Hand-Knotted More Carpets

A vintage Persian Tabriz throw rug, with an Art Deco style geometric pattern, handmade during the mid-20th century. Measures: 3' 6" x 5' 8" Persian rugs & carpets: Persia (Iran) is a moderately large country with a very long history and an enormous art/craft/industry built around the handmade carpet. Until the discovery of oil, carpets were the largest Persian export. The craft goes back to ancient times, although the history is more broken than one might expect or desire. The Pazyryk rug...

21679 Antique Chinese Art Deco Rug, 06'01 x 08'09. Chinese Art Deco rugs originated in China during the 1920s and 1930s, reflecting the bold geometric patterns, vibrant colors, and l...

A vintage Turkish Anatolian Art Deco style rug in runner format handmade during the mid-20th century. Measures: 1' 11" x 8' 1" Turkish Rugs & Carpets: Until the Great Persian Carpet Revival in the later 19th century, the “Oriental rug” was Turkish. For nearly six centuries, Turkish rugs, both scatter, room size, and even larger, thoroughly dominated the European import market. Whereas the Persian carpet can be divided into urban, village, and tribal types, in Turkey and its predecessor the Ottoman Empire, rugs almost exclusively came from village weavers and from a small number of urban workshops. Ninety percent village, nine percent city, one percent tribal. Turkish weavers have, with very few exceptions, always worked with the symmetric (Turkish) knot. Wool foundations are standard practice among both town and village weavers. The exceptions, very finely woven 20th century and recent Herekeh silks from near Istanbul, and early 17th century Ottoman Court rugs from Bursa, constitute only a tiny part of the total. Always pricey, they appealed and still appeal to the clients who want lots of knots and perfect execution instead of individual personality. The urban workshops have been centered around the western Turkish city of Oushak and its attendant port town of Smyrna. Oushak weaves with the trends in fashion. When color saturated medallion carpets were needed, Oushak was ready in the 17th and 18th centuries. When coarse red and blue carpets...

A vintage Chinese Art Deco room size carpet handmade during the mid-20th century. Measures: 10' 0" x 13' 6".

77585 Antique Chinese Art Deco Pictorial rug with Chinoiserie Chic Style 02'04 x 04'07. This hand knotted wool antique Chinese Baotou rug fe...

A vintage Persian Art Deco Mashad accent rug, in the style of the famous Amoghli Workshop, handmade during the mid-20th century. Measures: 6' 6"...

A vintage Chinese Art Deco accent rug handmade during the mid-20th century. Measures: 4' 3" x 6' 11".

77584 Antique Chinese Art Deco Pictorial rug with Cranes and Deer 02'04 x 04'08. This hand knotted wool antique Chinese Art Deco rug fe...

A vintage Chinese Art Deco room size carpet handmade during the mid-20th century. Measures: 8' 10" x 11' 8".

Hand knotted in quality wool, this 12x16 modern rug enjoys muted classic inspirations in tones of beige with gold and silver-gray accents. Seldom seen together in this subtle adaptat...

This rare wool rug is a fine example of an antique wool Rug woven by hand in the 1880s. Featuring a traditional intricate central medallion woven on a cream field that floats on a te...

A vintage Indian Art Deco square room size carpet handmade during the mid-20th century. Measures: 10' 0" x 10' 3".

A vintage Persian Art Deco Mashad accent rug, in the style of the famous Amoghli Workshop, handmade during the mid-20th century. Measures: 6' 3"...

A vintage Chinese Art Deco throw rug handmade during the mid-20th century in blue. Measures: 2' 11" x 4' 10".

51582 Zeki Mu¨ren distressed vintage Turkish Sivas rug with Linear Abstract style. Reflecting artistic elements of abstract art with expressionism vibes, this hand knotted wool distressed vintage Turkish Sivas rug awakens the soul with elevated contemporary Art Deco style. The vintage Sivas rug...

Featuring harmonious shades of neutral brown, cream, and taupe wool, Poppies from the Orley Shabahang Art Deco collection consists of a hand-knotted pure wool pile, cotton warp, and ...

A vintage Persian Hamadan throw rug in the Art Deco style handmade during the mid-20th Century. Measures: 1' 9" x 2' 11".

