Folk Mid-20th Century Handmade Square Room Size American Rag Rug

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Folk Mid-20th Century Handmade Square Room Size American Rag Rug

About the Item

A folk vintage square room size American Rag rug handmade during the mid-20th century. Measures: 13' 3" x 13' 4" North American rugs & carpets: North American has never developed a unified handmade rug tradition, but rather it is the unassimilated confluence of several. From Mexico comes the Saltillo serape wearing blanket, and this stimulates the Navajo and Rio Grande (Colorado) weavers, first as blankets, then as rugs. The thrifty habits of rural America gave rise to the New England (and Western Canadian) hooked rug types, while the farmers of the Midwest recycled their disused garments into braided and rag rugs. The closest to a real ongoing tradition are the Southwestern (New Mexican) Navajo rugs. By the 1860s the native tribes were weaving wearing blankets with wool from the Spanish churro sheep. These were in stripe design, with combinations of undyed wool with cochineal reds and indigo blues. The multi-phase “Chief’s Blankets” from the 1870s-80s are a natural outgrowth of these. Machine spun red wool from Germantown in Pennsylvania appeared in the 1870s with a bright red hitherto unobtainable. The weavers loved it and blankets appeared with bright reds, generally aniline, in “eye dazzler” patterns. Anglo traders established posts beginning in the 1890s. Navajo weavings were perfect accompaniments not only for Western-themed decors, but for East Coast apartments, only they needed to be thicker and more rug like to be truly accepted. The traders brought Caucasian and Turkish village rugs to copy, borders were introduced and central medallions devised. The weavers continued to create on vertical looms, with a shared warp (dovetailing) weft structure to avoid slits. The warps were cotton string. Sizes were generally scatters, but occasionally a special order came in, hence antique room size Navajos are very rare and very pricey. Distinct village/pueblo styles developed. Among the best are: Two Grey Hills (considered the tightest, closest of all Navajo weaving), Crystal Springs, and Ganado. Certain new patterns such as the “Storm pattern” with jagged lightning bolts emanating from a dark cloud developed. The Yei rug with dancing Kachina doll figures became popular. The palette has been expanded beyond the classic grey, tan, dark brown, and cream natural wool combination to again include reds, blues, and greens. Navajo pictorials include American flags, trains, and automobiles, domestic and local scenes and scenery. Individual artist weavers now command gallery shows and correspondingly elevated prices. There are several levels of Navajo work, and antique and vintage scatters with simple flat designs, medium weaves, and tritonal palettes, and in good floor worthy condition are still available reasonably. The Native American weaving tradition extends into Colorado with two-piece scatters with sharp sawtooth medallions and striped end borders, with wool tapestry weave on cotton warps. These descend from the Saltillo blankets of Northern Mexico. These tend to be lighter in handle than Navajo rugs and are better suited as wall hangings or throw covers. They have a much smaller collecting crowd than Navajos and real treasures can still be found. Antique large pieces are particularly uncommon, and the surviving tradition seems to date not much before 1900. New England and the Canadian Maritime Provinces are the home of the hooked scatter rug. Hooked rugs are thrift. Everything was saved and repurposed. Instead of buying new cotton or wool fabric for the backing, feed sacks were opened out, thus restricting the size of the finished pieces. While the Canadian rugs often display sailing ships or other nautical themes, the New England farmers, scratching a livelihood out of the rocky soil, reproduced their household favorites; children, dogs, houses, vases with flowers, medallions, and vinery, as well as sailing ships. Worn out garments were cut into long, narrow strips and a small hooked device was used to pull loops of fabric through the plain-weave, jute or hemp usually, foundation. It looks homey because it is. The heyday of the New England hooked rug is between 1870 and 1920. This thrift also gave rise to the pieced quilt. Again bits of garments and bed linens were assembled to created artistic patterns. Later farm women in Ohio, Indiana, and points farther Midwest created hooked rugs. There are a relative few larger, room size hooked carpets, often in repeating patterns, and also narrow runners with landscape designs Thrift extends to two other canonical types of American folk rugs: the braided type and the rag type. Cut the fabric into wider strips, end join and twist them into long cords, then braid them into ropes, and finally assemble them into an oval or circle and sew them tight. Even if one begins with a single vertical, long strip, the process of wrapping around and around in a snail shell spiral eventually produces a long, elliptical carpet. The original width and the further compaction of the braiding process produces a sturdy fabric the same on both sides. The color joins make each rug unique. The often ad hoc attachment of one colored strip to the next ensures that no two rugs are alike. The original garments are usually wool or cotton. All, or most, silk braided rugs are probably recent, not folk creations but factory work. The makers of antique and vintage braided rugs simply could not afford silk clothing. Braided rugs range from small scatters up to large room size pieces. They were quick to make and the creation of the fabric strips and braided ropes took the longest time. Assembling it was easy and quick. Most are vintage. The new ones are likely made overseas, are more uniform tonally and lack the real artisanal individuality. The third thrift rug type is the rag rug, with thin cotton lines joining straight rag shoots. The rug grows row by rag row, the cotton threads weaving under and over, or straight through, the rag wefts. The rug strips are usually composite, made from joining garment bits. The finished rug has a multicolor effect. Of course, the weaver can select rag strips to achieve a coloristic or pattern effect. But this is rare and assumes that there was a wide assortment of rags to select from. Actually, the rags derived from a family’s cast offs, giving a random effect to the result. Rag rugs range in size from scatters to regular room sizes. A twelve foot by fifteen or eighteen rag carpet is a rare thing. A rag rug can be created anywhere there is a true rag trade. Most American rag carpets are vintage. Rag rugs fall apart when the cotton “warps” are broken, and they are tossed out. Hence few rag rugs of real age survive. Rag and braided rugs are best for informal settings. Braided rugs work well with rustic wood furniture while rag rugs are a more beach house kind of décor. Unlike Orientals, the sizes of braided and rag carpets can be fairly easily adjusted without impairing the patterns. They are inexpensive and homey.

Dimensions:
Width: 159 in (403.86 cm)Length: 160 in (406.4 cm)
Style:
American Classical (In the Style Of)
Materials and Techniques:
Wool,Hand-Knotted
Place of Origin:
United States
Period:
Mid-20th Century
Date of Manufacture:
Mid-20th Century
Condition:
Seller Location:
New York, NY
Reference Number:
Seller: 277151stDibs: LU882324717922

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