Fine Pair of Grand Armchairs Attributed to Andre Arbus

A fine set of four chairs attributed to André Arbus. The distinctive swept arms and tapered legs are classic Arbus. These chairs are beautifully proportioned with elegant lines an...

Dating from the 1940s this is a stunning pair of armchairs attributed to Jacques Quinet. Fully upholstered with sumptuous curved arms and sabre back legs.

A beautiful pair of armchairs attributed to Guglielmo Ulrich, the master of Italian classicism. These chairs are an exceptional example of Ulrich's architectural skill where line bec...

An elegant pair of French table lamps from the 1940s attributed to Andre Arbus. Of neoclassical obelisk form on low square basses wrapped in parchment and finished with brass ball and upturned cup...

A pair of supremely elegant French Art Deco armchairs, each beautifully proportioned with an upper body upholstered in velvet, with the plane of each arm ever so subtly curved along ...

A pair of Maison Jansen chairs, circa 1940. Finished in ebonised black with beautiful curved arms and back, resting on typically Jansen neoclassical legs with a circular brass disc ...

Pair of armchairs "Chauffeuse" of 1946 attributed to Andre Arbus Composed of a low seat with cushion, the upholstery is original horsehair and spring, high back in horsehair. Fabric ...

Pair of armchairs designed by Andre Arbus (1903-1996). Oak wood with silver colored patina and leather upholstery. France, circa 1940.

Elegant, sober pair of French Mid-Century armchairs / club chairs in the modern neoclassical style attributed to Andre Arbus.

French Forties Art Deco pair of large-scale armchairs in the style of Andre Arbus. 26” wide x 30” deep x 37” high. Andre Arbus (1903-1969) French Art Deco Architect and Designer, ANDRE ARBUS, was born in Toulouse, France and was a third-generation cabinetmaker. Arbus became active in the Salons of the Societe des Artistes Decorateurs and the Salon d’Automne in Paris in 1925 at the young age of 22. His work included commissions for the 1922 oceanliner Bretagne, the 1927 La Provence and Ile-de-France as well as the 1961 France. He often used rare and exotic materials in his refined designs. These were elegant and pure and often gave the appearance of fragility – as in his neo-classical presentation at the Paris International Exposition of 1937. He compared the joints in his furniture to the joints of the human hand. His commissions also included private townhouses as well as Le Mobilier National for which he designed a desk for U.S. Ambassador W. H. Harriman, and the post World War II Medici Room of the Chateau de Rambouillet.

A beautiful variation from a set commissioned in 1945 by Georges Fontaine, administrator of the Mobilier national, for the layout of Jacques Jaujard'...

Elegant pair of carved walnut chairs with sweeping lines and delicate arm details, presented in their original condition. Refinishing & COM upholstery available upon request.