77592 antique Chinese Art Deco Pictorial rug with samurai and wild horse 02'06 x 04'07. This hand-knotted wool antique Chinese Art Deco...

An antique Chinese Art Deco accent rug handmade during the early 20th century. Measures: 6' 1" x 8' 5".

?78125 Distressed Vintage Chinese Peking rug with Art Deco Style 07'06 x 10'07. ?With Art Deco style, this hand knotted wool distressed vintage Chinese Peking rug features an elegant...

This beautifully hand woven area rug features a traditional medallion design woven on a rich red background with accents of gold, blue, yellow and rust that make up the beautiful geo...

Beautiful Chinese Art Deco rug with nice design and white field color, entirely hand knotted with wool velvet on cotton foundation.

Hand knotted rug from Spain A beautiful Cuenca Spanish rug, beautiful design and color. This rug from the 2nd. Quarter of the 20th century has typ...

An antique Chinese Peking long gallery carpet handmade during the early 20th century in shades of cream and blue. Measures: 5' 9" x 16' 3" The craft of the hand-knotted carpet in China, and the surrounding areas including Mongolia and Tibet, extends into the early centuries of the first millennium, C.E., but we really have a firm grasp only beginning in the later 16th century with large, very coarsely woven carpets, often depicting dragons, created for the Imperial Forbidden City palaces. Chinese carpets have always been commercial and there are no tribal groups responsible for any of the carpet weaving strains. When the Ming Dynasty fell in 1644, with no Imperial patrons, production moved to the city of Ningxia in north central China where several workshops turned out more finely woven pieces for the Mandarins of the administrative Ch’ing bureaucracy and well-to-do merchants. Ningxia was the major Chinese carpet center up through most of the 19th century, with first allover and then medallion designs on cotton foundations in medium weaves. Palettes were initially limited to yellows, dark blue and cream, but later widened to include reds, browns and even green. These antiques were the first Chinese carpets to be exported to the West and they fitted in well with the craze for Chinese blue-and-white porcelain in the second half of the 19th century. Ningxia also wove shaped and rectangular small rugs for saddle underlays, chair (“throne”) seats and shaped backs, pillar carpets with dragons or monks for Buddhist monasteries, and long divided runners for monastery meditation halls. These small rugs are among the most collectible of all Chinese weavings. Weavers from Ningxia set up workshops in the capital Peking (Beijing) in the 1860’s and began weaving Western room sizes for export, primarily to America. In blue – and – white and polychrome palettes, with round wreath medallions, precious objects, seasonal flowers, paeonies, lotuses, fretwork, clouds, butterflies and bats, all relatively spaciously drawn. The round “Shou” (Good Luck) character is also a prominent decorative motif. There are also a few Peking landscape pictorials with pagodas, houses, bridges, waterscapes and boats. Peking carpets were woven right up until WWII and production began again after the Cultural Revolution around 1970. They are moderately well-woven, on cotton foundations, exactingly executed and indisputably Chinese. Many are in the blue-and-white style. Nothing else looks like a Peking carpet and for a Chinese “look” in a room, they are absolutely indispensable. Sizes range from scatters and a few runners, through the popular 9’12’ size, to large carpets over 20’ which must have been special orders. The earliest Peking Revival carpets are pliable and fairly thin, but they became heavier and more compact in the 20th century, in competition with Art Deco carpets from Tientsin. The modern, post- 1970, pieces are in the traditional Peking style, but are a little too regular and neat. Exactitude has been favored over character, as hard to explain that as it is. There are a number of all-silk and silk-and –metal thread pieces, many with inscriptions purporting to link them with rooms in the Imperial palaces, bringing very substantial auction prices, but none are really antique. The genre emerged after WWI and the present demand comes from mainland Chinese. The silk piles often stand in pattern relief against flat woven gold metal thread grounds. The inscriptions are apocryphal, the rugs are flashily opulent, perfect for nouveaux riches. The Art Deco period between the two World Wars saw a distinctive carpet industry developing in Tientsin (Tianjin) in northeastern China. These are highly prized for their transitional design character, neither overtly Chinese, nor abstractly modern/contemporary. Woven exclusively for export, usually by and for American firms, such as Nichols and Elbrook, they are totally in the “Jazz Age Modern” style of the 1920’s, often without borders, with abstract or abstracted patterns, and only with, at best, a few Chinese-y pattern elements. Vases asymmetrically placed in the corners are features of some of the more Chinese-y carpets. Open fields with floral sprays and branches growing in from the edges are anther design innovation. Often, Chinese motives have been re-imagined in more sharp-edged, abstract manners. Some have no references whatsoever to natural elements. The patterns are sharp and the rugs are never subdued, soft or restrained. The rugs are heavily constructed, with crisp, unfading dyes and medium to medium coarse weaves on cotton foundations. All are extremely well-executed, with none of the vagaries, variations or twists found on even high-quality Persian rugs. The majority are in the 9’ by 12’ format and a surprising number can be found in top condition. There also was a substantial production in Peking from, especially from the Fette factory. Elliptical and round carpets, and lighter, often pastel colors, were a specialty. Nothing looks like an Art Deco Chinese and they work well with traditional Chinese furniture and the most modern decor as well. These is no substitute for a good Chinese Art Deco carpet. Chinese carpets also include small scatters from Tibet, with high quality wool, floating dragons and allover textile patterns. The colors of vintage and modern pieces are bright, but there are antique small rugs...

