Ararat Rugs Nigde Carpet, Antique Caucasus Museum Revival Rug, Natural Dyed

The source of the rug comes from the book Caucasian Carpets, E. Gans-Reudin, Thames and Hudson, Switzerland 1986, pg.37. This luxurious and varied work is known as the Cassirer drago...

The source of the carpet comes from the book Hali Magazine 1993 Issue 67, pg.93 and Hali Magazine 1992 Issue 61, pg.61. Peter Bausback, Mannheim, described it on the occasion of his ...

The source of the rug comes from the book Caucasian Carpets, E. Gans-Reudin, Thames and Hudson, Switzerland 1986, pg.37. This luxurious and varied work is known as the Cassirer drago...

There has long been a fascination with the symbolism of the dragon and its depiction in carpet weavings. The design of ‘Dragon’ carpets consists of a field pattern composed of different colored overlaid lattices formed of pointed, serrated leaves creating intersecting lozenges, which alternately contain palmettes and are flanked by confronting stylized dragons, birds, or animal figures. The most archaic of the ‘Dragon’ carpets include dragon motifs with birds and running animals relatively naturalistically drawn, which stand either alone or in confronting pairs facing a tree. The Graf carpet, originally found in a Damascene mosque, now in the Islamiches Museum, Berlin, is considered to be the oldest example of this type, see Serare Yetkin, Early Caucasian Carpets in Turkey, Vol. II, London, 1978, p.8, fig.118. Yetkin defines four types of ‘Dragon’ carpet: ‘Archaic’, ‘Four-Dragon’, ‘Dragon-and-Phoenix’ and as a further combined development of the latter, the ‘Two-Dragon’ style, of which the present carpet falls into the ‘Dragon-and-Phoenix group along with other examples, some of which include two fragments, one in the Museum fur Kunst und Gerwerbe, Hamburg; another in the Christian Museum, Esztergom, Hungary, a complete carpet in the Kier collection; an incomplete example in the Textile Museum, Washington, D.C; the ‘Cassirer’ Dragon carpet in the Thyssen-Bornemisza collection, Lugano; the Ali Pasa Mosque carpet in Tokat, and a further example in the Vakiflar Hali Museum, Istanbul (S. Yetkin, op. cit. pp.16-20). It has been suggested that the earliest examples of the Caucasian ‘Dragon’ carpets...

The source of the rug comes from the book Orient Star – A Carpet Collection, E. Heinrich Kirchheim, Hali Publications Ltd, 1993 nr.57. There has long been a fascination with the symbolism of the dragon and its depiction in carpet weavings. The design of ‘Dragon’ carpets consists of a field pattern composed of different colored overlaid lattices formed of pointed, serrated leaves creating intersecting lozenges, which alternately contain palmettes and are flanked by confronting stylized dragons, birds, or animal figures. The most archaic of the ‘Dragon’ carpets include dragon motifs with birds and running animals relatively naturalistically drawn, which stand either alone or in confronting pairs facing a tree. The Graf carpet, originally found in a Damascene mosque, now in the Islamiches Museum, Berlin, is considered to be the oldest example of this type, see Serare Yetkin, Early Caucasian Carpets in Turkey, Vol. II, London, 1978, p.8, fig.118. Yetkin defines four types of ‘Dragon’ carpet: ‘Archaic’, ‘Four-Dragon’, ‘Dragon-and-Phoenix’ and as a further combined development of the latter, the ‘Two-Dragon’ style, of which the present carpet falls into the ‘Dragon-and-Phoenix group along with other examples, some of which include two fragments, one in the Museum fur Kunst und Gerwerbe, Hamburg; another in the Christian Museum, Esztergom, Hungary, a complete carpet in the Kier collection; an incomplete example in the Textile Museum, Washington, D.C; the ‘Cassirer’ Dragon carpet in the Thyssen-Bornemisza collection, Lugano; the Ali Pasa Mosque carpet in Tokat, and a further example in the Vakiflar Hali Museum, Istanbul (S. Yetkin, op. cit. pp.16-20). It has been suggested that the earliest examples of the Caucasian ‘Dragon’ carpets...

The source of rug comes from the book Orient Star - A Carpet Collection, E. Heinrich Kirchheim, Hali Publications Ltd, 1993 nr.17. This is a remarkable and very unusual swastika designed early 19th-century rug from the Central Caucasia area. This unusual pattern is not known on other rugs but is seen on two Anatolian embroideries...

Rare Caucasian Rug Caucasus Rug Size: 176×224 cm This wonderful rug is a formerly unpublished addition to a small and rare group of blue-ground Caucasian rugs whose design is dominated by a prominent decahedral gabled ivory medallion. The overall pattern echoes that of a group of earlier 17th and 18th century north west Persian carpets, whose designs were based upon the Persian garden plan known as the “Four Gardens” or Chahar Bagh (M.S.Dimand & J. Mailey, Oriental Rugs in the Metropolitan Museum of Art, New York, 1973, p.84, fig.116). The smaller lozenges that extend above and below the central medallion on the present lot, are linked by a narrow vertical channel which represents the streams and ornamental pools that feed the flowering trees and shrubs on either side. The once eight-pointed medallion, that is an archaic form found in early Anatolian and Caucasian rugs, and which continues to be used throughout the nineteenth century in Fachralo rugs...

Antique Caucasus rug, measures: 4'0" x 5'0".

Small saddle in wool woven on a loom like a carpet; in the center at the bottom the cut for the saddle tree. It can be used with a saddle leather , or hung on the wall like a painti...

An antique rug rare Caucasian Kazak handmade carpet from the 18th century. This carpet is with an unusual geometric rug pattern on red brick background. This woven rug is surrounded ...

Antique Caucasus Veneh rug. Size: 5'8" x 6'4".

Antique Caucasus - Kazak rug, measures: 3'7" x 6'0".