blankets with wool from the Spanish churro sheep. These were in stripe design, with combinations of undyed wool with cochineal reds and indigo blues. The multi-phase “Chief’s Blankets” from the 1870’s-80’s are a natural outgrowth of these. Machine spun red wool from Germantown in Pennsylvania appeared in the 1870’s with a bright red hitherto unobtainable. The weavers loved it and blankets appeared with bright reds, generally aniline, in “eye dazzler” patterns. Anglo traders established posts beginning in the 1890’s. Navajo weavings were perfect accompaniments not only for Western-themed decors, but for East Coast apartments, only they needed to be thicker and more rug like to be truly accepted. The traders brought Caucasian and Turkish village rugs to copy, borders were introduced and central medallions devised. The weavers continued to create on vertical looms, with a shared warp (dovetailing) weft structure to avoid slits. The warps were cotton string. Sizes were generally scatters, but occasionally a special order came in, hence antique room size Navajos are very rare and very pricey. Distinct village/pueblo styles developed. Among the best are: Two Grey Hills (considered the tightest, closest of all Navajo weaving), Crystal Springs and Ganado. Certain new patterns such as the “Storm pattern” with jagged lightning bolts emanating from a dark cloud developed. The Yei rug with dancing Kachina doll figures became popular. The palette has been expanded beyond the classic grey, tan, dark brown and cream natural wool combination to again include reds, blue and greens. Navajo pictorials include: American flags, trains and automobiles, domestic and local scenes and scenery. Individual artist weavers now command gallery shows and correspondingly elevated prices. There are several levels of Navajo work, and antique and vintage scatters with simple flat designs, medium weaves and tritonal palettes, and in good floor worthy condition are still available reasonably. The Native American weaving tradition extends into Colorado with two piece scatters with sharp sawtooth medallions and striped end borders, with wool tapestry weave on cotton warps. These descend from the Saltillo blankets...