A vintage Persian Mashad accent rug in the Art Deco style handmade during the mid-20th century. Measures: 3' 4" x 6' 3" Persian Rugs & Carpets: Persia (Iran) is a moderately l...

A vintage Turkish Art Deco runner handmade during the mid-20th century.

A vintage Turkish Anatolian Art Deco style runner handmade during the mid-20th century. Measures: 3' 0" x 8' 5".

77593 Vintage Chinese Baotou vase pictorial rug with Chinese Chippendale Style 02'05 x 04'06. This hand-knotted wool vintage Chinese Baotou pictorial rug features an abrashed tan field showcasing different types of cloisonné vases sprouting with stylized florals resting on pedestals. The main border, which features repeated motifs of diamonds containing stylized ruyi clouds with rosette centers, echoes the balance of geometric forms and floral touches used throughout the piece. It would be perfect for a small space, kitchen, reading nook, master bathroom, grand foyer, designer entry, study, studio, den, walk-in closet, stair landing, alcove, mudroom, entryway, bedroom, private library, private Chambers, living room, front room, wine cellar, conservatory, drawing room, trophy room, game room, music room, listening room, or hotel lobby. It would also make a lovely accent next to a buffet in a dining room or behind the sofa table in the living room. Iconic in its styling, this antique Chinese Baotou rug...

A vintage Chinese Art Deco throw rug handmade during the mid-20th century. Measures: 2' 0" x 3' 10".

77452 antique Chinese Art Deco rug Inspired by Walter Nichols with Jazz Age style. This hand knotted wool antique Chinese Art Deco rug features elegant sprays of flowers interlaced w...

A vintage Chinese Pictorial rug handmade during the mid-20th century with 2 dragons in ruby red over a green open field. Measures: 8' 11" x 11' 6".

This blush red wool kilim rug was hand-woven in Turkey in the 1950s with an elegant medallion design. It featured three medallions woven in blue, mustard and pink accent colours on a red field with a symmetrical floral motif surrounding the pattern. This is then framed with a repeat pattern floral border. They are woven using a traditional kilim flat-weave technique with organic materials, including hand-spun sheep’s wool and cotton, which was dyed with vegetable dyes. The quality of the construction and sophistication in the design make it the perfect accent accessory. Easily style this wool rug in a modern or traditional home interior. Suitable for any high traffic area in your home due to the flat-woven construction. Use a bedroom rug, living room rug, kitchen rug, dining room rug or entranceway rug. This handwoven Caucasian area rug is in excellent condition, clean and ready for use in any room in your home. Handmade oriental red Kilim carpet...

A vintage Chinese Art Deco accent rug handmade during the mid-20th century. Measures: 4' 0" x 6' 8".

A vintage Tibetan throw rug handmade during the mid-20th century. Measures: 2' 10" x 4' 8".

A vintage Turkish Anatolian Art Deco throw rug handmade during the mid-20th century with a goldenrod field and border. The Cintamni pattern of 3 stones is in dark purple-grey with re...

