Pair of Egyptian Revival Armchairs

Presenting an absolutely stunning and original 18C english chippendale shepherds crook armchair. Made in England circa 1780-1800 of walnut, this ‘period’ chair is simply Gorgeous in it’s Originality! It is still covered in it’s original needlepoint/tapestry upholstery with neo-classical elements of a Greek or Roman Goddess sitting holding a staff on the back splat and floral motiff’s elsewhere. What makes this piece Truly Original is the fact that the needlepoint appears to have been signed by the original owner/maker of the tapestry and it appears to be the family name of “Tancret”. The arm rests have the most glorious ‘shepherd’s crook’ twists and turns. The central base section has what appears to be heavily carved Prince of Wales Plumes, signifying the Regency Era. The knees of the 2 front legs have the most amazingly carved acanthus relief decoration and the 2 front legs end in the best example of ball and claw feet you are ever likely to see. The back legs also have some interesting detail as the feet are platformed or hooved. Overall, the piece is in great condition for it’s age and use. There are no major tears or holes in the original tapestry. There is some discoloration but that is to be expected with a piece this old. There is a very small piece of the central front medallion (bottom left as you look) missing, but it is not noticeable and does not detract from the piece. One small stain on the back. Gorgeous natural patina to the wood. Provenance: From a Wealthy Estate in Kentucky/Tennessee Condition: Very good. See full description. Dimensions: 44? tall, 28? wide and 27? deep Seat height of 18.5? with seat depth of 17.5? and interior seat width of 22.5? Armrests are 26.25? Tall The vast movement of people that followed the Norman Conquest of England in 1066 brought the Tancret family name to the British Isles. Tancret comes from the ancient Norman given name Tancred. The Tanksley variant is indeed rare. However, this name traces its origin to Roger Tankerlayman who was listed in Yorkshire in 1387. Because of this political and religious unrest within English society, many people decided to immigrate to the colonies. Families left for Ireland, North America, and Australia in enormous numbers, traveling at high cost in extremely inhospitable conditions. The New World in particular was a desirable destination, but the long voyage caused many to arrive sick and starving. Those who made it, though, were welcomed by opportunities far greater than they had known at home in England. Many of these families went on to make important contributions to the emerging nations of Canada and the United States. Analysis of immigration records indicates that some of the first North American immigrants...

PRESENTING A GORGEOUS and INTRIGUING Pair of Gainsborough Library Chairs in the Irish Georgian Style. Made of walnut, probably in the 1980’s and probably made and upholstered in the US ….. for the ‘amusing and ironic’ reasons, we will ‘delve’ into later in this posting! This pair of beautiful re-production chairs, were styled upon “Gainsborough’ Library Armchairs, from the Georgian Era of British & Irish furniture. This pair were specifically styled on the ‘Irish’ Georgian Style, with the ‘hairy paw’ feet and the ‘Celtic Knot” motif on the armrests. Both motif’s being, ‘synonymous’, with Irish Georgian furniture in the mid to late 18th Century! Both are upholstered in an antique style, ‘Coat of Arms...

PRESENTING A LOVELY 19C French Gothic Revival Bench/Stool or Organ Stool/Bench seat. Made in rural/provincial France (possibly Brittany) circa 1860-80 and in the Gothic Revival Style. We are of the opinion that the wood is ‘chestnut’ and not ‘oak’, as one would expect. The use of ‘chestnut’ makes this even RARER! Very ‘ecclesiastical’ in design and possibly would have been made for a Church, as the organ player’s stool/bench seat. Oblong/rectangular in shape. Unmistakably French, due to the base cross support design and construction, with circular central medallion (very ‘Breton’ in design) and wooden peg inserts for securing the base cross support on the outside of each side. This bench/stool is ‘nicer’ than most that have appeared on the market, due to it’s very good condition and the beautifully hand-carved decoration, beveled edges and raised arches on both sides. Also, the pair of carved gothic window-esque friezes on both sides, are a lovely touch! We are confident that this is a 19th Century piece, due to its natural aging, patina and when being re-upholstered it still had it’s original straw and horse (?) hair filling for the seat cushion. This Bench is part of an EXCEPTIONAL Private Dallas Collection. This Bench has IMPECCABLE PROVENANCE: It was purchased by an ancestor of the family (together with several other items also in the Collection), at a French Antique Auction held at the Club Room in the Stoneleigh Court (Hotel), Dallas on Wednesday the 2nd April 1930. (Now The Meridian Hotel). We have the Original Auction Catalog, which has remained with the Collection, since that Auction. (see photos). The Auction was titled: ” Works of Art and Furnishings of The Chateau de Turique (Nancy) and The Conde-Rougemont Home (Touraine). The cover of the Catalog also has a ‘seal’ of a Coat of Arms. The first page of the Catalog States: “Exhibition on Wednesday, April 2nd And Following Days From 10 A.M. to 10 P.M……EXHIBITION at CLUB ROOM, STONELIGH COURT, DALLAS, TEXAS”. The Second page gives a brief description of the Auction contents and states that ” This Exhibition will be presented by M. Fernand M. Adda of Paris France” This bench, we believe, was Lot No: 297 and was described in the Auction Catalog as: 297 – CARVED GOTHIC BENCH...