Art Deco Carpet, Country of Origin: Spain, Circa Date: Early 20th Century. Size: 20 ft 4 in x 28 ft 2 in (6.2 m x 8.59 m)  

77231 Antique Chinese Art Deco Rug, 08'09 x 11'06. Antique Chinese Art Deco rugs are a style of rugs produced in China during the 1920s and 1930s, blending traditional Chinese rug-ma...

A vintage Turkish Art Deco style accent carpet handmade during the mid-20th century. Measures: 6' 0" x 8' 6".

A vintage Chinese Art Deco throw rug handmade during the mid-20th century. Measures: 2' 8" x 3' 9" The Craft of the hand-knotted carpet in China, and the surrounding areas including Mongolia and Tibet, extends into the early centuries of the first millennium, C.E., but we really have a firm grasp only beginning in the later 16th century with large, very coarsely woven carpets, often depicting dragons, created for the Imperial Forbidden City palaces. Chinese carpets have always been commercial and there are no tribal groups responsible for any of the carpet weaving strains. When the Ming Dynasty fell in 1644, with no Imperial patrons, production moved to the city of Ningxia in north central China where several workshops turned out more finely woven pieces for the Mandarins of the administrative Ch’ing bureaucracy and well-to-do merchants. Ningxia was the major Chinese carpet center up through most of the 19th century, with first allover and then medallion designs on cotton foundations in medium weaves. Palettes were initially limited to yellows, dark blue and cream, but later widened to include reds, browns and even green. These antiques were the first Chinese carpets to be exported to the West and they fitted in well with the craze for Chinese blue-and-white porcelain in the second half of the 19th century. Ningxia also wove shaped and rectangular small rugs for saddle underlays, chair (“throne”) seats and shaped backs, pillar carpets with dragons or monks for Buddhist monasteries, and long divided runners for monastery meditation halls. These small rugs are among the most collectible of all Chinese weavings. Weavers from Ningxia set up workshops in the capital Peking (Beijing) in the 1860’s and began weaving Western room sizes for export, primarily to America. In blue – and – white and polychrome palettes, with round wreath medallions, precious objects, seasonal flowers, paeonies, lotuses, fretwork, clouds, butterflies and bats, all relatively spaciously drawn. The round “Shou” (Good Luck) character is also a prominent decorative motif. There are also a few Peking landscape pictorials with pagodas, houses, bridges, waterscapes and boats. Peking carpets were woven right up until WWII and production began again after the Cultural Revolution around 1970. They are moderately well-woven, on cotton foundations, exactingly executed and indisputably Chinese. Many are in the blue-and-white style. Nothing else looks like a Peking carpet and for a Chinese “look” in a room, they are absolutely indispensable. Sizes range from scatters and a few runners, through the popular 9’12’ size, to large carpets over 20’ which must have been special orders. The earliest Peking Revival carpets are pliable and fairly thin, but they became heavier and more compact in the 20th century, in competition with Art Deco carpets from Tientsin. The modern, post- 1970, pieces are in the traditional Peking style, but are a little too regular and neat. Exactitude has been favored over character, as hard to explain that as it is. There are a number of all-silk and silk-and –metal thread pieces, many with inscriptions purporting to link them with rooms in the Imperial palaces, bringing very substantial auction prices, but none are really antique. The genre emerged after WWI and the present demand comes from mainland Chinese. The silk piles often Stand in pattern relief against flat woven gold metal thread grounds. The inscriptions are apocryphal, the rugs are flashily opulent, perfect for nouveaux riches. The Art Deco period between the two World Wars saw a distinctive carpet industry developing in Tientsin (Tianjin) in northeastern China. These are highly prized for their transitional design character, neither overtly Chinese, nor abstractly modern/contemporary. Woven exclusively for export, usually by and for American firms, such as Nichols and Elbrook, they are totally in the “Jazz Age Modern” style of the 1920’s, often without borders, with abstract or abstracted patterns, and only with, at best, a few Chinese-y pattern elements. Vases asymmetrically placed in the corners are features of some of the more Chinese-y carpets. Open fields with floral sprays and branches growing in from the edges are anther design innovation. Often, Chinese motives have been re-imagined in more sharp-edged, abstract manners. Some have no references whatsoever to natural elements. The patterns are sharp and the rugs are never subdued, soft or restrained. The rugs are heavily constructed, with crisp, unfading dyes and medium to medium coarse weaves on cotton foundations. All are extremely well-executed, with none of the vagaries, variations or twists found on even high-quality Persian rugs. The majority are in the 9’ by 12’ format and a surprising number can be found in top condition. There also was a substantial production in Peking from, especially from the Fette factory. Elliptical and round carpets, and lighter, often pastel colors, were a specialty. Nothing looks like an Art Deco Chinese and they work well with traditional Chinese furniture and the most modern decor as well. These is no substitute for a good Chinese Art Deco carpet. Chinese carpets also include small scatters from Tibet, with high quality wool, floating dragons and allover textile patterns. The colors of vintage and modern pieces are bright, but there are antique small rugs...

This large oriental carpet is a beautiful example of Turkish carpets woven in the early 20th century. The all-over design of this vintage rug has...

This unique cream rug is a beautiful vintage hand-woven carpet woven in the mid-20th century. The central design features a large medallion woven with geometric patterns in accents o...

77629 Antique Chinese Art Deco Rug Inspired by Walter Nichols 09'00 x 11'09. This hand knotted wool antique Chinese Art Deco rug features a color-blocke...

Beautiful hand knotted Cogolin rug with a geometrical Art Deco design and beautiful colors, entirely hand knotted with wool velvet on cotton foundation. ✨✨✨ "Experience the epitome ...

Modern Tibetan design rug hand knotted squares Our collection of Tibetan rugs is made in different material combinations. The displayed rug is made of 100% handspun highland wool....

Hand knotted with a bend of New Zealand wool, natural silk, and exotic yarns, this Art Deco rug hails from the Mid-Century Modern rug collection by Rug & Kilim, a bold exploration of...

An antique Chinese Art Deco throw rug handmade during the early 20th century. Measures: 2' 0" x 3' 9".

72021 New Contemporary Modern Chinese Art Deco Rug 11'06 x 18'00. This hand knotted wool contemporary modern Chinese Palace size rug features an Art Deco style showcasing symmetry an...