PRESENTING a FABULOUS 19C English Rococo Revival Ecclesiastical Oak Hall Chair. Made in England (Britain) circa 1870 in the Rococo Revival Style from solid oak. The large carved ac...

Presenting a lovely Early 20C British Tiger Oak Renaissance Revival Book Slide. Made in England circa 1900-20 as part of the Renaissance Revival trend of that period. PRESENTING A ...

Stunning 19th century French Empire, neoclassical/Rococo Revival style Marquetry vitrine or display cabinet, of large proportions!! A real statement piece! Made of a fabulous variety of veneers, including kingwood, satinwood, tulipwood, harewood and walnut with quality classical ormolu mounts. It has ebonized pillars in the Empire style, with walnut and exotic hardwood friezes in the Rococo style. Double glass doors to middle section and single glass doors on either side. The glass on the doors are framed in ormolu banding. Floral Marquetry panels on front and parquetry on the sides. The front central section is a pullout / pull-out drawers with gorgeous walnut frieze panel and original carved walnut knobs. Scrolling pelmet on the top in 3 sections banded in ormolu beading. Scrolling base with cabriolet feet and ormolu mounts on base. Various ormolu mounts, floral mounts, mounts of Baachus and mounts of neoclassical female figures. In 3 sections. with 2 side cabinets and large central section with 3 section pelmet, stunning piece!!! The quality ormolu mounts are marked with the letter “R” and what appears to be “FR 678”. We were originally of the belief that this piece might have been made at the very end of the 19th century, but having regard to the quality of workmanship throughout this piece we are of the opinion that it was most likely made in the third quarter of the 19th century, circa 1870 and by an obviously top quality Parisienne maker with a surname beginning with “R”. It is definitely in the style of David Roentgen who was known for his Rococo/neoclassical styles. David Roentgen, (born Aug. 11, 1743-died Feb. 12, 1807, Wiesbaden, Duchy of Nassau), cabinetmaker to Queen Marie-Antoinette of France; under his direction the family workshop at Neuwied (near Cologne), founded by his father, Abraham Roentgen, became perhaps the most-successful firm of furniture production in the 18th century. After succeeding his father as head of the Neuwied workshop in 1772, Roentgen strove to broaden their clientele, an ambition that brought him first to Hamburg and ultimately to Paris (1774), where in 1779 he was spectacularly successful in selling his finest furniture to King Louis XVI of France for £3,300 to £4,000, an unprecedented sum for the time. Appointed cabinetmaker to the queen, Roentgen was granted admission (1780) as maître-ébéniste (master cabinetmaker) to the trade corporation of Paris cabinetmakers, making it possible for him to keep in Paris a stock of the furniture manufactured at Neuwied. Thus he was able to compete with such great cabinetmakers as Jean-Henri Riesener and Adam Weisweiler, reputedly his former pupil at Neuwied. After his first visit to St. Petersburg, Empress Catherine II the Great bought huge quantities of his furniture; King Frederick William II of Prussia was also his client. When in 1795 the French Revolutionary armies threatened to cross the Rhine, Roentgen evacuated his establishment and moved his stock farther inland. Unfortunately, he lost everything in his Parisian salon and in his Neuwied workshop, both of which were sacked by Republican troops. He was crushed, despite his appointment as court furnisher to the king of Prussia. Although he never succeeded in starting production again, former apprentices of his whom he helped to establish in the German cities of Berlin (David Hacker...

Egyptian Revival Ebonized armchair with a pierced carved back, arm support, and caned seat on paw feet.

Antique, 19th century, Egyptian Revival, carved maple armchair with horsehair upholstery is a beautiful example of furniture made during America’s second wave of Egyptian Revival whi...

20th Century, Pair of Lacquered Giltwood Armchairs in Egyptian revival style This particular pair of armchairs, made of carved wood, lacquered and golden, is very bright and decorat...

For full item description be sure to click on CONTINUE READING at the bottom of this listing. Offering one of our recent palm beach estate fine furniture acquisitions of a Pair of A...

A large and impressive French 19th century Napoleon III Egyptian revival mahogany and bronze-mounted throne armchair with bronze figures of winged sphinxes, circa 1870-1880. Measu...

Pair of gothic revival oak armchairs. Upholstered in embossed leather.