A vintage Chinese Peking throw rug handmade during the mid-20th century with a cream border and light blue field. Measures: 2' 6" x 4' 3" The craft of the hand-knotted carpet in China, and the surrounding areas including Mongolia and Tibet, extends into the early centuries of the first millennium, C.E., but we really have a firm grasp only beginning in the later 16th century with large, very coarsely woven carpets, often depicting dragons, created for the Imperial Forbidden City palaces. Chinese carpets have always been commercial and there are no tribal groups responsible for any of the carpet weaving strains. When the Ming Dynasty fell in 1644, with no Imperial patrons, production moved to the city of Ningxia in north central China where several workshops turned out more finely woven pieces for the Mandarins of the administrative Ch’ing bureaucracy and well-to-do merchants. Ningxia was the major Chinese carpet center up through most of the 19th century, with first allover and then medallion designs on cotton foundations in medium weaves. Palettes were initially limited to yellows, dark blue and cream, but later widened to include reds, browns and even green. These antiques were the first Chinese carpets to be exported to the West and they fitted in well with the craze for Chinese blue-and-white porcelain in the second half of the 19th century. Ningxia also wove shaped and rectangular small rugs for saddle underlays, chair (“throne”) seats and shaped backs, pillar carpets with dragons or monks for Buddhist monasteries, and long divided runners for monastery meditation halls. These small rugs are among the most collectible of all Chinese weavings. Weavers from Ningxia set up workshops in the capital Peking (Beijing) in the 1860’s and began weaving Western room sizes for export, primarily to America. In blue – and – white and polychrome palettes, with round wreath medallions, precious objects, seasonal flowers, paeonies, lotuses, fretwork, clouds, butterflies and bats, all relatively spaciously drawn. The round “Shou” (Good Luck) character is also a prominent decorative motif. There are also a few Peking landscape pictorials with pagodas, houses, bridges, waterscapes and boats. Peking carpets were woven right up until WWII and production began again after the Cultural Revolution around 1970. They are moderately well-woven, on cotton foundations, exactingly executed and indisputably Chinese. Many are in the blue-and-white style. Nothing else looks like a Peking carpet and for a Chinese “look” in a room, they are absolutely indispensable. Sizes range from scatters and a few runners, through the popular 9’12’ size, to large carpets over 20’ which must have been special orders. The earliest Peking Revival carpets are pliable and fairly thin, but they became heavier and more compact in the 20th century, in competition with Art Deco carpets from Tientsin. The modern, post- 1970, pieces are in the traditional Peking style, but are a little too regular and neat. Exactitude has been favored over character, as hard to explain that as it is. There are a number of all-silk and silk-and –metal thread pieces, many with inscriptions purporting to link them with rooms in the Imperial palaces, bringing very substantial auction prices, but none are really antique. The genre emerged after WWI and the present demand comes from mainland Chinese. The silk piles often stand in pattern relief against flat woven gold metal thread grounds. The inscriptions are apocryphal, the rugs are flashily opulent, perfect for nouveaux riches. The Art Deco period between the two World Wars saw a distinctive carpet industry developing in Tientsin (Tianjin) in northeastern China. These are highly prized for their transitional design character, neither overtly Chinese, nor abstractly modern/contemporary. Woven exclusively for export, usually by and for American firms, such as Nichols and Elbrook, they are totally in the “Jazz Age Modern” style of the 1920’s, often without borders, with abstract or abstracted patterns, and only with, at best, a few Chinese-y pattern elements. Vases asymmetrically placed in the corners are features of some of the more Chinese-y carpets. Open fields with floral sprays and branches growing in from the edges are anther design innovation. Often, Chinese motives have been re-imagined in more sharp-edged, abstract manners. Some have no references whatsoever to natural elements. The patterns are sharp and the rugs are never subdued, soft or restrained. The rugs are heavily constructed, with crisp, unfading dyes and medium to medium coarse weaves on cotton foundations. All are extremely well-executed, with none of the vagaries, variations or twists found on even high-quality Persian rugs. The majority are in the 9’ by 12’ format and a surprising number can be found in top condition. There also was a substantial production in Peking from, especially from the Fette factory. Elliptical and round carpets, and lighter, often pastel colors, were a specialty. Nothing looks like an Art Deco Chinese and they work well with traditional Chinese furniture and the most modern decor as well. These is no substitute for a good Chinese Art Deco carpet. Chinese carpets also include small scatters from Tibet, with high quality wool, floating dragons and allover textile patterns. The colors of vintage and modern pieces are bright, but there are antique small rugs...

77626, antique Chinese Art Deco rug inspired by Walter Nichols 08'11 x 11'05. This hand knotted wool antique Chinese Art Deco rug features a color-block...

A vintage Persian Mashad Art Deco scatter rug handmade during the mid-20th century with 2 red paisley (boteh) motifs on inverse corners over a cream-white Minimalist and borderless g...

A vintage Chinese Art Deco accent carpet handmade during the mid-20th century. Measures: 6' 0" x 8' 10".

A vintage Tibetan rug in runner format handmade during the mid-20th century. Measures: 2' 6" x 16' 1".

A vintage Chinese Art Deco room size carpet handmade during the mid-20th century. Measures: 9' 2" x 11' 9" Chinese Rugs & Carpet: The craft of the hand-knotted carpet in China, and the surrounding areas including Mongolia and Tibet, extends into the early centuries of the first millennium, C.E., but we really have a firm grasp only beginning in the later 16th century with large, very coarsely woven carpets, often depicting dragons, created for the Imperial Forbidden City palaces. Chinese carpets have always been commercial and there are no tribal groups responsible for any of the carpet weaving strains. When the Ming Dynasty fell in 1644, with no Imperial patrons, production moved to the city of Ningxia in north central China where several workshops turned out more finely woven pieces for the Mandarins of the administrative Ch’ing bureaucracy and well-to-do merchants. Ningxia was the major Chinese carpet center up through most of the 19th century, with first allover and then medallion designs on cotton foundations in medium weaves. Palettes were initially limited to yellows, dark blue and cream, but later widened to include reds, browns and even green. These antiques were the first Chinese carpets to be exported to the West and they fitted in well with the craze for Chinese blue-and-white porcelain in the second half of the 19th century. Ningxia also wove shaped and rectangular small rugs for saddle underlays, chair (“throne”) seats and shaped backs, pillar carpets with dragons or monks for Buddhist monasteries, and long divided runners for monastery meditation halls. These small rugs are among the most collectible of all Chinese weavings. Weavers from Ningxia set up workshops in the capital Peking (Beijing) in the 1860’s and began weaving Western room sizes for export, primarily to America. In blue – and – white and polychrome palettes, with round wreath medallions, precious objects, seasonal flowers, paeonies, lotuses, fretwork, clouds, butterflies and bats, all relatively spaciously drawn. The round “Shou” (Good Luck) character is also a prominent decorative motif. There are also a few Peking landscape pictorials with pagodas, houses, bridges, waterscapes and boats. Peking carpets were woven right up until WWII and production began again after the Cultural Revolution around 1970. They are moderately well-woven, on cotton foundations, exactingly executed and indisputably Chinese. Many are in the blue-and-white style. Nothing else looks like a Peking carpet and for a Chinese “look” in a room, they are absolutely indispensable. Sizes range from scatters and a few runners, through the popular 9’12’ size, to large carpets over 20’ which must have been special orders. The earliest Peking Revival carpets are pliable and fairly thin, but they became heavier and more compact in the 20th century, in competition with Art Deco carpets from Tientsin. The modern, post- 1970, pieces are in the traditional Peking style, but are a little too regular and neat. Exactitude has been favored over character, as hard to explain that as it is. There are a number of all-silk and silk-and –metal thread pieces, many with inscriptions purporting to link them with rooms in the Imperial palaces, bringing very substantial auction prices, but none are really antique. The genre emerged after WWI and the present demand comes from mainland Chinese. The silk piles often stand in pattern relief against flat woven gold metal thread grounds. The inscriptions are apocryphal, the rugs are flashily opulent, perfect for nouveaux riches. The Art Deco period between the two World Wars saw a distinctive carpet industry developing in Tientsin (Tianjin) in northeastern China. These are highly prized for their transitional design character, neither overtly Chinese, nor abstractly modern/contemporary. Woven exclusively for export, usually by and for American firms, such as Nichols and Elbrook, they are totally in the “Jazz Age Modern” style of the 1920’s, often without borders, with abstract or abstracted patterns, and only with, at best, a few Chinese-y pattern elements. Vases asymmetrically placed in the corners are features of some of the more Chinese-y carpets. Open fields with floral sprays and branches growing in from the edges are anther design innovation. Often, Chinese motives have been re-imagined in more sharp-edged, abstract manners. Some have no references whatsoever to natural elements. The patterns are sharp and the rugs are never subdued, soft or restrained. The rugs are heavily constructed, with crisp, unfading dyes and medium to medium coarse weaves on cotton foundations. All are extremely well-executed, with none of the vagaries, variations or twists found on even high-quality Persian rugs. The majority are in the 9’ by 12’ format and a surprising number can be found in top condition. There also was a substantial production in Peking from, especially from the Fette factory. Elliptical and round carpets, and lighter, often pastel colors, were a specialty. Nothing looks like an Art Deco Chinese and they work well with traditional Chinese furniture and the most modern decor as well. These is no substitute for a good Chinese Art Deco carpet. Chinese carpets also include small scatters from Tibet, with high quality wool, floating dragons and allover textile patterns. The colors of vintage and modern pieces are bright, but there are antique small rugs...

A vintage Chinese Art Deco throw rug handmade during the mid-20th century. Measures: 3' 11" x 6' 0".

77631 Antique Chinese Art Deco Pictorial Rug Inspired by Walter Nichols 08'10 x 11'06. This hand knotted wool antique Chinese Art Deco ...

77524, antique Chinese Peking rug with Art Deco style inspired by Walter Nichols. With Jazz Age vibes and Art Deco style, this hand knotted wool antique Chinese Peking rug features a...

A vintage Persian Kashan accent rug, in the Art Deco style, handmade during the mid-20th century. Measures: 4' 4" x 6' 3".

This rich red rug is a traditional red wool carpet woven by hand in the late 20th century, Circa 1970. The design has been woven on a rich red background with accents of brown, cream...